Matching Items (4)
Filtering by
- All Subjects: philosophy
Description
The source of governmental power is the Zizekian sublime object of ideology. This object is composed of demands that are enforced by a force that is vast and powerful beyond comprehension. It is the Lacanian Symbolic Order enforced by the fear of castration by the Other. The evolution of government is characterized by the use of more subversive power mechanisms. The more subversive these mechanisms, the more they resemble the Symbolic Order and the greater their effectiveness. Marx outlines a progression of governmental structures. At each point of change, there is great unrest amongst the population. In this way, unrest and protest are indicative of a need for the change i.e., protest is a symptom of a system in need of revolution. There is a growing sense of unrest, particularly in the United States, characterized by growing participation in protest movements. The government is oftentimes responding with violence, a sign that the rules of its sublime object are failing to do their job. Thus, there must be a substitution for the current sublime object. Existentialist humanism seems to be the best substitution available because it promotes the safe release of instinctual drives while still promoting social cohesion. Humanism values all parts of the human condition and recognizes that human shortcomings are simply a fact of life. Recognition of peoples' tendency to fail and to later overcome these failures is a failsafe built into the new sublime object, thus preserving civil society in a way that religion or neo-liberal ideas cannot.
ContributorsHuston, Jordan James (Author) / Matustik, Martin (Thesis director) / Huntington, Patricia (Committee member) / Ramsey, Ramsey Eric (Committee member) / Barrett, The Honors College (Contributor) / School of Historical, Philosophical and Religious Studies (Contributor)
Created2014-05
Description
Guantánamo: The Amen Temple of Empire connects the fetishization of the trauma of nine/eleven with the co-constitution of subjects at Guantánamo—that of the contained Muslim terrorist prisoner silhouetted against the ideal nationalistic military body—circulated as ‘afterimages’ that carry ideological narratives about U.S. Empire. These narratives in turn religiously and racially charge the new normative practices of the security state and its historically haunted symbolic order. As individuals with complex subjectivities, the prisoners and guards are, of course, not reducible to the standardizing imprimatur of the state or its narratives. Despite the circulation of these ‘afterimages’ as fixed currency, the prisoners and guards produce their own metanarratives, through their para-ethnographic accounts of containment and of self. From within the panopticon of the prison, they seek sight lines, and gaze back at the state. This dissertation is thus a meditation on US militarism, violence, torture, race, and carceral practices, revealed thematically through metaphors of hungry ghosts, nature, journey and death, liminality, time, space, community, and salvage. Based on a multi-sited, empirical and imaginary ethnography, as well as textual and discourse analysis, I draw on the writing and testimony of prisoners, and military and intelligence personnel, whom I consider insightful para-ethnographers of the haunting valence of this fetishized historical event.
ContributorsColeman, Diana (Diana Murtaugh) (Author) / Talebi, Shahla (Thesis advisor) / Matustik, Martin (Committee member) / Fessenden, Tracy (Committee member) / Arizona State University (Publisher)
Created2018
Description
Authenticity has been conceived of in several different ways with various meanings and implications. The existential conception has the advantage of tracking authenticity from the phenomenology of human beings and their lived, social experience. From Jean-Paul Sartre and Martin Heidegger’s criteria for existentialist authenticity, I develop the argument that authentic, feminist projects are necessarily one mode of being authentic within a patriarchal society. In defining a conception of authenticity out of Sartre and Heidegger’s terms, the question of what qualifies as an authentic feminist project arises as well as the question of what sort of content qualifies as authentic. While Simone De Beauvoir does not focus on authenticity in her ethics, she does give a basis for a value oriented, content relevant aspect of existentialism generally. Insofar as authenticity is an existentialist concept, feminist authenticity is one valuable and worthwhile project within a social patriarchy, as it promotes existence as freedom.
ContributorsScott, Siera Aubrey Lee (Author) / Huntington, Patricia (Thesis advisor) / Calhoun, Cheshire (Thesis advisor) / Reynolds, Steven (Committee member) / Arizona State University (Publisher)
Created2017
Description
This dissertation proposes the concept of “the open hand” as a philosophy of openness. The need for a philosophy of openness is derived from the contemporary turn towards things that is anchored in continental thought, but is at work in a variety of disciplines. This current interest in things has stirred the critique that the normalized human grasp on things is deficient because it cannot suitably handle the reality that intangible depth inheres in all things human and nonhuman. From the pandemic of SARS-CoV-2 and its disease COVID-19 to issues of social justice, the need to make room for the abyssal side of things is as compelling as ever. However, accommodating the deep reality of all things is complicated by the fact that it requires an orientation not guided by self-centered insularity, but by a serviceable theory of self-emptying openness. Sketching a philosophy of openness with the open hand, this dissertation reveals that while openness to things is critical for solving the complex issues of the twenty-first century, its opposition not only has existential primacy, but also can be and has been exacerbated by humanity’s contemporary technological lifestyle.
ContributorsBurgin, Gregory Ladimir (Author) / Ratcliffe, Krista (Thesis advisor) / Broglio, Ronald (Thesis advisor) / Huntington, Patricia (Committee member) / Arizona State University (Publisher)
Created2020