Matching Items (7)
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- All Subjects: history
- All Subjects: Patricia Nelson Limerick
- Genre: Doctoral Dissertation
- Creators: Vandermeer, Philip
- Status: Published
Description
Baseball is the quintessential American game. To understand the country one must also understand the role baseball played in the nation's maturation process. Embedded in baseball's history are (among other things) the stories of America's struggles with issues of race, gender, immigration, organized labor, drug abuse, and rampant consumerism. Over the better part of two centuries, the national pastime both reflected changes to American culture and helped shape them as well. Documenting these changes and packaging them for consumption is the responsibility of the National Baseball Hall of Fame and Museum in Cooperstown, New York. Founded as a tourist attraction promoting largely patriotic values, in recent decades the Baseball Hall of Fame made a concerted effort to transform itself into a respected member of the history museum community--dedicated to displaying American history through the lens of baseball. This dissertation explores the evolution of the Baseball Hall of Fame from celebratory shrine to history museum through an analysis of public history practice within the museum. In particular, this study examines the ways the Hall both reflected and reinforced changes to American values and ideologies through the evolution of public history practice in the museum. The primary focus of this study is the museum's exhibits and analyzing what their content and presentation convey about the social climate during the various stages of the Baseball Hall of Fame's evolution. The principal resources utilized to identify these stages include promotional materials, exhibit reviews, periodicals, and photographic records, as well as interviews with past and present Hall-of-Fame staff. What this research uncovers is the story of an institution in the midst of a slow transition. Throughout the past half century, the Hall of Fame staff struggled with a variety of obstacles to change (including the museum's traditionally conservative roots, the unquestioning devotion Americans display for baseball and its mythology, and the Hall of Fame's idyllic setting in a quaint corner of small-town America) that undermined their efforts to become the type of socially relevant institution many envisioned. Contending with these challenges continues to characterize much of the museum's operations today.
ContributorsMangan, Gregory (Author) / Warren-Findley, Jannelle (Thesis advisor) / Szuter, Christine (Committee member) / Toon, Richard (Committee member) / Arizona State University (Publisher)
Created2013
Description
At the turn of the twenty-first century, the population of Surprise Arizona exploded, increasing from 31,000 to 100,000 in just eight years. Developers filled acres of former cotton fields and citrus groves with walled neighborhoods of stucco and tile-roofed homes surrounded by palm trees and oleander bushes. Priced for middle-class families and retirees, this planned and standardized landscape stood in stark contrast to that of the town's first decades when dirt roads served migrant farm labor families living in makeshift homes with outdoor privies. This study explores how a community with an identity based on farm labor and networks of kinship and friendship evolved into an icon of the twenty-first century housing boom. This analysis relies on evidence from multiple sources. A community history initiative, the Surprise History Project, produced photographs, documents, and oral histories. City records, newspaper accounts, county documents, and census reports offer further insight into the external and internal factors that shaped and reshaped the meaning of community in Surprise. A socially and politically constructed concept, community identity evolves in response to the intricate interplay of contingencies, external forces, and the actions and decisions of civic leaders and residents. In the case of Surprise, this complex mix of factors also set the foundation for its emergence as a twenty-first century boomburb. The rapid expansion of the Phoenix metropolitan area, the emergence of age-restricted communities, and federal programs reset the social, economic, and political algorithms of the community. Internally, changing demographics, racial and ethnic diversity, and an ever-expanding population produced differing and continuously evolving ideas about community identity, a matter of intense importance to many. For seven decades, Surprise residents with competing ideas about place came into conflict. Concurrently, these individuals participated in official and vernacular events, activities, and celebrations. These gatherings, which evolved as the town grew and changed, also shaped community identity. While attending the Fourth of July festivities or debating city leaders' decisions at town council meetings, Surprise residents defined and redefined their community.
ContributorsPalmer, Carol S (Author) / Warren-Findley, Jannelle (Thesis advisor) / Gullett, Gayle (Committee member) / Vandermeer, Philip (Committee member) / Arizona State University (Publisher)
Created2012
Description
This study examines history museums in Arizona and New Mexico to determine whether New Western History themes are prevalent, twenty years after the term was conceived. Patricia Limerick is credited with using the expression in the 1980s, but she had to promote the concept frequently and for many years. There was resistance to changing from the Frederick Jackson Turner thesis of looking at the frontier as an expansion from the East, even while others were already writing more current historiography.
