Matching Items (5)
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- All Subjects: Gender Studies
- Creators: Bailey, Marlon M
Description
In response to the recent publication and media coverage of several books that support educating boys and girls separately, more public schools in the United States are beginning to offer same-sex schooling options. Indeed, students may be more comfortable interacting solely with same-sex peers, as boys and girls often have difficulty in their interactions with each other; however, given that boys and girls often interact beyond the classroom, researchers must discover why boys and girls suffer difficult other-sex interactions and determine what can be done to improve them. We present two studies aimed at examining such processes. Both studies were conducted from a dynamical systems perspective that highlights the role of variability in dyadic social interactions to capture temporal changes in interpersonal coordination. The first focused on the utility of applying dynamics to the study of same- and mixed-sex interactions and examined the relation of the quality of those interactions to participants' perceptions of their interaction partners. The second study was an extension of the first, examining how dynamical dyadic coordination affected students' self-perceived abilities and beliefs in science, with the intention of examining social predictors of girls' and women's under-representation in science, technology, engineering, and mathematics.
ContributorsDiDonato, Matthew D (Author) / Martin, Carol L (Thesis advisor) / Amazeen, Polemnia G (Committee member) / Hanish, Laura D. (Committee member) / Updegraff, Kimberly A (Committee member) / Arizona State University (Publisher)
Created2012
Description
“(Dis)Locating the Sensual: Black Queer Placemaking in Brooklyn, New York” investigates the impact that gentrification has on Black queer subject formations and Black queer public culture. My research explores the interplay between social oppressions, the Black quotidian queer body, and lived sensations within two Black queer bars located in the epicenter of white middle class gentrification in Brooklyn, New York: Langston’s Brooklyn and Happiness Lounge. In doing so, my project expands Western conceptions of space while charging feminist and queer theories to explore interpersonal and personal dimensions of lived experiences that are conditioned by modes of normalization set by white supremacy. I use archival research and ethnographic methods to explore the way that Black queer people utilize space and the spatial dimensions that happen in and across the spaces they regularly occupy. I also collect and examine building information, such as the owners’ respective rental agreements, building permits, documented building violation(s), and incurred fees by the owners to understand who owns the land, who manages the properties, and the role of the state in regulating space. Additionally, “(Dis)Locating the Sensual” analyzes three analytic memos from my ethnographic fieldnotes including desire, spatial performance, and sensations to apprehend the implications of performance on a Black queer sense of place. Taken together, this data renders a complex picture of Black queer place-making that both resists and exceeds the structural constraints of racial capitalist expansion. My work both dialogues with and contributes to fields that are rarely drawn into conversation: Urban geography and Black queer studies. By analyzing sensations, nostalgia, and atmosphere within Langston’s and Happiness Lounge, I chart the ways in which gentrification continues to displace physical Black queer social spaces and impact the atmospheres and sensations that are unique to their vanishing social spaces. I introduce Black queer spatiality as a method that is informed by tracing Black LGBT spatial sensations and atmospheres; this analytic enables the linking of physical spatio-historical processes of extraction to the sensual geographic experiences that are emplaced in Black queer social spaces.
ContributorsMillhouse, Ricardo (Author) / Bailey, Marlon M (Thesis advisor) / Shabazz, Gregg R (Committee member) / Fonow, Mary M (Committee member) / McHugh, Kevin (Committee member) / Arizona State University (Publisher)
Created2021
Description
Methodological Reparations is a 2-study multi-methods inquiry aimed at illuminating important nuances for engaging counter hegemonic empirical inquiries for Black, gender expansive and Black LGBTQI+ communities. If Black gender expansive youth are studied, they are often studied within the larger LGBTQI+ umbrella. Unfortunately, this makes them vulnerable to compulsory heterogenderism which often obscures their unique experiences transgressing racialized gender norms and with racialized gender oppression. This study makes methodological considerations called methodological reparations that begin to address the ways empirical research often negates, misunderstands, and obscures students’ identities as singular, stable over time and aligned with their sex assignment. It is important for researchers, data scientists and educators to challenge these hegemonic assumptions to ensure that Black gender expansive communities are visible and to ensure that education policies are data-driven, inclusive and effective. The United States Transgender Survey and the Gay and Lesbian Students Education Network have begun to conduct surveys that begin to address the complexity of gender within LGBTQI+ populations. Their surveys reveal horrific school climates that LGBTQI+ youth of color experience especially Black LGBTQI+ youth. The first study in this dissertation is a mixed methods study that focuses on Black gender expansive students’ experiences. The second study responds to the first study by providing an example of inclusive Black LGBTQI+ curriculum taught through a Black queer pedagogical approach. Since the presence of LGBTQI+ inclusive curriculum in schools has been linked to increased feelings of safety in schools in Black LGBTQI+ student populations, this study showcases James Baldwin’s final novel Just Above My Head, as a piece of blues literature that discusses racialized homophobia in a culturally relevant way. Baldwin’s work can be an important tool for Black LGBTQI+ students who do not have access to Black queer curriculum taught through a Black queer pedagogical approach.
