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ABSTRACT For this study, I chose to look at the influence that linguistics has on the publishing industry, both in writing and editing literary fiction. Both sides of publishing deal with the words and language of a novel, which is what the study of linguistics entails. Throughout this

ABSTRACT For this study, I chose to look at the influence that linguistics has on the publishing industry, both in writing and editing literary fiction. Both sides of publishing deal with the words and language of a novel, which is what the study of linguistics entails. Throughout this study, I researched the different areas of the publishing industry, academic programs that focus on publishing, and how-to guides on writing literary fiction in order to find out to what extent--if any--linguistics is involved. Also, through editors that I have worked with, and recommendations from various acquaintances, I interviewed two authors--one published and one unpublished--to see if they used any aspects of linguistics in their writing techniques. I found that linguistics was never specifically mentioned in the descriptions of publishing courses, in the how-to guides, nor in the answers from the authors on different writing techniques used; however, linguistics may be used or studied unintentionally.
ContributorsMoeser, Amy (Author) / Gelderen, Elly van (Thesis advisor) / Major, Roy (Committee member) / Szuter, Christine (Committee member) / Arizona State University (Publisher)
Created2011
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The current study employs item difficulty modeling procedures to evaluate the feasibility of potential generative item features for nonword repetition. Specifically, the extent to which the manipulated item features affect the theoretical mechanisms that underlie nonword repetition accuracy was estimated. Generative item features were based on the phonological loop component

The current study employs item difficulty modeling procedures to evaluate the feasibility of potential generative item features for nonword repetition. Specifically, the extent to which the manipulated item features affect the theoretical mechanisms that underlie nonword repetition accuracy was estimated. Generative item features were based on the phonological loop component of Baddelely's model of working memory which addresses phonological short-term memory (Baddeley, 2000, 2003; Baddeley & Hitch, 1974). Using researcher developed software, nonwords were generated to adhere to the phonological constraints of Spanish. Thirty-six nonwords were chosen based on the set item features identified by the proposed cognitive processing model. Using a planned missing data design, two-hundred fifteen Spanish-English bilingual children were administered 24 of the 36 generated nonwords. Multiple regression and explanatory item response modeling techniques (e.g., linear logistic test model, LLTM; Fischer, 1973) were used to estimate the impact of item features on item difficulty. The final LLTM included three item radicals and two item incidentals. Results indicated that the LLTM predicted item difficulties were highly correlated with the Rasch item difficulties (r = .89) and accounted for a substantial amount of the variance in item difficulty (R2 = .79). The findings are discussed in terms of validity evidence in support of using the phonological loop component of Baddeley's model (2000) as a cognitive processing model for nonword repetition items and the feasibility of using the proposed radical structure as an item blueprint for the future generation of nonword repetition items.
ContributorsMorgan, Gareth Philip (Author) / Gorin, Joanna (Thesis advisor) / Levy, Roy (Committee member) / Gray, Shelley (Committee member) / Arizona State University (Publisher)
Created2011
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ABSTRACT &eacutetudes; written for violin ensemble, which include violin duets, trios, and quartets, are less numerous than solo &eacutetudes.; These works rarely go by the title "&eacutetude;," and have not been the focus of much scholarly research. Ensemble &eacutetudes; have much to offer students, teachers and

ABSTRACT &eacutetudes; written for violin ensemble, which include violin duets, trios, and quartets, are less numerous than solo &eacutetudes.; These works rarely go by the title "&eacutetude;," and have not been the focus of much scholarly research. Ensemble &eacutetudes; have much to offer students, teachers and composers, however, because they add an extra dimension to the learning, teaching, and composing processes. This document establishes the value of ensemble &eacutetudes; in pedagogy and explores applications of the repertoire currently available. Rather than focus on violin duets, the most common form of ensemble &eacutetude;, it mainly considers works for three and four violins without accompaniment. Concentrating on the pedagogical possibilities of studying &eacutetudes; in a group, this document introduces creative ways that works for violin ensemble can be used as both &eacutetudes; and performance pieces. The first two chapters explore the history and philosophy of the violin &eacutetude; and multiple-violin works, the practice of arranging of solo &eacutetudes; for multiple instruments, and the benefits of group learning and cooperative learning that distinguish ensemble &eacutetude; study from solo &eacutetude; study. The third chapter is an annotated survey of works for three and four violins without accompaniment, and serves as a pedagogical guide to some of the available repertoire. Representing a wide variety of styles, techniques and levels, it illuminates an historical association between violin ensemble works and pedagogy. The fourth chapter presents an original composition by the author, titled Variations on a Scottish Folk Song: &eacutetude; for Four Violins, with an explanation of the process and techniques used to create this ensemble &eacutetude.; This work is an example of the musical and technical integration essential to &eacutetude; study, and demonstrates various compositional traits that promote cooperative learning. Ensemble &eacutetudes; are valuable pedagogical tools that deserve wider exposure. It is my hope that the information and ideas about ensemble &eacutetudes; in this paper and the individual descriptions of the works presented will increase interest in and application of violin trios and quartets at the university level.
ContributorsLundell, Eva Rachel (Contributor) / Swartz, Jonathan (Thesis advisor) / Rockmaker, Jody (Committee member) / Buck, Nancy (Committee member) / Koonce, Frank (Committee member) / Norton, Kay (Committee member) / Arizona State University (Publisher)
Created2011
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Lakoff and Levinson claim they have discredited the theory of universal grammar. This dissertation discusses the possibility of a universal humor, suggesting that if universals exist in language's most playful and least rule-governed aspect then they must exist in grammar, language's least playful and most rule-governed aspect. Lakoff's and Levinson's

