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Royal Bastards of Medieval and Renaissance England: A Literary Analysis of Illegitimacy in Le Morte d'Arthur, King Lear, and Game of Thrones

Description
The relationship between a fictional character and its reader is one built on sympathy. Likable characters who combat personal adversity or who possess culturally acceptable and praised characteristics at the time of the fictional work's publication garner compassion from its audience. Does the same kind of reader reaction occur when…

The relationship between a fictional character and its reader is one built on sympathy. Likable characters who combat personal adversity or who possess culturally acceptable and praised characteristics at the time of the fictional work's publication garner compassion from its audience. Does the same kind of reader reaction occur when characters of an unfavorable social status begin to transgress specified cultural attitudes to better themselves? In this paper, I examine the role of three literary characters of illegitimate birth: Mordred in Sir Malory's Le Morte d' Arthur, Edmund in William Shakespeare's King Lear and Jon Snow in George R.R. Martin's A Game of Thrones. I question how negative cultural attitudes at the time of each work's publication affect the way each character conducts himself whether as an agent of assumed social chaos or an autonomous bastard whose actions strive to transcend his undesirable birth rank. Each of these three characters represents specific types of bastards. Both Mordred and Edmund are bastard villains. Mordred's actions are pure unforgiving evil, and his destruction is self-indulgent and justified, to the audience, due to his illegitimate birth. Edmund is more complex, as he emotionally manipulates both the reader and other characters in the play, vacillating between a victimized bastard and a power hungry political player. Jon Snow is least like Mordred and Edmund. He endures the typical Renaissance era social and familial ostracism, and works to separate himself wholly from his illegitimate reputation while subconsciously seeking to prove himself worthy of legitimate respect.
ContributorsHouck, Laura Elizabeth (Author) / Facinelli, Diane (Thesis director) / Corse, Taylor (Committee member) / Barrett, The Honors College (Contributor) / Department of English (Contributor) / School of Historical, Philosophical and Religious Studies (Contributor)
Created2014-05
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Genesis

Description
The following is a fantasy twist on the Christian Bible, set before the time of Adam of Eve. The plot follows the lives of the first humans before Adam and Eve, the Father's first attempt at creating humanity. Additionally, it follows the first generation of archangels on an adventure into…

The following is a fantasy twist on the Christian Bible, set before the time of Adam of Eve. The plot follows the lives of the first humans before Adam and Eve, the Father's first attempt at creating humanity. Additionally, it follows the first generation of archangels on an adventure into the abyss. The work draws on theological, and mythological ideas including Greek mythology, Hasidic legend, John Milton's Paradise Lost, and even Dungeons and Dragons.
ContributorsWhite, Zachary Christopher (Author) / Sturges, Robert (Thesis director) / Corse, Taylor (Committee member) / Barrett, The Honors College (Contributor) / Department of English (Contributor)
Created2014-05
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An Exploration of Renaissance Self-fashioning through Clothing

DescriptionA look into the historical significance of clothing and clothing construction to self-fashioning.
ContributorsLee, Elizabeth Kristina (Author) / Facinelli, Diane (Thesis director) / Ryner, Bradley (Committee member) / TerBeek, Kendra (Committee member) / Barrett, The Honors College (Contributor) / Department of English (Contributor)
Created2013-05
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Analyzing the Production of Great Minds during the Renaissance

ContributorsMattson, Arron Phillip (Author) / Adams, Valerie (Thesis director) / Liu, Huan (Committee member) / Davulcu, Hasan (Committee member) / Barrett, The Honors College (Contributor)
Created2013-05
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An Exploration of the Biblical Story and Its Implications for American Political Engagement

Description

Politics is an extremely controversial topic. In the midst of a global pandemic and an election year, issues and animosity towards one another on different sides of the political spectrum seem to have compounded tenfold. It seems rather obvious that our human efforts alone have never been enough to repair…

Politics is an extremely controversial topic. In the midst of a global pandemic and an election year, issues and animosity towards one another on different sides of the political spectrum seem to have compounded tenfold. It seems rather obvious that our human efforts alone have never been enough to repair the brokenness present in politics. Why is this? I believe the answer is found in the biblical story. This study traces through the biblical story of creation, fall, and redemption and highlights its implications for American political engagement. The Bible is the inspired word of God revealed to humanity and should speak into every aspect of our lives, including politics. The biblical story shows us what God's intention for politics was in His good creation, why it is not that way now, and what God did, is doing, and will do to completely restore all that is broken through Jesus Christ. The biblical story is a story that is still unfolding to this day, and followers of Jesus Christ are called to participate in this story in all aspects of their lives, which includes politics. The truth and good news of the biblical story is still relevant and should shape the way we approach politics.
ContributorsWitkop, Daniel Peter (Author) / Anderson, Owen (Thesis director) / Carradini, Stephen (Committee member) / Dean, W.P. Carey School of Business (Contributor, Contributor) / Department of Management and Entrepreneurship (Contributor) / Barrett, The Honors College (Contributor)
Created2021-05