Matching Items (6)
Filtering by
- All Subjects: history
Description
Jacob D. Green's slave narrative breaks standards surrounding slave narratives and wrote a strong, unique story that allowed his audience to relate to his human characters. His narrative has unprecedented qualities that make his autobiography distinctive. An attempt to locate him in historical documents proved inconclusive and some of his stories elaborated, but his narrative is still a valuable piece of literature that gives historians a glimpse into slavery in the United States and the abolition movement in England.
ContributorsLepore, Amanda Lynn (Author) / Schermerhorn, Calvin (Thesis director) / Soares, Rebecca (Committee member) / Barrett, The Honors College (Contributor) / School of Social Transformation (Contributor) / School of Historical, Philosophical and Religious Studies (Contributor)
Created2015-05
Description
Books are constantly changing. For this project I looked at books and how they have changed over time. Starting with just before the Gutenberg Printing Press was invented and ending with the introduction of the Internet this project tracked those changes over time and looked at how they changed how people read, who read, and what this said about the people at the time. First, I looked at how books changed physically. At the time of the Gutenberg Printing Press vellum and parchment were being used for the pages of books and illuminated manuscripts made some volumes works of art. Now with the Internet greatly influencing books, that format is radically different. Different materials allowed for books to be made more cheaply and when this happened more people were able to afford them. I also looked at aspects of books like publishing and where the books were sold and how that made a difference in how and why people read. Through all of my research I kept a blog and this allowed me to be almost part of the history and research I was doing. This blog will eventually become an eBook. Books have not only shaped history and people but have been shaped by history. Books are a vital part of helping to spread information and while they will keep changing especially with the Internet, books will never disappear.
ContributorsAdams, Kennedy Rei (Author) / Tebeau, Mark (Thesis director) / Soares, Rebecca (Committee member) / School of Historical, Philosophical and Religious Studies (Contributor) / School of Social Transformation (Contributor) / Barrett, The Honors College (Contributor)
Created2017-05
Description
The application of Toni Morrison’s Beloved as a lens through which one can analyze intergenerational trauma on an individual and communal level results in a blueprint towards a remedial process. The characters and their experiences in her novel are representative of a myriad of ways in which trauma is manifested. I have broken down the concept of intergenerational trauma into the idea that it can be seen as the state where one is both simultaneously “falling” and “fallen” at the same time. Used here, the term “falling” refers to the consistent, individual trauma that one is experiencing. On the other hand, the term “fallen” refers to the trauma that a community as a whole has experienced and internalized. This framework that I establish based off of Beloved is a launching point for the conversation surrounding the topic of remedial actions in relation to intergenerational trauma that resulted from slavery. Using it as a basis of knowledge allows one to truly gather the weight of the situation regarding trauma postbellum. Considering the current climate surrounding any meaningful dialogue, knowledge is one of the most important aspects. Along with the concepts of “falling”/”fallen,” I also coined the term productive memory, which refers to the act of confrontation as well as the remembering of intergenerational trauma. The use of productive memory is imperative in addressing the prior ideas presented regarding intergenerational trauma and the possible pathways to move forward.
ContributorsCampbell, Hugh Fitz (Author) / Soares, Rebecca (Thesis director) / Agruss, David (Committee member) / School of Politics and Global Studies (Contributor) / Economics Program in CLAS (Contributor) / Barrett, The Honors College (Contributor)
Created2021-05
Description
This thesis project focuses on the rhetoric of dress reform in The Sibyl, the official journal of the National Dress Reform Association from 1856 to 1864. The American Dress Reform Movement grew out of the women’s rights and health reform movements during the Second Great Awakening. Dress reformers viewed women’s fashionable dress as both a symbol of and reason for their political and economic oppression. They believed that by modifying women’s everyday dress, women’s health (and in turn, the health of their descendants) would improve and they would have more opportunities outside of the home. Close reading of The Sibyl reveals that dress reformers gravitated towards the rhetoric of slavery, comparisons to non-Christian nations, and the characterization of women as weak to advocate for their cause. I argue that this rhetoric disempowers women and promotes racist and xenophobic ideas, which ultimately undermines the movement’s goals.
ContributorsWise, Catherine (Author) / Soares, Rebecca (Thesis director) / Looser, Devoney (Committee member) / Barrett, The Honors College (Contributor) / School of International Letters and Cultures (Contributor) / Historical, Philosophical & Religious Studies, Sch (Contributor)
Created2024-05
Description
This literary analysis thesis determines the relationship between twin characterization in Victorian novels and contemporary literature. Using Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde and Lewis Carroll’s Through the Looking-glass as foundational works for twin characterization with the Freudian definition of doubles as uncanny, this thesis analyzes the following twin tropes: the trickster twins, twins separated into binaries of “good” or “whole” and “damaged” or “evil,” male twins where one dies and the other marries the woman they both love, and female twins associated with shared supernatural appearance and abilities. These tropes are identified in Victorian works including Sarah Grand’s The Heavenly Twins and Wilkie Collins’ Poor Miss Finch, then demonstrated in contemporary sources including Ian McEwan’s novel Atonement, Kim Edwards’s novel The Memory-Keeper’s Daughter, J. K. Rowling’s Harry Potter series, and Stanley Kubrick’s film The Shining. Ultimately, this thesis analyzes these tropes of twin characterization in 19th-century and contemporary literature from a variety of genres to demonstrate how the fin de siècle fears of cultural degradation, explored through duality using the vehicle of twin characters, remain as pervasive influences in today’s literature with similar concerns about individual identity.
ContributorsKnighton, Makenna Nicole (Author) / Soares, Rebecca (Thesis director) / Farmer, Steve (Committee member) / Department of English (Contributor) / Barrett, The Honors College (Contributor)
Created2019-12
Description
This thesis explores how the characterization of mentally ill characters evolves in literature within the United States in order to understand if and how modern notions of mental illness have impacted American writers’ fictional depictions of insanity. For this reason, this project compares and contrasts American fiction from the 19th century and 21st century. More specifically, the thesis explores the two centuries to trace evolutions in the use of gothic tropes, the progression of the theme of identity, relevant paratexts, and public conversations about fictional mental illness in modern texts—all of which send specific messages about mental health and impact the ways in which the reader understands the characters with mental illness. Ultimately, this thesis argues that the evolved use of tropes, the theme of identity, paratexts, and public conversations suggest there has been a shift from othering characters with mental illness towards accepting these characters and normalizing mental illness as an ordinary and familiar part of the human experience. In short, an increased understanding of mental health accompanies literary choices that create a more sympathetic representation of mental illness overall, even when fiction writers might still rely heavily on 19th-century tropes regarding madness.
ContributorsHagerman, Rachel L (Author) / Soares, Rebecca (Thesis director) / Murphy, Patricia C. (Committee member) / Department of English (Contributor) / Barrett, The Honors College (Contributor)
Created2020-12