Limerick’s four “Cs”—continuity, convergence, conquest, and complexity—took a view of the West from the West, worthy of a separate perspective. These themes also allowed historians to reflect on what was happening locally, how and why various people were interacting, how there was less of a benevolent imbuing of European culture on Native Americans than there was a conquest of indigenous people, and how resource extraction created complex situations for all living things. While scholarly works were changing to provide relevant material based on these themes, museums were receiving thousands of visitors every year and may have been providing the Anglo-centric view of events or creating more inclusive displays. Label texts could have been either clarifying or confusing to a history loving audience.
Three types of museums were visited to determine whether there was a difference in display based on governing body. National Park Service sites, state sponsored institutions, and local city-based museums served as the study material. The age of the existing long-term exhibits ranged from brand new to fifty-one years extant. As important to the use of New Western History themes as the term of the current exhibit was the type of governing body.
Monographs, essays, and museum exhibits are all important to the dissemination of history. How they relate and how current they are to each other creates an opportunity for both academic and museum professional historians to reflect on the delivery systems used to enlighten a history-loving public.
Limerick’s four “Cs”—continuity, convergence, conquest, and complexity—took a view of the West from the West, worthy of a separate perspective. These themes also allowed historians to reflect on what was happening locally, how and why various people were interacting, how there was less of a benevolent imbuing of European culture on Native Americans than there was a conquest of indigenous people, and how resource extraction created complex situations for all living things. While scholarly works were changing to provide relevant material based on these themes, museums were receiving thousands of visitors every year and may have been providing the Anglo-centric view of events or creating more inclusive displays. Label texts could have been either clarifying or confusing to a history loving audience.
Three types of museums were visited to determine whether there was a difference in display based on governing body. National Park Service sites, state sponsored institutions, and local city-based museums served as the study material. The age of the existing long-term exhibits ranged from brand new to fifty-one years extant. As important to the use of New Western History themes as the term of the current exhibit was the type of governing body.
Monographs, essays, and museum exhibits are all important to the dissemination of history. How they relate and how current they are to each other creates an opportunity for both academic and museum professional historians to reflect on the delivery systems used to enlighten a history-loving public.
ContributorsWalsh, Thomas Kevin (Author) / Pagan, Eduardo (Thesis advisor) / Toon, Richard (Thesis advisor) / Fixico, Donald (Committee member) / Arizona State University (Publisher)
Created2015
Description
The call-in talk radio format is one of the key formats of national talk programming. It was first thought to have originated in the early 1970s, when satellite distributed signals made national programs economical and the advent of the 1-800 telephone number allowed for cheaper long distance phone calls. However, this research reveals that the nationwide call-in format originated in 1964 by Herb Jepko, an overnight talk radio host who broadcast his show, Nitecap, from rural Salt Lake City, Utah on one of the country's most powerful clear channel stations, KSL 1160-AM. At the time Nitecap was launched, most radio executives were skeptical that national call-in talk radio could be successful. Yet, Jepko demonstrated that millions of people, awake in the late and early morning hours, were interested in listening to radio programming as well as interacting with the host and other listeners. This research examines Jepko's innovation of national call-in talk radio and the factors that contributed to his success. He altered the traditional talk radio paradigm and changed the way industry leaders viewed both the overnight time slot and national call-in talk shows. His work set the foundation for the format and paved the way for its use today.
ContributorsRomney, Miles (Author) / Godfrey, Donald G. (Thesis advisor) / Silcock, Burton (Committee member) / Matera, Frances (Committee member) / Vandermeer, Philip (Committee member) / Arizona State University (Publisher)
Created2016
Description
This dissertation uses the narrative practice of chorography as a genre for assessing the history of placemaking in the Salt and Gila River region of central Arizona from the late seventeenth century through the mid-nineteenth century. Chorography concerns the descriptive representation of places in the world, usually of regions associated with a particular nation. Traditionally, chorography has served as a written method for describing geographical places as they existed historically. By integrating descriptions of natural features with descriptions of built features, such as ancient ruins, chorography infuses the physical landscape with cultural and historical meaning. This dissertation relies on a body of Spanish- and English-language chorographies produced across three centuries to interpret how Euro-American descriptions of Hohokam ruins in the Salt and Gila River valleys shaped local placemaking. Importantly, the disparate chorographic texts produced during the late-seventeenth, eighteenth, and early nineteenth centuries reflect ‘discursive continuity’—a continuity of thought spanning a long and frequently disregarded period in the history of central Arizona, in which ruminations about the ruins of ancient cities and irrigation canals formed the basis for what people knew, or thought they knew, about the little-known region. When settlers arrived in the newly-formed Arizona Territory in the 1860s to establish permanent settlement in the Salt and Gila River valleys, they brought with them a familiarity with these writings, maps, and other chorographical materials. On one hand, Arizonans viewed the ancient ruins as literal evidence for the region’s agricultural possibilities. On the other hand, Aztec and Cíbola myths associated with the ruins, told and retold by Europeans and Americans during the sixteenth through nineteenth centuries, offered an imaginative context for the establishment and promotion of American settlement in central Arizona.