Lakoff and Levinson claim they have discredited the theory of universal grammar. This dissertation discusses the possibility of a universal humor, suggesting that if universals exist in language's most playful and least rule-governed aspect then they must exist in grammar, language's least playful and most rule-governed aspect. Lakoff's and Levinson's texts are closely analyzed to demonstrate that their claims against Chomsky are not firmly supported; that their groundbreaking new theories of language, perception and cognition do not constitute data that undermines Chomskyan theory; that Levinson's theory of a universal mechanism for human interaction is no stronger than the the grammar universals that Levinson strongly rejects. It is suggested that the litmus test of culture-specific versus universal language may be its level of rhetorical density, as illustrated with humor and naming samples. It is argued that Fillmore's deep case theory, as explained by Nilsen using semantic features and pragmatic intent, has never lost its status as a linguistic universal; Chomsky's theoretical debt to Charles Fillmore may indicate that he unconsciously used Fillmore's deep case, which for Chomsky became thematic relations, without realizing that Fillmore had been the impetus for his research. It is argued that none of the theories of universality, typology or conceptual metaphor may be considered mutually exclusive.
ContributorsNathan, Sheri (Author) / Nilsen, Don L. F. (Thesis advisor) / Adams, Karen L (Committee member) / Nilsen, Alleen (Committee member) / Arizona State University (Publisher)
Created2011
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This dissertation examines Japanese preschool teachers' cultural practices and beliefs about the pedagogy of social-emotional development. The study is an interview-based, ethnographic study, which is based on the video-cued mutivocal ethnographic method. This study focuses on the emic terms that Japanese preschool teachers use to explain their practices, such as

This dissertation examines Japanese preschool teachers' cultural practices and beliefs about the pedagogy of social-emotional development. The study is an interview-based, ethnographic study, which is based on the video-cued mutivocal ethnographic method. This study focuses on the emic terms that Japanese preschool teachers use to explain their practices, such as amae (dependency), omoiyari (empathy), sabishii (loneliness), mimamoru (watching and waiting) and garari (peripheral participation). My analysis suggests that sabishii, amae, and omoiyari form a triad of emotional exchange that has a particular cultural patterning and salience in Japan and in the Japanese approach to the socialization of emotions in early childhood. Japanese teachers think about the development of the class as a community, which is different from individual-centric Western pedagogical perspective that gives more attention to each child's development. Mimamoru is a pedagogical philosophy and practice in Japanese early childhood education. A key component of Japanese teachers' cultural practices and beliefs about the pedagogy of social-emotional development is that the process requires the development not only of children as individuals, but also of children in a preschool class as a community. In addition, the study suggests that at a deeper level these emic concepts reflect more general Japanese cultural notions of time, space, sight, and body. This dissertation concludes with the argument that teachers' implicit cultural practices and beliefs is "A cultural art of teaching." Teachers' implicit cultural practices and beliefs are harmonized in the teachers' mind and body, making connections between them, and used depending on the nuances of a situation, as informed by teachers' conscious and unconscious thoughts. The study has also shown evidence of similar practices and logic vertically distributed within Japanese early childhood education, from the way teachers act with children, to the way directors act with teachers, to the way government ministries act with directors, to the way deaf and hearing educators act with their deaf and hearing students. Because these practices are forms of bodily habitus and implicit Japanese culture, it makes sense that they are found across fields of action.
ContributorsHayashi, Akiko (Author) / Tobin, Joseph (Thesis advisor) / Eisenberg, Nancy (Committee member) / Nakagawa, Kathryn (Committee member) / Fischman, Gustavo (Committee member) / Swadener, Elizabeth (Committee member) / Arizona State University (Publisher)
Created2011
Description
The speech of non-native (L2) speakers of a language contains phonological rules that differentiate them from native speakers. These phonological rules characterize or distinguish accents in an L2. The Shibboleth program creates combinatorial rule-sets to describe the phonological pattern of these accents and classifies L2 speakers into their native language.

