Matching Items (16)
Filtering by

Clear all filters

137844-Thumbnail Image.png
Description
The impact of musical theatre in the United States calls attention to its role in our cultural heritage. Art in all its forms has always been considered to be something of an ongoing history of a society's culture. Musical theatre has been very successful in synthesizing several different aspects of

The impact of musical theatre in the United States calls attention to its role in our cultural heritage. Art in all its forms has always been considered to be something of an ongoing history of a society's culture. Musical theatre has been very successful in synthesizing several different aspects of American culture and establishing historical markers in areas of music, drama, social issues, and even technology. The plethora of issues challenged by pieces of music theatre has created a large canon of works that contribute greatly to our culture, both artistically and socially. These works are the result of many centuries of artistic performance and the evolution that these works have gone through over time. Tracing back through vaudeville, Follies, and into the works of European opera: musical theatre has a rich and extensive background in production styles that still inform its presentation today. These styles allow for a dynamic presentation of the ideas and issues that music theatre wishes to address and challenge. When the production style and content of musical works are drawn from these past sources, the oral traditions and storytelling aspects of these works gain renewed prominence. Music theatre as a new frontier of literary study warrants further investigation into its literary merit.
ContributorsMcNay, Michael (Author) / Dreyfoos, Dale (Thesis director) / Harper, Robert (Committee member) / Yatso, Toby (Committee member) / Barrett, The Honors College (Contributor) / College of Liberal Arts and Sciences (Contributor)
Created2012-12
164536-Thumbnail Image.png
Description

This story is a gothic-themed narrative which represents the amalgamation of two academic fields: creative writing and psychology. Told from the perspective of the main character, Euanthe, the focus of the story is to provide the reader with a recounting of a moment in her life as she contemplates her

This story is a gothic-themed narrative which represents the amalgamation of two academic fields: creative writing and psychology. Told from the perspective of the main character, Euanthe, the focus of the story is to provide the reader with a recounting of a moment in her life as she contemplates her existence as a vampire. Set in a decaying gothic city, this is an excerpt of a more extensive narrative and is intended to serve as a self-contained piece within a larger story. Sources such as folk tales, historical accounts of vampirism, popular literature, religious beliefs, and architectural symbolism were all influences that contributed to the conceptualization of the story and its themes.

ContributorsNasr, Chase (Author) / Fette, Donald (Thesis director) / Hoyt , Heather (Committee member) / Barrett, The Honors College (Contributor) / Sanford School of Social and Family Dynamics (Contributor)
Created2022-05
Description

As of 2022, suicide is the second leading cause of death for young people ages 12-24. For adolescents who identify as part of the LGBTQIA+ communities, the rates of suicide contemplations and attempts are as high as four times more likely compared with their heterosexual or cisgender peers. As of

As of 2022, suicide is the second leading cause of death for young people ages 12-24. For adolescents who identify as part of the LGBTQIA+ communities, the rates of suicide contemplations and attempts are as high as four times more likely compared with their heterosexual or cisgender peers. As of 2022, 45% of LGBTQIA+ youths have contemplated suicide. LGBTQIA+ teens are also more likely to experience bullying and discrimination. Despite extensive research conducted by The Trevor Project pointing to the importance of representation in the media for these LGBTQIA+ teens, governors, state legislatures, and school boards around the United States have made it their mission to deny these teens access to literature that feature LGBTQIA+ characters. As of September 2022, one in four books that are banned across the country from school libraries contain LGBTQIA+ characters. In order to combat this lack of access to LGBTQIA+ Young Adult literature, I created a resource website that acts as a safe space for queer teens to explore literature that features teens who identify like they do. The purpose of my website is threefold. First, I aimed to create a joyous space for teens to discover LGBTQIA+ literature. Second, I provided resources and information about different sexualities and gender identities for anyone who might want more information on these topics. And third, I wanted to prove to website visitors that they are not alone, regardless of how they may be negatively treated at home or at school. To accomplish these three goals, I created specific pages on the website, such as book recommendation pages compiled with research of LGBTQIA+ YA books paired with my own knowledge and resource pages informed by outside research such as my hotlines, LGBTQIA+ terminology, statistics, and gender identity explained pages. I also include a handful of author interview pages, which highlight written interviews I conducted with a few critically acclaimed queer YA authors. I provide screenshots and explanations in the following pages.

