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- All Subjects: religion
- Genre: Academic theses
- Genre: Masters Thesis
- Creators: West, Stephen H.
- Creators: Clay, J. Eugene
Description
Wu Yun (d. 778) was prominent poet at the Tang court. His biography of the Daoist ritualist Lu Xiujing (406-77) can be read on several levels. It functions as a source of information on Lu's life and works, but a reading focused on this alone is insufficient. Conventions of Chinese biography dictate the text is read not just with an eye towards who Lu "really was," but also how he functions as a character fashioned by an author for certain purposes. With this in mind, the reader can learn not just about Lu, but about the audience of the text and the aims of its author. Lu functioned as a model for later Daoist masters and as an exhortation to proper conduct towards them on the part of rulers and elites. Finally, with reference to the work of Michel Foucault and scholars of collective memory, this work can be read as a window onto the world of discourse in early medieval China.
ContributorsSwanger, Timothy (Author) / Bokenkamp, Stephen R. (Thesis advisor) / Aguilera, Miguel A. (Committee member) / West, Stephen H. (Committee member) / Arizona State University (Publisher)
Created2012
Description
This thesis examines the play Qian Dayin zhichong Xie Tianxiang, written by the Yuan dynasty (1271-1368) playwright Guan Hanqing (c.1225-1302). The first chapter of this paper provides brief background information about northern style Yuan drama (zaju) as well as a plot summary and notes about the analysis and translation. Through a close reading of the play, I hope to illustrate how the play's complicated ending and lack of complete resolution reveals why it has received relatively little attention from scholars who have previously discussed other strong, intelligent female characters in Guan Hanqing's plays. The second chapter of this thesis includes translation of the play that is comprised of a wedge preceding the four acts. Before each act of the play is a critical introduction and analysis of the act to follow. Although many of Guan Hanqing's plays have been translated into English, this play has never been translated.
ContributorsByrnes, Kelli (Author) / West, Stephen H. (Thesis advisor) / Zou, Yu (Committee member) / Ling, Xiaoqiao (Committee member) / Arizona State University (Publisher)
Created2011
Description
During the twelfth century, three new schools of Daoism were founded in North China: Quanzhen (Complete Perfection), Taiyi (Supreme Unity), and Dadao (Great Way). While Quanzhen has received much scholarly attention, the others have been largely ignored. By focusing on just one school--Dadao--as in depth as possible and within the historical context, I hope to elucidate the flourishing state of Daoism in North China during the twelfth through fourteenth centuries beyond just the activity of the Quanzhen school. To that end, I have amassed sixteen inscriptions and records, as well as reconstructed one inscription previously incomplete, and added them to the eleven inscriptions and records published in the Daojia jinshi lüe and the three pieces of Yuan-dynasty poetry and prose contained in the Nan Song chu Hebei xin Daojiao kao. This has doubled the available source material. Most of these have been previously published individually, but have never been studied in conjunction with the other known Dadao texts. The result is the most comprehensive study of the school in over seventy-five years, in which I also present a new understanding of the school’s founder, how the lineages developed, and the school’s ultimate fate. The portrait of the school which emerges from this dissertation challenges the notion that Dadao was nothing more than a minor variation of the Quanzhen school or is otherwise unworthy of scholarly attention.
ContributorsBussio, Jennifer J (Author) / Bokenkamp, Stephen R (Thesis advisor) / Tillman, Hoyt C (Committee member) / West, Stephen H. (Committee member) / Arizona State University (Publisher)
Created2017
Description
An early Christian construct which had the recently-deceased soul endures a series of judicial proceedings by demons, the telonia has survived as a folk belief in Orthodox nations such as Russia and Ukraine. The telonia construct is a controversial one in Orthodoxy, however, as discussions of the construct's origins often break down into polemical debate regarding the ontological reality of the telonia. This thesis, as its primary goal, investigates the origins and early development of the telonia in a methodical, scholarly manner. It adduces texts from ancient Egypt to propose that the origins of the telonia extend to the earliest written phases of the Egyptian religion. Secondarily, this thesis investigates the origins of the logismoi: intentions which demons introduce into human minds to seduce them to sin. In 1952, Morton Bloomfield posited that the logismoi ultimately evolved from the telonia. Bloomfield's assertion has become the secondary inquiry of this thesis: to wit, whether the logismoi construct evolved from the telonia. This study employs textual criticism of sources in Greek, Latin, and Coptic to answer the two queries. The evidence indicates that the telonia evolved from three previous constructs over the course of at least 2500 years. It also indicates that neither the telonia nor any of its ancestral constructs influenced the creation of the logismoi.
