Matching Items (2)
Filtering by
- All Subjects: Religious Studies
- Creators: Codell, Julie
- Creators: Fessenden, Tracy
Description
This dissertation addresses the issue of sexuality in the Church of Jesus Christ of Latter-day Saints (LDS), also known as the Mormon Church, on both the institutional and individual levels. It traces the ways that the LDS Church's early persecution over polygamy, and the enduring effects of this history - both within and outside the Church - have helped to shape contemporary Mormon policies and public actions related to sexuality and marriage. Despite its relative success in achieving assimilation with the larger American society, the LDS Church continues to be associated with the practice of polygamy, creating a need for the Church to prove its adherence to traditional marriage and sexual norms. This work analyzes Mormon involvement in recent political campaigns against same-sex marriage, especially the campaign to pass Proposition 8 in California. This political participation has provided LDS leaders with significant opportunities to reshape their Church's public image, to improve relationships between Mormons and other conservative Christian communities, and to position the Church in a particular way in the American religious landscape. The dissertation also examines official LDS policies related to homosexuality and homosexual persons, and individual accounts of gay and lesbian Mormons and former Mormons (and those that do not identify as gay but experience same-sex attraction), found in personal blogs, Youtube videos, and published volumes. Elements of Mormon theology related to marriage, gender, premortality, and revelation, combined with aspects of LDS Church history, structure, and culture, make the experiences of these individuals unique among those of gays and lesbian in conservative Christian communities.
ContributorsWertman, Ann (Author) / Fessenden, Tracy (Thesis advisor) / Wenger, Tisa (Committee member) / Bush, Laura (Committee member) / Arizona State University (Publisher)
Created2014
Description
This dissertation will examine particular aspects of Yuan and Qing dynasty Chinese art historiography and argue that Chinese artistic creation is built on a transreligious and transethnic aesthetic, rather than an aesthetic centered on a single unitary culture. My project has two primary goals. The first is to propose that transreligious and transethnic factors fundamentally altered Chinese aesthetics, and discuss specifically what those changes were. The second goal of this dissertation is to evaluate the importance of interdisciplinary research approaches — including literature, ceremonial traditions, religious scriptures, and multiethnic material culture — to the study of art history, and specifically to non-Han Chinese art historiography. By studying four artists of different ethnic backgrounds — Uyghur (Gao Kegong, 1248–1310), Nepali (Anige, 1245–1306), Manchu (Manggūri, 1672–1736) and Mongol (Fashishan, 1753–1813) — this dissertation intends to answer several questions: how did these artists’ native cultural and religious aesthetics influence their artworks? Might further examination of the transethnic and transreligious aspects of later Imperial artistic production bring new focus to previously unnoticed aspects of Chinese art? And, on the individual level, what new insights can be uncovered when art historians consider the works of a non-Han Chinese artist from these transethnic and transreligious perspectives? The materials used for this research include a close visual study of artworks from the Rubin Museum of Art, the Cleveland Museum of Art, the Philadelphia Museum of Art, and the Los Angeles County Museum of Art.
ContributorsAIERKEN, YIPAER (Author) / Brown, Claudia (Thesis advisor, Committee member) / Berger, Patricia (Committee member) / Bokenkamp, Stephen (Committee member) / Codell, Julie (Committee member) / Arizona State University (Publisher)
Created2023