ContributorsCaproni, Linnéa Katherine Elizabeth (Author) / Thompson, Victoria (Thesis advisor) / Vandermeer, Philip (Committee member) / Timothy, Dallen (Committee member) / Arizona State University (Publisher)
Created2017
Description
Historians typically view the postwar suburban metropolis from one of two vantages: from the vantage of urban capital as it flowed out of central cities into new automobile suburbs, where a new suburban culture emerged and flourished after 1945, or from the vantage of central cities, which become progressively hollowed out, leaving behind badly deteriorated inner-city services and facilities. Rarely, however, do historians view the postwar suburban metropolis from the vantage of peripheral small towns and rural countrysides. This study looks at the “metropolitan revolution” from the outside in, as the metropolis approached and then absorbed a landscape of farms and ranches centered on a small farm-service town. As a case study, it focuses on Tempe, Arizona, a town and rural countryside eight miles east of Phoenix.
During the postwar period, Tempe became part of the Phoenix metropolitan area. Agricultural production in Tempe yielded to suburban development, as a producer-oriented landscape of farms and ranches became a consumer-oriented landscape of residential subdivisions and university buildings. Intangible goods such as higher education eclipsed tangible goods such as grain, dairy, and cotton. Single-family houses supplanted farmland; shopping centers with parking lots undermined main street businesses; irrigation water became domestic water; and International-style university buildings displaced vernacular neighborhoods rooted in the early history of the settlement. In Tempe, the rural agricultural landscape gave way to a suburban landscape. But in important ways, the former shaped the latter, as the suburban metropolis inherited the underlying form and spatial relationships of farms and ranches.
During the postwar period, Tempe became part of the Phoenix metropolitan area. Agricultural production in Tempe yielded to suburban development, as a producer-oriented landscape of farms and ranches became a consumer-oriented landscape of residential subdivisions and university buildings. Intangible goods such as higher education eclipsed tangible goods such as grain, dairy, and cotton. Single-family houses supplanted farmland; shopping centers with parking lots undermined main street businesses; irrigation water became domestic water; and International-style university buildings displaced vernacular neighborhoods rooted in the early history of the settlement. In Tempe, the rural agricultural landscape gave way to a suburban landscape. But in important ways, the former shaped the latter, as the suburban metropolis inherited the underlying form and spatial relationships of farms and ranches.
ContributorsHallam, Nathan (Author) / Vandermeer, Philip (Thesis advisor) / Smith, Karen (Committee member) / Thompson, Victoria (Committee member) / Arizona State University (Publisher)
Created2016
Description
Civic identity in San Diego emerged first from a complex set of Native, Spanish and Mexican traditions. However, after 1850 Americans from the East coast and Midwest arrived and brought with them to San Diego a strong sense of how to both build and manage towns. These regional influences from other parts of the country carried over into the early twentieth century, and began to reshape civic identity and the first historic preservation movements in San Diego. This dissertation establishes San Diego's place in the scholarly literature of the urban West and historic preservation. After a brief background of San Diego history, this study begins with an explanation of the dual efforts at work in San Diego after 1945 to build for the future while preserving the past. Next, this study examines the partnerships formed and conflicts between promoters for development and advocates of preservation. The progression of historic preservation efforts in San Diego since WWII includes missed opportunities, lapses in historic authenticity, and divisions about what buildings or stories to preserve. This study describes how conflicts were resolved and explains the impact of those outcomes on historic preservation and authenticity. San Diego's history has much in common with many cities in the American West, but the historic narrative of San Diego also differs from other Western cities in several compelling ways. First, San Diego bears distinction as the oldest city in California and one of the oldest cities in the West. Second, historic preservation in San Diego has yet to be fully explored by scholars. Third, some of preservation conflicts explored in this study reveal distinct differences from preservation debates in other urban areas. Using government, organizational, and archival records, secondary sources, interviews, and personal observation, this dissertation explains how historic preservation in San Diego became an integral part of city planning, an expectation of residents and visitors, and a key feature of the city`s civic identity. This study contributes to Western scholarship by bringing San Diego into the literature of historic preservation and the urban West.
ContributorsComer-Schultz, Judith (Author) / Vandermeer, Philip (Thesis advisor) / Iverson, Peter (Committee member) / Whitaker, Matthew (Committee member) / Arizona State University (Publisher)
Created2011