ContributorsMcAvoy, Shawn Daniel (Author) / Newhauser, Richard (Thesis advisor) / Clay, J. Eugene (Committee member) / Tueller, Michael (Committee member) / Arizona State University (Publisher)
Created2011
Description
This dissertation explores the concept of “Pacing the Void” (buxu 步虛) in Daoist scripture and ritual in relation to the Chinese literary tradition from early medieval China through the Tang dynasty. While the term generally connotes the act of ascending to the heavens, it took on varying layers of meaning throughout history, negotiated against the backdrop of new Daoist revelations, historical conditions, and the literary tradition. In part I, I examine early Daoist scriptures, both those of the Shangqing 上清 (Upper Clarity) and Lingbao 靈寶 (Numinous Treasure) traditions, to trace how the concept took shape in these works. The concept originated in Shangqing scriptures, which associate buxu with music and verse performed by the gods on momentous occasions. In Lingbao scriptures, buxu specifies the gods’ regular ritualized ascent up the Jade Capitoline Mountain (Yujing shan 玉京山). A distinct hymnal form, a series of ten verses, also emerged in Lingbao scriptures. Likely first intended for personal cultivation, these hymns were later adapted for communal ritual, in which priests embodied the scriptural doctrine in their performance, reenacting the heavenly precedent on the mundane stage. Part II explores how later writers adapted the Lingbao buxu hymnal form for various purposes and how they understood the idea of “Pacing the Void.” Yu Xin 庾信 composed a series of buxu poems in the Northern Zhou as a commentary on the religious and political scene of the period. Wu Yun 吳筠, writing in the mid 8th century, adapted the buxu hymn as part of his efforts to make Daoist cultivation and transcendence legible for a literati audience. Other Tang dynasty poets transformed buxu into a poetic trope, filtering their experience of Daoist ritual and music through more standard literary associations. By focusing on these writings in their social and historical context, I demonstrate how the concept of buxu, as scriptural doctrine, ritual form, and literary trope, evolved over this time, became embedded in the literary tradition, and captured the imagination of poets and rulers for centuries after its origin.
ContributorsFeezell, Tyler (Author) / Bokenkamp, Stephen R. (Thesis advisor) / West, Stephen H. (Committee member) / Ling, Xiaoqiao (Committee member) / Morrow Williams, Nicholas (Committee member) / Arizona State University (Publisher)
Created2022
Description
The Doukhobors originated in Russia in the 18th century and faced many instances of persecution over the years, including exile, imprisonment, and forced assimilation. Despite these challenges, the Doukhobors managed to maintain their community and culture through their unique rituals and practices. This thesis explores the role of Doukhobor rituals in fostering a sense of community that helped them withstand decades of persecution and asks how rituals functioned among the Doukhobors between 1895 and 1915. How did Doukhobors adapt their rituals to the challenges around them to maintain their group cohesion? Through these rituals, the Doukhobors created a tight-knit community that provided emotional support and solidarity in the face of external threats. Doukhobor rituals were linked to the most intimate part of their lives—the celebration of love, recognition of the soul’s departure, their history, and their identity. These rituals highlight perseverance, joy, and community building.
ContributorsNeubuhr Torres, Rachel Louise (Author) / Clay, J. Eugene (Thesis advisor) / Henn, Alexander (Committee member) / Androsoff, Ashleigh B (Committee member) / Arizona State University (Publisher)
Created2023
Evolution of an Eschaton: An Analysis of On the Antichrist (CPG 3946) Attributed to Efrem the Syrian
Description
On the Antichrist (CPG 3946) is an eschatological sermon historically attributed to Efrem the Syrian. Composed in Koine Greek, On the Antichrist is not an authentic Efremic sermon but is attributed to the construct Greek Efrem, often called in the literature ‘Ephraem Graecus’. Sometime around the 12th century, Slavic Christians translated the work into Old Church Slavonic.
