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- Creators: Barrett, The Honors College
- Creators: Looser, Devoney
- Creators: Free, Melissa
- Status: Published
Description
The purpose of this project is to analyze Jane Austen's unfinished novel Sanditon (1817) and its inclusion of a character of color. This thesis discusses Austen's mixed-race heiress, Miss Lambe, in the context of two other pieces of fiction that feature mixed-race heroines--the anonymously published The Woman of Colour (1808) and Mary Ann Sullivan's Owen Castle (1816). Scholarship on Austen's awareness of the Abolitionist movement and her sympathy for its politics has previously been published. I advance our conversations on the subject by discussing Austen's Miss Lambe as a mixed-race heiress in the context of gender, race, and ethnicity in late eighteenth- and early nineteenth-century novels. My thesis considers literary and historical treatments of people of color and provides a trans-Atlantic approach to female characters identified as mixed race.
Juxtaposing Sanditon, The Woman of Colour, and Owen Castle provides insight into how Austen was working within a set of established literary traditions, while creating ways to disrupt some of its problematic elements. This project looks at conventions of the mixed-race female characters in five ways. To begin, I discuss the mixed-race heroine and the compulsion to define her place of origin. Second, I consider the convention of describing mixed-race heiresses' rights to their inheritance. An analysis of the significance of naming mixed-race heiresses follows. I discuss literary conventions of the betrayal of mixed-race females. Lastly, I explore the common use of black maid figures in novels of this era to advance social critique against prejudice. Comparative analysis of Austen with other novels featuring mixed-race heroines in this era allows us to reach new understandings of Sanditon. Austen's unfinished last novel is shown to question the power of fortune, to undermine the orthodoxy of categorizing race and ethnicity, and to unsettle the hierarchy among characters of different races and ethnicities.
Juxtaposing Sanditon, The Woman of Colour, and Owen Castle provides insight into how Austen was working within a set of established literary traditions, while creating ways to disrupt some of its problematic elements. This project looks at conventions of the mixed-race female characters in five ways. To begin, I discuss the mixed-race heroine and the compulsion to define her place of origin. Second, I consider the convention of describing mixed-race heiresses' rights to their inheritance. An analysis of the significance of naming mixed-race heiresses follows. I discuss literary conventions of the betrayal of mixed-race females. Lastly, I explore the common use of black maid figures in novels of this era to advance social critique against prejudice. Comparative analysis of Austen with other novels featuring mixed-race heroines in this era allows us to reach new understandings of Sanditon. Austen's unfinished last novel is shown to question the power of fortune, to undermine the orthodoxy of categorizing race and ethnicity, and to unsettle the hierarchy among characters of different races and ethnicities.
ContributorsBaugh, Victoria (Author) / Looser, Devoney (Thesis advisor) / Justice, George (Committee member) / Wernimont, Jacqueline (Committee member) / Arizona State University (Publisher)
Created2017
Description
This research conceptualizes Gothic literature featuring undead characters produced and popularized by Britain in the early nineteenth century as educational texts. As an influx of new ideas at home and abroad disrupted the lives of the Romantics, not to mention the literal uprising of bodies in the French Revolution and the lost war with the North American colonies, British citizens dedicated themselves to preserving the relative safety of their shores from external and internal threats. I expand the definition of the “undead” to include any tangible, corporeal being once technically dead and now reanimated. In doing so, I invite a broader range of texts, and authors, into the conversation of Gothic literature and the genre’s continued legacy. My work reads male and female authors in dialogue with one another, both sexes working within common networks, rather than as creating separate or disparate traditions. The production of instructive undead bodies becomes particularly important to the development of British national identity and reveals a reliance on the maternal to educate and inform future citizens. The texts examined in this dissertation reveal the necessity of contemplating the histories and experiences of the past, of non-white voices, and of the female influence.
The texts range in publication date from 1805 to 1863 and thus demonstrate the continued used of the undead in the Gothic genre. An examination of the reanimated corpse in Romantic narrative demonstrates how authors utilized the undead as an educational tool both for the characters inside the text and the actual individuals reading the narrative. The undead offers a lens to look at the Gothic not regarding authorial gender or even a character’s gender, but rather in how the genre portrays bodies, and how those bodies interact with and instruct others. This dissertation’s perception of the undead as a powerful educational force in literature assists in the attempt to complete a more comprehensive analysis of Gothic, and therefore Romantic, literature.