The speech of non-native (L2) speakers of a language contains phonological rules that differentiate them from native speakers. These phonological rules characterize or distinguish accents in an L2. The Shibboleth program creates combinatorial rule-sets to describe the phonological pattern of these accents and classifies L2 speakers into their native language. The training and classification is done in Shibboleth by support vector machines using a Gaussian radial basis kernel. In one experiment run using Shibboleth, the program correctly identified the native language (L1) of a speaker of unknown origin 42% of the time when there were six possible L1s in which to classify the speaker. This rate is significantly better than the 17% chance classification rate. Chi-squared test (1, N=24) =10.800, p=.0010 In a second experiment, Shibboleth was not able to determine the native language family of a speaker of unknown origin at a rate better than chance (33-44%) when the L1 was not in the transcripts used for training the language family rule-set. Chi-squared test (1, N=18) =1.000, p=.3173 The 318 participants for both experiments were from the Speech Accent Archive (Weinberger, 2013), and ranged in age from 17 to 80 years old. Forty percent of the speakers were female and 60% were male. The factor that most influenced correct classification was higher age of onset for the L2. A higher number of years spent living in an English-speaking country did not have the expected positive effect on classification.
ContributorsFrost, Wende (Author) / Gelderen, Elly van (Thesis advisor) / Perzanowski, Dennis (Committee member) / Gee, Elisabeth (Committee member) / Arizona State University (Publisher)
Created2013
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The teaching of singing remained remarkably stable until, at the end of the twentieth century, advances in the understanding of voice science stimulated dramatic changes in approach to vocal pedagogy. Previously, the technology needed to accurately measure physiologic change within the larynx and breath-support musculature during the process of singing

The teaching of singing remained remarkably stable until, at the end of the twentieth century, advances in the understanding of voice science stimulated dramatic changes in approach to vocal pedagogy. Previously, the technology needed to accurately measure physiologic change within the larynx and breath-support musculature during the process of singing simply did not exist. Any prior application of scientific study to the voice was based primarily upon auditory evaluation, rather than objective data accumulation and assessment. After a centuries-long history, within a span of twenty years, vocal pedagogy evolved from an approach solely derived from subjective, auditory evidence to an application grounded in scientific data. By means of analysis of significant publications by Richard Miller, Robert Sataloff, and Ingo Titze, as well as articles from The Journal of Singing and The Journal of Voice, I establish a baseline of scientific knowledge and pedagogic practice ca. 1980. Analysis and comparison of a timeline of advancement in scientific insight and the discussion of science in pedagogical texts, 1980-2000, reveal the extent to which voice teachers have dramatically changed their method of instruction. I posit that voice pedagogy has undergone a fundamental change, from telling the student only what to do, via auditory demonstration and visual imagery, to validating with scientific data how and why students should change their vocal approach. The consequence of this dramatic pedagogic evolution has produced singers who comprehend more fully the science of their art.
ContributorsVelarde, Rachel (Author) / Doan, Jerry (Thesis advisor) / Campbell, Andrew (Committee member) / Solis, Theodore (Committee member) / Elgar Kopta, Anne (Committee member) / Britton, David (Committee member) / Arizona State University (Publisher)
Created2013
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Many researchers have pointed out that sentence complexity plays an important role in language maturity. Using cohesive devices is a critical method to composing complicated sentences. Several grammatical researchers give cohesive devices different definitions and categories in the perspective of pure linguistics, yet little is known about the Chinese learners'

Many researchers have pointed out that sentence complexity plays an important role in language maturity. Using cohesive devices is a critical method to composing complicated sentences. Several grammatical researchers give cohesive devices different definitions and categories in the perspective of pure linguistics, yet little is known about the Chinese learners' acquisition situations of cohesive devices in the field of Teaching Chinese as a Foreign Language (TCFL). Combined with these definitions and pedagogical theories, the acquisition situations of four grammatical features of cohesive devices and eleven logical relations are discussed in this thesis. This thesis expects that through discovering different features of cohesive devices among different student levels, educators of Chinese will gain a more comprehensive understanding of the acquisition orders and features of conjunctive devices. In this study, I examine the teaching orders of cohesive devices in selected textbooks from first-year Chinese through fourth-year Chinese. Three groups of students were required to complete two essays based on the same topics and prompts. Twenty-eight valid writing samples are examined in total, including ten writing samples from fourth-year students, another ten from third-year students, and eight from second-year students. The results show that there are no obvious differences among the three levels of students in their use of certain grammatical features and logical relations of cohesive devices. Students in these three levels have difficulty understanding how to connect paragraphs together fluently and accurately in their compositions. Pedagogical implications include some suggestions about designing instructional writing assignments in order to give more clearly pedagogical instructions for teaching cohesive devices. In addition, comprehensible directions that explain which logical relations should be taught every academic year are proposed.
ContributorsHan, Jining (Author) / Spring, Madeline K (Thesis advisor) / Ling, Xiaoqiao (Committee member) / Oh, Young (Committee member) / Arizona State University (Publisher)
Created2013
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This thesis explores the distribution of certain lexical items in Modern Standard Arabic (MSA) and their relationship with two linguistic phenomena, negative concord (NC) and negative polarity items (NPIs). The present study examines two central questions: the first question investigates whether or not MSA shows the patterns of negative concord

