Matching Items (6)
Filtering by

Clear all filters

153155-Thumbnail Image.png
Description
This dissertation discusses the processes of post-colonial minoritization of Hindus in Pakistan from the inception of the state in 1947 to the secession of the eastern wing (former East Pakistan, now Bangladesh) from the country after a civil and international war in 1971. The dissertation analyzes the emergence and development

This dissertation discusses the processes of post-colonial minoritization of Hindus in Pakistan from the inception of the state in 1947 to the secession of the eastern wing (former East Pakistan, now Bangladesh) from the country after a civil and international war in 1971. The dissertation analyzes the emergence and development of the minority question in Europe and connects it with Colonial India, where it culminated into Partition of British India and emergence of Pakistan in 1947. The dissertation analyzes post- Colonial minoritization of Pakistani Hindus as a gradual process on three different but interconnected levels: 1. the loss of Hindu life from Pakistan, 2. the transference of Hindu property and 3. the political minoritization of Pakistani Hindus. The dissertation does so by approaching the history of Pakistani Hindus in two distinct geographical locations, Sindh and the ex-Pakistani province of East Bengal. It also includes discussion on Pakistani Scheduled Castes and Tribes. The dissertation is based on indepth, detailed fieldwork in Tharparkar district of Sindh province and archival research in Pakistan and Bangladesh.
ContributorsMahmood, Sadia (Author) / Feldhaus, Anne (Thesis advisor) / Eaton, Richard (Committee member) / Henn, Alexander (Committee member) / Arizona State University (Publisher)
Created2014
157099-Thumbnail Image.png
Description
Religions, following Max Müller, have often been seen by scholars in religious studies as uniform collections of beliefs and practices encoded in stable “sacred books” that direct the conduct of religious actors. These texts were the chief focus of academic students of religion through much of the 20th century, and

Religions, following Max Müller, have often been seen by scholars in religious studies as uniform collections of beliefs and practices encoded in stable “sacred books” that direct the conduct of religious actors. These texts were the chief focus of academic students of religion through much of the 20th century, and this approach remains strong in the 21st. However, a growing chorus of dissidents has begun to focus on the lived experience of practitioners and the material objects that structure that experience, and some textual scholars have begun extending this materialist framework to the study of texts. This dissertation is a contribution in that vein from the field of Daoist studies. Now split between two separate texts, the Most High Scripture of the Rectifying Methods of the Three Heavens began as a 4th-century collection of apocalyptic predictions and apotropaic devices designed to deliver a select group of Chinese literati to the heavens of Highest Clarity. Later editors during the early medieval period (ca. 220-589 CE) took one of two paths: for their own reasons, they altered the Rectifying Methods to emphasize either the world’s end or its continuation. Detailed study of these alterations and their contexts shows how individuals and groups used and modified the Rectifying Methods in in ways that challenge the conventional relationship between religious text and religious actor.
ContributorsSwanger, Timothy Charles (Author) / Bokenkamp, Stephen R (Thesis advisor) / Campany, Robert (Committee member) / Chen, Huaiyu (Committee member) / Oh, Young (Committee member) / West, Stephen (Committee member) / Arizona State University (Publisher)
Created2019
154485-Thumbnail Image.png
Description
This dissertation is a study and translation of the Hereditary Household of the Han Celestial Master (Han tianshi shijia 漢天師世家), a hagiographical account of successive generations of the Zhang family patriarchs of Celestial Masters Daoism (Tianshi dao 天師道) at Dragon and Tiger Mountain (Longhu shan 龍虎山) in Jiangxi province that

This dissertation is a study and translation of the Hereditary Household of the Han Celestial Master (Han tianshi shijia 漢天師世家), a hagiographical account of successive generations of the Zhang family patriarchs of Celestial Masters Daoism (Tianshi dao 天師道) at Dragon and Tiger Mountain (Longhu shan 龍虎山) in Jiangxi province that was compiled in stages between the late fourteenth and early seventeenth centuries. The Zhang family emerged in the late Tang or early Five dynasties period and rose to great prominence and power through the Song, Yuan, and Ming dynasties on the basis of the claim of direct and unbroken lineal descent from Zhang Daoling 張道陵 the ancestral Celestial Master whose covenant with the deified Laozi in 142 C.E. is a founding event of the Daoist religion. In this study I trace the lineal history of the Zhang family as presented in the Hereditary Household in chronological parallel to contrasting narratives found in official histories, epigraphy, and the literary record. This approach affords insight into the polemical nature of the text as an assertion of legitimacy and allows for a demonstration of how the work represents an attempt to create in writing an idealized past in order to win prestige in the present. It also affords the opportunity to scour the historical record in an attempt to ascertain a plausible timeframe for the origin of the movement and to explore the relationship of the Hereditary Household to earlier hagiographic works that may have informed it. This study also contextualizes the Hereditary Household in the post-Tang religious climate of China. In that period the establishment of lineal authenticity and institutional charisma through narratives of descent became a widespread tool of legitimation employed by Buddhists, Daoists, and Confucians in hopes of obtaining imperial recognition and patronage.
ContributorsAmato, Paul (Author) / Bokenkamp, Stephen R (Thesis advisor) / Chen, Huaiyu (Committee member) / Feldhaus, Anne (Committee member) / West, Stephen H. (Committee member) / Arizona State University (Publisher)
Created2016
155494-Thumbnail Image.png
Description
During the twelfth century, three new schools of Daoism were founded in North China: Quanzhen (Complete Perfection), Taiyi (Supreme Unity), and Dadao (Great Way). While Quanzhen has received much scholarly attention, the others have been largely ignored. By focusing on just one school--Dadao--as in depth as possible and within the