ContributorsZarka, Emily (Author) / Lussier, Mark (Thesis advisor) / Looser, Devoney (Committee member) / Broglio, Ron (Committee member) / Arizona State University (Publisher)
Created2018
Description
"The Problem of Hope: Literary Tragedy in Mid-Twentieth Century American Fiction" examines Arthur Miller's Death of a Salesman, Ralph Ellison's Invisible Man, and Sylvia Plath's The Bell Jar through the lens of tragedy. This thesis delves into how conflicts between internal and external identities can create a tragic individual, what kinds of success count toward achievement of the "American Dream," and whether the tragic "common man" is the socially normative one or the socially disenfranchised one. It raises a three-dimensional theoretical approach to American tragedy and, most importantly, considers the significance of tragic hope for American literature. This paper questions the construction of American identities across class, race, and gender according to social scripts. It seeks to uncover what forces these scripts exert on American cultural myths and rereads those myths through tragedy to explore Miller's idea of a noble common man. By moving from Miller to Ellison to Plath, this thesis traces the undercurrents of tragedy through some of the most identity-focused novels of mid-twentieth century American fiction to see how the overarching American narrative changed from 1940 to 1969 as the US underwent significant social changes domestically and image changes abroad. Ultimately, this paper concludes that tragedy in mid-twentieth century American fiction points toward a new idea of American success as a success that occurs beyond social scripts.
ContributorsMedeiros, Amy Marie (Author) / Holbo, Christine (Thesis director) / Sadowski-Smith, Claudia (Committee member) / Department of English (Contributor) / W. P. Carey School of Business (Contributor) / Barrett, The Honors College (Contributor)
Created2016-05
Description
This thesis examines contemporary cinematic adaptations of the Ovidian Pygmalion story. The films Blade Runner (1981), Lars and the Real Girl (2007), Ruby Sparks (2012), and Her (2013) are analyzed. This thesis seeks to understand why this particular myth is so resonant in today's popular culture and what this relevance reveals about modern society. The roles of female subjugation, sexualization, and relationship with technology will be major areas of concern. Research includes film criticism, Ovidian scholarship, and new advances in computer technology.
ContributorsStory, Sara Katherine (Author) / Corse, Taylor (Thesis director) / Ellis, Lawrence (Committee member) / Barrett, The Honors College (Contributor) / Department of English (Contributor)
Created2015-05
Description
The Roller Derby Club at Arizona State University became a student organization in the fall of 2013. They became a practicing team known as the Derby Devils in the spring of 2014. This project documents the creation and development a collegiate roller derby team as they go from a student organization to an athletic team. Collegiate roller derby is still in its infant stages and therefore the purpose of this project is to provide a guide for future collegiate roller derby teams as well as other athletic teams.
ContributorsLee, Alisa Yulim (Author) / Looser, Devoney (Thesis director) / Hultsman, Wendy (Committee member) / Barrett, The Honors College (Contributor) / School of International Letters and Cultures (Contributor) / Department of Chemistry and Biochemistry (Contributor) / W. P. Carey School of Business (Contributor)
Created2014-12
Description
This thesis focuses on the play-space as a realm of impossible desire in the novels Hopscotch and Lolita. Play-space, which I borrow from Johan Huizinga's Homo Ludens, is a space within which play can erect its own epistemological system that regulates the game and the players. These novels are concerned with the free play of language which subverts a stable discourse about how desire operates within the play-space of the novels. To this end, I will employ the Derridean sense of free-play (writing) that is decidedly the result of the loss of the "center" of structure that historically served to orient and limit the "play of the structure." Thus, free play destabilizes the discourse of desire in its use of various ludic linguistic elements, like the word game, in addition to how these novels play with genre and the form of the novel. Both novels are fundamentally concerned with how the written word constructs a puzzle-like world in which each of the narrators direct their own subjectivities towards objects of desire which they cannot ultimately possess. These objects (Lolita and La Maga) are themselves constructed by the playful language of the solipsistic narrators whose desire, finding no object to which to attach itself, turns in on itself and drives them mad. In these novels, the quest for lost lovers becomes a more important game than the actual act of sexual congress. The ecstasy of desire is not in sexual consummation but the pursuit of the infinite puzzle, the cryptic code of desire, that Humbert and Oliveira follow through the American (waste)land and the Franco-Argentine intellectual scene, respectively. By exploring the play-space as a realm of the free play of language, we are aided in our reading of these difficult postmodern texts as deconstructions of stable narratives of desire.
ContributorsBabanovski, Ivan (Author) / Castle, Gregory (Thesis director) / Horan, Elizabeth (Committee member) / Barrett, The Honors College (Contributor) / T. Denny Sanford School of Social and Family Dynamics (Contributor) / Department of English (Contributor) / School of Historical, Philosophical and Religious Studies (Contributor)
Created2015-05
Description
This thesis examines how the physical construction of the ooloi Oankali aliens in Octavia Butler's trilogy Lilith's Brood enables the text to explore the limitations of a two-gender construct. It does so by positing the existence of other conscious organic life with a third gender outside the scope of Earth-bound organisms. The ooloi must be understood by a definition of gender that takes into consideration socially constructed and performed roles. The physical bodies of the ooloi have a "boundary-crossing" identity that is unambiguous. Their transformative and healing abilities, physical characteristics, and place in the social structure of the Oankali makes them the targets of disgust and hatred by humans who fear difference. This thesis analyzes how Butler uses the ooloi to demonstrate the possibility that humans living on a future Earth can supersede their innately destructive qualities.