This thesis explores the distribution of certain lexical items in Modern Standard Arabic (MSA) and their relationship with two linguistic phenomena, negative concord (NC) and negative polarity items (NPIs). The present study examines two central questions: the first question investigates whether or not MSA shows the patterns of negative concord languages. The second question concerns the distribution of N-words and NPIs in MSA, and in which environments they appear. To answer the research questions, the thesis uses the framework of generative grammar of Chomsky (1995) and The (Non)veridicality Approach by Giannakidou (1998, 2000, 2002). The data reveal that MSA shows the patterns of strict negative concord languages that are suggested by Giannakidou (2000) in the sense that the negative particle obligatorily co-occurs with the N-words which strengthen the degree of negation, and never lead to a double negation interpretation. Moreover, the data show that there is only one pure NPI which appears optionally in two environments, antiveridical and nonveridical environments, and it is disallowed in veridical environments. On the other hand, the investigated indefinite nouns show a mixed picture since they work differently from their counterparts in Arabic dialects. Their descendants in Arabic dialects appear as NPIs while they tend to be indefinite nouns rather than NPIs in MSA.
ContributorsAlanazi, Muqbil (Author) / Gelderen, Elly van (Thesis advisor) / Gillon, Carrie (Committee member) / Major, Roy (Committee member) / Arizona State University (Publisher)
Created2013
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Previous research (e.g., Bardovi-Harlig & Reynolds, 1995; Cadierno, 2000; Camps, 2002; Robison, 1990, 1995; Salaberry, 1999, 2003, 2011) has tested the validity of the Lexical Aspect Hypothesis (LAH), developed by Andersen and Shirai (1994), which proposes that in beginning stages of the L2 acquisition process, the inherent lexical (meaning-based or

Previous research (e.g., Bardovi-Harlig & Reynolds, 1995; Cadierno, 2000; Camps, 2002; Robison, 1990, 1995; Salaberry, 1999, 2003, 2011) has tested the validity of the Lexical Aspect Hypothesis (LAH), developed by Andersen and Shirai (1994), which proposes that in beginning stages of the L2 acquisition process, the inherent lexical (meaning-based or semantic) aspect of a verb determines the selection of tense and aspect verbal morphology (preterit vs. imperfect) rather than the grammatical aspect, which is related to the viewpoint of the speaker (e.g., whether s/he wants to highlight the beginning, middle or end of an action or event). These studies analyzed written and oral data from personal and story retell learner narratives in classroom contexts. While many studies have found support for the association of lexical aspect with L2 verbal morphology, the claim of the LAH that such association is highest during beginning stages of learning has been questioned. For instance, Salaberry (1999, 2003) found evidence for the preterit acting as a past tense default marker across all lexical aspectual classes, while the association of lexical aspect with verbal morphology increased with L2 proficiency; both of these findings contradict the LAH. Studies have also investigated the influence of task type on tense and aspect morphology. Salaberry's (1999, 2003) beginning L2 learners utilized the preterit as a past tense default marker in a story retell (SR) task whereas the imperfect was used as a default marker in a personal narrative (PN) (2003). To continue testing the validity of LAH, the present study analyzed SR and PN data from twenty two university-level intermediate and advanced L2 Spanish learners. This study also explored the relationship between task type (SR vs. PN) and verb morphology. Results show that both intermediate and advanced learners appear to be using the preterit as a past tense default marker across all lexical aspectual classes, corroborating Salaberry's (1999, 2003) findings with beginning learners, and contradicting the LAH. Results of the present study also reveal that narrative task type (SR vs. PN) appears to play a role in the distribution of tense and aspect morphology among intermediate and advanced classroom L2 Spanish learners.
ContributorsHenderson, Carly Rae (Author) / Lafford, Barbara (Thesis advisor) / García, Carmen (Thesis advisor) / Cerron-Palomino, Alvaro (Committee member) / Arizona State University (Publisher)
Created2013