During the twelfth century, three new schools of Daoism were founded in North China: Quanzhen (Complete Perfection), Taiyi (Supreme Unity), and Dadao (Great Way). While Quanzhen has received much scholarly attention, the others have been largely ignored. By focusing on just one school--Dadao--as in depth as possible and within the historical context, I hope to elucidate the flourishing state of Daoism in North China during the twelfth through fourteenth centuries beyond just the activity of the Quanzhen school. To that end, I have amassed sixteen inscriptions and records, as well as reconstructed one inscription previously incomplete, and added them to the eleven inscriptions and records published in the Daojia jinshi lüe and the three pieces of Yuan-dynasty poetry and prose contained in the Nan Song chu Hebei xin Daojiao kao. This has doubled the available source material. Most of these have been previously published individually, but have never been studied in conjunction with the other known Dadao texts. The result is the most comprehensive study of the school in over seventy-five years, in which I also present a new understanding of the school’s founder, how the lineages developed, and the school’s ultimate fate. The portrait of the school which emerges from this dissertation challenges the notion that Dadao was nothing more than a minor variation of the Quanzhen school or is otherwise unworthy of scholarly attention.
ContributorsBussio, Jennifer J (Author) / Bokenkamp, Stephen R (Thesis advisor) / Tillman, Hoyt C (Committee member) / West, Stephen H. (Committee member) / Arizona State University (Publisher)
Created2017
152395-Thumbnail Image.png
Description
This dissertation examines songs, sticks, and stories pertaining to Tohono O'odham pilgrimages to Magdalena, Sonora, Mexico, the home of their patron saint, Saint Francis. In the sense that Tohono O'odham travel to Magdalena in order to sustain their vital and long-standing relationship with their saint, these journeys may be understood

This dissertation examines songs, sticks, and stories pertaining to Tohono O'odham pilgrimages to Magdalena, Sonora, Mexico, the home of their patron saint, Saint Francis. In the sense that Tohono O'odham travel to Magdalena in order to sustain their vital and long-standing relationship with their saint, these journeys may be understood as a Christian pilgrimages. However, insofar as one understands this indigenous practice as a Christian pilgrimage, it must also be noted that Tohono O'odham have made Christianity their own. The findings show that Tohono O'odham have embedded, or emplaced, Christianity within their ancestral landscapes, and that they have done so in a variety of ways through songs, staffs, and stories. This work emphasizes connections between O'odham processes of producing places and persons. Songs associated with the journey to Magdalena, which contain both geographical and historical knowledge, foreground the significance of place and the movements of various persons at the places mentioned within them. The staffs of O'odham walkers, like other sticks, similarly contain both geographical and historical knowledge, evoking memories of past journeys in the present and the presence of Magdalena. Staffs are also spoken of and treated as persons, or at least as an extension of O'odham walkers. O'odham stories of good and bad walkers illustrate contested O'odham ideologies of socially sanctioned movements. Finally, this dissertation concludes by demonstrating some of the ways in which O'odham senses of their own history diverge from academic models of Tohono O'odham history and the history of Christianity in the Americas.
ContributorsSchermerhorn, Seth (Author) / Swanson, Tod D (Thesis advisor) / Brown, Eddie F. (Committee member) / Feldhaus, Anne (Committee member) / Arizona State University (Publisher)
Created2013
193015-Thumbnail Image.png
Description
This study offers a genealogical investigation of the modern manufacture of the Buddha’ birthplace at Lumbini, in Nepal’s rural Terai region. Throughout the twentieth century, Asian and non-Asian actors employed the cross-cultural prestige of Lumbini in their overlapping agendas. These efforts emerged in response to the Buddhism’s disembedding from traditional

This study offers a genealogical investigation of the modern manufacture of the Buddha’ birthplace at Lumbini, in Nepal’s rural Terai region. Throughout the twentieth century, Asian and non-Asian actors employed the cross-cultural prestige of Lumbini in their overlapping agendas. These efforts emerged in response to the Buddhism’s disembedding from traditional socio-political institutions under colonial governance across South and Southeast Asia and were further spurred by the rapid globalization characteristic of the mid-twentieth century. Lumbini was conscripted into colonial regimes of power, and also emerged as symbolic capital in the formation of national narratives within post-colonial India and Nepal. I argue that Lumbini presents a unique and interesting case of a protracted process of “heritagization” that is both multivalent and multivocal. As Buddhists have sought to ensure the survival of the Buddha’s dispensation (śāsana) in modernity, they have mobilized Lumbini as a powerful symbol of peace, brotherhood, and global connectivity in conjunction with the prevailing logics of their non-Buddhist contemporaries. Focusing on Lumbini's modern (re)discovery and its successive development highlights conjunctures between “Buddhist modernism” and the secularizing processes of heritage conservation and display. This study finds that trans-Asian flows of investment in reconstituting the Buddha’s birthplace throughout the twentieth century are antecedents to emergent forms of geopolitical and “geo-cultural” (Winter 2019) imaginations in the contemporary, as evidenced by Lumbini’s inclusion in China’s Belt and Road Initiative.
ContributorsHarcey, Blayne Kevin (Author) / Schober, Juliane (Thesis advisor) / Feldhaus, Anne (Committee member) / Emmrich, Christoph (Committee member) / Arizona State University (Publisher)
Created2024