ContributorsBrady, Sarah Rachel (Author) / Hattenhauer, Darryl (Thesis director) / Cook, Paul (Committee member) / Department of English (Contributor) / Barrett, The Honors College (Contributor)
Created2016-05
Description
Scientific and Cultural Interpretations of Volcanoes, 1766-1901 analyzes nineteenth-century conceptions of volcanoes through interdisciplinary literature and science studies. The project considers how people in the nineteenth century used science, aesthetics, and other ways of knowing to understand volcanoes and their operations. In the mid-eighteenth century, volcanoes were seen as singular, unique features of the planet that lacked temporal and terrestrial reach. By the end of the nineteenth century, volcanoes were seen as networked, environmental phenomena that stretched through geological time and geographic space. Scientific and Cultural Interpretations of Volcanoes, 1766-1901 offers a new historical understanding of volcanoes and their environmental connections, using literature and science to show how perceptions of volcanic time and space changed over 135 years.
The first chapter, using texts by Sir William Hamilton, Hester Piozzi, and Priscilla Wakefield, argues that in the late eighteenth century important aspects of volcanoes, like their impact upon human life and their existence through time, were beginning to be defined in texts ranging from the scientific to the educational. The second chapter focuses on works by Sir Edward Bulwer-Lytton and Charles Lyell to demonstrate the ways that volcanoes were stripped of metaphysical or symbolic meaning as the nineteenth century progressed. The third chapter contrasts the 1883 eruption of Krakatoa with Constance Gordon-Cumming’s travels to Kīlauea. The chapter shows how even towards the end of the century, trying to connect human minds with the process of volcanic phenomenon was a substantial challenge, but that volcanoes like Kīlauea allowed for new conceptions of volcanic action. The last chapter, through a post-apocalyptic novel by M. P. Shiel, shows how volcanoes were finally beginning to be categorized as a primary agent within the environment, shaping all life including humanity. Ultimately, I argue that the change in thinking about volcanoes parallels today’s shift in thinking about global climate change. My work provides insight into how we imagine ecological catastrophes like volcanic eruptions or climate change in the past and present and what that means for their impact on people.
The first chapter, using texts by Sir William Hamilton, Hester Piozzi, and Priscilla Wakefield, argues that in the late eighteenth century important aspects of volcanoes, like their impact upon human life and their existence through time, were beginning to be defined in texts ranging from the scientific to the educational. The second chapter focuses on works by Sir Edward Bulwer-Lytton and Charles Lyell to demonstrate the ways that volcanoes were stripped of metaphysical or symbolic meaning as the nineteenth century progressed. The third chapter contrasts the 1883 eruption of Krakatoa with Constance Gordon-Cumming’s travels to Kīlauea. The chapter shows how even towards the end of the century, trying to connect human minds with the process of volcanic phenomenon was a substantial challenge, but that volcanoes like Kīlauea allowed for new conceptions of volcanic action. The last chapter, through a post-apocalyptic novel by M. P. Shiel, shows how volcanoes were finally beginning to be categorized as a primary agent within the environment, shaping all life including humanity. Ultimately, I argue that the change in thinking about volcanoes parallels today’s shift in thinking about global climate change. My work provides insight into how we imagine ecological catastrophes like volcanic eruptions or climate change in the past and present and what that means for their impact on people.
ContributorsLinthicum, Kent Robert (Author) / Lussier, Mark (Thesis advisor) / Bivona, Daniel (Committee member) / Looser, Devoney (Committee member) / Tromp, Marlene (Committee member) / Arizona State University (Publisher)
Created2016
Description
Interrogating Rusticism utilizes concepts from postcolonial theory and studies in cosmopolitanism to examine the relationship between the country and the city in nineteenth-century Britain. The project considers the way in which rural people, places, and cultures were depicted in popular literature and introduces two new terms that help inform one’s understanding of rural and urban interaction. “Rusticism” refers to a discourse reminiscent of Orientalism that creates an “us and them” dichotomy through characterizations that essentialize rural experience and cast it as distinct from urban living. “Extrapolitanism” evokes a cultural practice similar to rooted cosmopolitanism that entails traveling back and forth between the country and the city, engaging in both urban and rural cultural practices, and not committing oneself solely to the social and political causes of either the country or the city. Because rusticist stereotypes regarding rural life, such as the notion that rural labourers possess an energy and love for their work but are also uneducated and backward, have persisted into the twenty-first century, studying the more nuanced, less-rusticist aspects of rural life in nineteenth-century Britain is an often overlooked, but still very important, endeavor. Interrogating Rusticism closely examines literature by authors known for imbuing their works with rusticist portrayals of country life, and seeks to illuminate how, in addition to perpetuating rusticist discourse, those authors also cultivate an extrapolitan type of mindset when they do depict more nuanced aspects of rural life.