ContributorsTomlinson, Jill (Author) / Blasingame, James (Thesis director) / Konigsberg, William (Committee member) / Barrett, The Honors College (Contributor) / Department of English (Contributor) / Walter Cronkite School of Journalism and Mass Comm (Contributor)
Created2022-12
154386-Thumbnail Image.png
Description
The union between England and Scotland, which created the United Kingdom of Great Britain, generated heated discussion both before and after the Acts of Union took effect on May 1, 1707. Members of Parliament, the nobility, clergymen, pamphleteers, and authors from both nations participated in debates on the Union, in

The union between England and Scotland, which created the United Kingdom of Great Britain, generated heated discussion both before and after the Acts of Union took effect on May 1, 1707. Members of Parliament, the nobility, clergymen, pamphleteers, and authors from both nations participated in debates on the Union, in many kinds of writing, for many years after 1707. The voices of British women, however, have not been sufficiently considered in our scholarship, and are often conspicuously absent from our accounts of these polemical wars, which were still raging in the late eighteenth and early nineteenth centuries. This dissertation seeks to fill this gap in the academic conversation by taking Scottish, English, and British nationalisms as its theoretical paradigm in approaching writing by female authors. The dissertation's chapters examine how the Anglo-Scottish Union figures in the works by five women writers (Jane Austen, Cassandra Cooke, Dorothy Wordsworth, Mary Brunton, and Susan Ferrier) publishing from 1780 to 1820.

I argue that, in the aftermath of the Union, these women writers often expressed specifically gendered concerns— such as the maintenance of social etiquette, better education for women, making sense of national prejudices, and the erasure of regional socio-economic differences. In doing so, they ranged beyond a typically masculine focus on parliamentary politics, international military endeavors, macro economy, and national churches. English women writers' attitudes towards the Union were more positive than those entertained by Scots authors, but compared with contemporary male writers, both sides were less optimistic about the potential for building a blanket national identity for the entire Kingdom.

Taken together, the chapters of the dissertation provide a more comprehensive view of how the Anglo-Scottish Union figured in the minds of Britons, male and female, a century after its establishment, when the Kingdom was going through the Napoleonic Wars and another union with Ireland. The dissertation enriches our research on women's use of literary genres and techniques when taking part in political debates. It also serves to point out the need for more extensive surveys of the nuances of individual women writers' national affiliations.
ContributorsYu, Tong (Author) / Looser, Devoney (Thesis advisor) / Lussier, Mark (Committee member) / Lockard, Joe (Committee member) / Arizona State University (Publisher)
Created2016
130986-Thumbnail Image.png
Description
This project uses photography and a written portion to show how women's sports, specifically roller derby, impact identity and self perception. Roller derby is known for the tongue-in-cheek names that skates choose for themselves. This creates an alter-ego that, over time, merges into the true self.
The photo gallery can

This project uses photography and a written portion to show how women's sports, specifically roller derby, impact identity and self perception. Roller derby is known for the tongue-in-cheek names that skates choose for themselves. This creates an alter-ego that, over time, merges into the true self.
The photo gallery can be viewed here:
https://kmlewi18.wixsite.com/alterego
ContributorsLewis, Katrina Marie (Author) / Looser, Devoney (Thesis director) / Jackson, Victoria (Committee member) / School of Earth and Space Exploration (Contributor) / Barrett, The Honors College (Contributor)
Created2020-12
Description
This dissertation looks at two works of nineteenth-century British fiction that are considered outliers: Sir Walter Scott's Saint Ronan's Well (1824) and George Eliot's "The Lifted Veil" (1859). Saint Ronan's Well, a work of domestic fiction, has long been described as unusual for Scott because it is unlike his signature

This dissertation looks at two works of nineteenth-century British fiction that are considered outliers: Sir Walter Scott's Saint Ronan's Well (1824) and George Eliot's "The Lifted Veil" (1859). Saint Ronan's Well, a work of domestic fiction, has long been described as unusual for Scott because it is unlike his signature historical novels. "The Lifted Veil,” a Gothic novella, is generally understood as different in kind from Eliot’s realist and social problem fiction. I describe both texts as outliers because they have been described as atypical (in the case of Eliot) or less worthy of study (in the case of Scott) by scholars, for myriad reasons. My work uses both computational methods and tools and traditional literary close readings to test and assess these outlier works. I use stylometry, a computational tool that reads and compares texts to determine authorship attribution, to determine if both texts are indeed outliers for these authors. In addition, I use stylometric methods to analyze claims made by initial reviewers and contemporary critics about comparative authors and genres for Saint Ronan's Well and "The Lifted Veil." I examine statistical or stylistic evidence to test whether those long-standing claims of literary difference are supported with computational evidence. Each chapter consists of a series of stylometric tests that are analyzed in conjunction with close readings of text. The dissertation reaches three conclusions, based on the results of stylometric tests described across its four chapters. First, I find that, although Saint Ronan's Well is written in a unique subgenre for Scott, it is statistically and stylistically similar to his other novels. Second, I argue that "The Lifted Veil" is both an outlier for Eliot and an outlier among canonical work of the period in general, as indicated by the results of several stylometric tests. Finally, I argue that focusing on literary outliers is a necessary and productive step forward for traditional and computational literary studies. Focusing on texts that are literary and statistical outliers shows how computational and traditional literary methods can blend together to test the extent of generalizable knowledge in literary studies, especially with nineteenth-century British fiction.
ContributorsCaddy, Scott Allen (Author) / Looser, Devoney (Thesis advisor) / Justice, George (Committee member) / Mann, Annika (Committee member) / Simeone, Michael (Committee member) / Arizona State University (Publisher)
Created2021