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The aging apartment blocks (nicknamed “khrushchyovka”, or plural “khrushchyovki” for Soviet Premier Nikita Khrushchev) of the former USSR are facing demolition, despite the fact that many low income families still depend on these units for housing. This paper researches the development of the khrushchyovka and its estate leading up to

The aging apartment blocks (nicknamed “khrushchyovka”, or plural “khrushchyovki” for Soviet Premier Nikita Khrushchev) of the former USSR are facing demolition, despite the fact that many low income families still depend on these units for housing. This paper researches the development of the khrushchyovka and its estate leading up to the post-Soviet period and examines case studies to assess how these buildings can be modernized to spare them from demolition and to continue to serve as a reliable low-cost housing option. Studying how other projects have addressed similar problems in their architecture, these findings will be synthesized to present a full but minimally invasive khrushchyovka retrofit prototype, with improvements that will culminate in a more energy efficient, sustainable, and comfortable living environment for residents. This prototype provides a standardized template of services and improvements to be made, and can be adjusted to include specific features that meet the needs of a certain climate or location. In the early 1960s during the Khrushchev administration, these housing blocks made from prefabricated insulated concrete panels were constructed all over the USSR to alleviate housing shortages. A lot of them have an in practice service life of 150 years, meaning that many are incredibly durable with millions of people still living in them today. With their small size (ranging from 323 to 646 ft² depending on the number of bedrooms), they continue to be a suitable housing choice for low income small families and young people (Aliashkevich 31). Amid the threat of demolition to make way for cheaply made luxury-priced condos, many residents in the former USSR contend that their beloved khrushchyovki should be preserved (Watson), as they still have the capacity to be renovated in the interest of energy efficiency, cost savings, and community comfort.

ContributorsAndres, Christine (Author) / Perkins, Samantha (Thesis director) / Stoff, Laurie (Committee member) / Barrett, The Honors College (Contributor) / The Design School (Contributor)
Created2021-12
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During the First and Second World Wars, the totality of global war and the involvement of the United States necessitated the use of American women within military medical services as nurses. Military nursing served as a catalyst for professionalizing nursing as well as the entrance women into US military jobs.

During the First and Second World Wars, the totality of global war and the involvement of the United States necessitated the use of American women within military medical services as nurses. Military nursing served as a catalyst for professionalizing nursing as well as the entrance women into US military jobs. This thesis explores American women’s military nursing roles during WWI and WWII within the historical context of the precedence set for female nurses’ involvement in wartime medical service in both the American Civil War and the Spanish Civil War. In so doing, it seeks to answer specific research questions focused on nurse’s wartime experiences, the formality of their role, and public perceptions of female nurses. I will examine the change over time of these issues and reasons for their evolution.
ContributorsGlew, Haley Nicole (Author) / Stoff, Laurie (Thesis director) / Foote, Nicola (Committee member) / WPC Graduate Programs (Contributor) / Dean, W.P. Carey School of Business (Contributor) / Department of Information Systems (Contributor) / School of Accountancy (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
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Music both created and consumed by Soviet soldiers during the war in Afghanistan provides an insight into their opinions and criticisms of the war. Music allowed soldiers to vent, to give voice to their experiences, as well as to rationalize their participation in the conflict, enabling them to inject their

Music both created and consumed by Soviet soldiers during the war in Afghanistan provides an insight into their opinions and criticisms of the war. Music allowed soldiers to vent, to give voice to their experiences, as well as to rationalize their participation in the conflict, enabling them to inject their personal opinions and perceptions of the war into memorable and poetic forms. Through analyzing the Soviet songs about the of Afghan war, we can create a chronological timeline charting the development of resentment and disillusionment among Soviet soldiers: the initial patriotic songs borrowed from prior conflicts soon declined in popularity, replaced with mournful songs reflecting soldiers’ nostalgia for home and fear of death in their daily lives. Their lyrics reveal feelings of anxiety, disenfranchisement and abandonment, all resulting from the Soviet state’s ineffective handling of the war. In addition to songs produced by soldiers themselves, bands within Soviet borders such as Kino also wrote songs about the conflict, using their star power to draw attention to the conflict in their own fashion. By tracking both the creation and spread of these songs about the Soviet-Afghan war (referred to in this essay as either the “Soviet-Afghan War” or, more simply, the “Afghan War” as it is known in Russian), we can find vital, overlooked expressions of if not protest then discontent - among the many bubbling to the surface during the last decade of the USSR. This thesis therefore presents a chronological analysis of representative songs from the Soviet-Afghan war that also takes their popularity and methods of propagation -- the material technologies that allowed for this music to be spread -- into account, plotted alongside the major turning points of the war. It uncovers an otherwise forgotten form of discourse between soldiers about both the war itself, as well as the Soviet government, exploring the political implications of the war’s musical memorialization.
ContributorsBellard, Alex (Author) / Schmelz, Peter (Thesis director) / Stoff, Laurie (Thesis director, Committee member) / Historical, Philosophical & Religious Studies (Contributor) / School of International Letters and Cultures (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05