As its goal, this study employs On the Antichrist to investigate how religions (e.g. Christianity) employ religio-cultural constructs and either refine, or redefine, them for new audiences and circumstances. To accomplish this, the author transcribes and translates one of the most important manuscript witnesses of this sermon (labelled Ov1), translates it, compares it with other early witnesses, and analyzes the differences between the Greek and OCS versions of the text in order to ascertain the variations in the versions and to posit why such variations might have arisen in the transmission of this sermon. Finally, the critical edition is interrogated to propose a date of the autographic text-form of On the Antichrist to the 6th to 8th centuries.
This dissertation finds that multiple recensions of the sermon evolved from the earliest recension, the A Recension. The Old Church Slavonic recension of On the Antichrist falls squarely within the A Recension and seems to share a common ancestral tradition with the other A Recension manuscripts and help to reconstruct the early history of On the Antichrist. Thus, this dissertation provides one necessary step in preparation for the difficult task of preparing a critical edition of this sermon.
The sermon draws heavily upon 2 Thessalonians 2 and the Little Apocalypse. Two manuscripts overtly indicate multiple meters for the sermon, but two others only hint at such divisions, and the nature of the meters (Aramaic or Byzantine) is uncertain. The sermon itself references no datable historical events. The Greek of the sermon analyzing to a Late Koine/Early Byzantine cusp language datable to between the 6th to 8th centuries. For all the uncertainties and puzzles this sermon presents, the evidence clearly points to at least one conclusion: Efrem the Syrian (d.373) cannot have authored this work, and there is no way currently to ascertain the author.
Finally, this dissertation adduces an argument that Byzantine and Slavic Christians preserved On the Antichrist because of its emphasis upon humility and penitence, which allowed for the sermon to be incorporated into Orthodox liturgy by the 10th century.
As its goal, this study employs On the Antichrist to investigate how religions (e.g. Christianity) employ religio-cultural constructs and either refine, or redefine, them for new audiences and circumstances. To accomplish this, the author transcribes and translates one of the most important manuscript witnesses of this sermon (labelled Ov1), translates it, compares it with other early witnesses, and analyzes the differences between the Greek and OCS versions of the text in order to ascertain the variations in the versions and to posit why such variations might have arisen in the transmission of this sermon. Finally, the critical edition is interrogated to propose a date of the autographic text-form of On the Antichrist to the 6th to 8th centuries.
This dissertation finds that multiple recensions of the sermon evolved from the earliest recension, the A Recension. The Old Church Slavonic recension of On the Antichrist falls squarely within the A Recension and seems to share a common ancestral tradition with the other A Recension manuscripts and help to reconstruct the early history of On the Antichrist. Thus, this dissertation provides one necessary step in preparation for the difficult task of preparing a critical edition of this sermon.
The sermon draws heavily upon 2 Thessalonians 2 and the Little Apocalypse. Two manuscripts overtly indicate multiple meters for the sermon, but two others only hint at such divisions, and the nature of the meters (Aramaic or Byzantine) is uncertain. The sermon itself references no datable historical events. The Greek of the sermon analyzing to a Late Koine/Early Byzantine cusp language datable to between the 6th to 8th centuries. For all the uncertainties and puzzles this sermon presents, the evidence clearly points to at least one conclusion: Efrem the Syrian (d.373) cannot have authored this work, and there is no way currently to ascertain the author.
Finally, this dissertation adduces an argument that Byzantine and Slavic Christians preserved On the Antichrist because of its emphasis upon humility and penitence, which allowed for the sermon to be incorporated into Orthodox liturgy by the 10th century.
ContributorsMcAvoy, Shawn (Author) / Clay, J. Eugene (Thesis advisor) / Moore, Moses (Committee member) / Swanson, Todd (Committee member) / Tueller, Michael (Committee member) / Arizona State University (Publisher)
Created2019