Each chapter follows a similar methodological approach that involves looking at a specific rusticist notion, the binary distinctions that help construct it, the historical background that contributed to its rise, a critically overlooked work that informed the writing process of a commonly studied piece, and how the commonly studied piece challenges the rusticist notion by revealing that the binary distinctions actually inform one another. Chapter 1 focuses on the rusticist idea that rural communities are pastoral, pre-modern sites untouched by the effects of modernity, the repeal of the Corn Laws, which eventually led to rampant poverty in the countryside, George Eliot’s travel memoir “Recollections of Ilfracombe” (1856) that chronicles her visit to a rural, sea-side community, and her first novel, Adam Bede (1859). Chapter 2 turns to the comparison that was often made between rural workers and nonhuman animals, the negative connotations it carried, which became even more pronounced following the publication of Charles Darwin’s On the Origin of Species in 1859, Charles Dickens and Wilkie Collins’s dramatized account of their 1857 walking tour of rural England, The Lazy Tour of Two Idle Apprentices, and Dickens’s Our Mutual Friend (1864-65). The final chapter examines the expectation for male rural workers to be hearty, highly masculine figures, which was emphasized by both the use of the derogatory term Hodge to refer to rural workers and the passing of the Representation of the People Act 1884, Richard Jefferies’s post-apocalyptic novel After London (1885), and Thomas Hardy’s Jude the Obscure (1895). Interrogating Rusticism helps elucidate often overlooked aspects of rural life in nineteenth-century Britain that can and should inform rural and urban interaction today as long-held stereotypes regarding rural life still persist and the world becomes increasingly more urban.
Each chapter follows a similar methodological approach that involves looking at a specific rusticist notion, the binary distinctions that help construct it, the historical background that contributed to its rise, a critically overlooked work that informed the writing process of a commonly studied piece, and how the commonly studied piece challenges the rusticist notion by revealing that the binary distinctions actually inform one another. Chapter 1 focuses on the rusticist idea that rural communities are pastoral, pre-modern sites untouched by the effects of modernity, the repeal of the Corn Laws, which eventually led to rampant poverty in the countryside, George Eliot’s travel memoir “Recollections of Ilfracombe” (1856) that chronicles her visit to a rural, sea-side community, and her first novel, Adam Bede (1859). Chapter 2 turns to the comparison that was often made between rural workers and nonhuman animals, the negative connotations it carried, which became even more pronounced following the publication of Charles Darwin’s On the Origin of Species in 1859, Charles Dickens and Wilkie Collins’s dramatized account of their 1857 walking tour of rural England, The Lazy Tour of Two Idle Apprentices, and Dickens’s Our Mutual Friend (1864-65). The final chapter examines the expectation for male rural workers to be hearty, highly masculine figures, which was emphasized by both the use of the derogatory term Hodge to refer to rural workers and the passing of the Representation of the People Act 1884, Richard Jefferies’s post-apocalyptic novel After London (1885), and Thomas Hardy’s Jude the Obscure (1895). Interrogating Rusticism helps elucidate often overlooked aspects of rural life in nineteenth-century Britain that can and should inform rural and urban interaction today as long-held stereotypes regarding rural life still persist and the world becomes increasingly more urban.
ContributorsHohner, Max (Author) / Bivona, Dan (Thesis advisor) / Tromp, Marlene (Committee member) / Free, Melissa (Committee member) / Arizona State University (Publisher)
Created2016
Description
The Community Action Research Experiences (CARE) Program collaborated with Maricopa Association of Government to assess the needs of domestic violence victim advocates in Maricopa County to determine how their work could be enhanced through additional advocacy training and support services. Data were collected from 87 participants over a one-month period by distribution of an electronic survey. Sixty participants completed the survey, and 27 partially completed the survey. Only the data received from the 60 participants who completed the survey were used in reporting the results. The results indicated a perceived need for more training for advocates, specifically for advocates during their first year on the job. The results also indicated that while domestic violence victim advocates work in different agencies, they expressed significant interest in working collaboratively with advocates from other fields to increase cooperation and coordination among agencies to ensure that victims receive the best possible services.
ContributorsSilva, Nathalea (Author) / Bodman, Denise (Thesis director) / Dumka, Larry (Committee member) / Tenney, Renae (Committee member) / Barrett, The Honors College (Contributor) / College of Liberal Arts and Sciences (Contributor)
Created2012-12