ContributorsClement, Valencia (Author) / McGuire, Keon (Thesis advisor) / Bertrand, Melanie (Committee member) / Bailey, Marlon M (Committee member) / Kim, Jeongeun (Committee member) / Durand, E. Sybil (Committee member) / Arizona State University (Publisher)
Created2022
Description
Though the concept of 'transgender' has gained a foothold in American culture, the representation of transgender subjects is both limited and limiting. Media representations of trans experiences generally exclude or negatively depict both trans-masculine people and trans individuals of color. Subsequently, many trans-masculine individuals of color — especially black transmen — turn to online forums to create original content, express what being transgender means to them, and explore topics excluded from mainstream conversations.
Utilizing participatory ethnography influenced by digital and visual approaches, “Tumblr Saved My Life”: An Interdisciplinary Investigation of how Black Trans- Masculinity Operates through Tumblr explores how black transmen articulate racialized trans-masculine experiences via posts, selfies, and hashtags on the social networking site Tumblr. Online observations revealed that Tumblr allows interlocutors an opportunity to ask questions, document physical changes, learn about the lived realities of transgender people of color, and connect with fellow black trans-masculine individuals. In addition to online observation, in-person interviews and observations explored the context for the content interlocutors create, as well as how online articulations of masculinity differ from everyday performances of gender.Tumblr interactions are important to participants; however, the platform is not where they discuss the more nuanced aspects of being black and transgender. In-person interviews illuminated how black transmen uniquely understand societal erasure as black women prior to starting hormone replacement therapy and experience hyper-visibility as black men after treatment. Specifically, interlocutors note the various forms of racism they experience, and how those forms change depending on whether their bodies are read as a feminine or masculine. For example, when read and socialized as black girls, participants noted being subjected to sexualization and predation. Conversely, when read and treated as masculine, they gain access to male-only spaces, but face exclusion and suspicion in other contexts. In short, this work articulates the complex relationship black transmen have to vectors of power, and how they utilize visual images, social media, and technology to present and construct their realities. Ultimately, understanding these experiences can expand the scope of trans studies and feminist theory.
Utilizing participatory ethnography influenced by digital and visual approaches, “Tumblr Saved My Life”: An Interdisciplinary Investigation of how Black Trans- Masculinity Operates through Tumblr explores how black transmen articulate racialized trans-masculine experiences via posts, selfies, and hashtags on the social networking site Tumblr. Online observations revealed that Tumblr allows interlocutors an opportunity to ask questions, document physical changes, learn about the lived realities of transgender people of color, and connect with fellow black trans-masculine individuals. In addition to online observation, in-person interviews and observations explored the context for the content interlocutors create, as well as how online articulations of masculinity differ from everyday performances of gender.Tumblr interactions are important to participants; however, the platform is not where they discuss the more nuanced aspects of being black and transgender. In-person interviews illuminated how black transmen uniquely understand societal erasure as black women prior to starting hormone replacement therapy and experience hyper-visibility as black men after treatment. Specifically, interlocutors note the various forms of racism they experience, and how those forms change depending on whether their bodies are read as a feminine or masculine. For example, when read and socialized as black girls, participants noted being subjected to sexualization and predation. Conversely, when read and treated as masculine, they gain access to male-only spaces, but face exclusion and suspicion in other contexts. In short, this work articulates the complex relationship black transmen have to vectors of power, and how they utilize visual images, social media, and technology to present and construct their realities. Ultimately, understanding these experiences can expand the scope of trans studies and feminist theory.
ContributorsBellamy, Shahan (Author) / Bailey, Marlon M (Thesis advisor) / Anderson, Lisa M. (Committee member) / Duarte, Marisa E (Committee member) / Snorton, C. Riley (Committee member) / Arizona State University (Publisher)
Created2020
Description
This dissertation project examines the cultural labor of the drag queen in the United States (US). I explore how the drag queen can be understood as a heuristic to understand the stakes and limits of belonging and exceptionalism. Inclusion in our social and national belonging in the US allows for legibility and safety, however, when exceptional or token figures become the path towards achieving belonging, it can leave out those who are unable to conform, which are often the most vulnerable folks. I argue that attending to the drag queen’s trajectory, we can trace the ways that multiply-marginalized bodies navigate attempts to include, subsume, and erase their existence by the nation-state while simultaneously celebrating and consuming them in the realm of media and consumer culture. In the first chapter I introduce the project, the context and the stakes involved. Chapter two examines representations of drag queens in films to unpack how these representations have layered over time for American audiences, and positions these films as necessary building blocks for queer semiosis for viewers to return to and engage with. Chapter three analyzes RuPaul and RuPaul’s Drag Race to outline RuPaul labor as an exceptional subject, focusing on his investment in homonormative politics and labor supporting homonationalist projects. Chapter four centers questions of trans* identity and race, specifically Blackness to analyze how Drag Race renders certain bodies and performances legitimate and legible, constructing proper drag citizens. Chapter five utilizes ethnographic methods to center local drag communities, focusing on The Rock and drag performers in Phoenix, Arizona to analyze how performers navigate shifting media discourses of drag and construct a queer performance space all their own.
ContributorsCollier, Cassandra M (Author) / Anderson, Lisa M. (Thesis advisor) / Bailey, Marlon M (Committee member) / Himberg, Julia (Committee member) / Arizona State University (Publisher)
Created2020