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- All Subjects: history
- Genre: Doctoral Dissertation
- Creators: Maienschein, Jane
- Status: Published
Description
Baseball is the quintessential American game. To understand the country one must also understand the role baseball played in the nation's maturation process. Embedded in baseball's history are (among other things) the stories of America's struggles with issues of race, gender, immigration, organized labor, drug abuse, and rampant consumerism. Over the better part of two centuries, the national pastime both reflected changes to American culture and helped shape them as well. Documenting these changes and packaging them for consumption is the responsibility of the National Baseball Hall of Fame and Museum in Cooperstown, New York. Founded as a tourist attraction promoting largely patriotic values, in recent decades the Baseball Hall of Fame made a concerted effort to transform itself into a respected member of the history museum community--dedicated to displaying American history through the lens of baseball. This dissertation explores the evolution of the Baseball Hall of Fame from celebratory shrine to history museum through an analysis of public history practice within the museum. In particular, this study examines the ways the Hall both reflected and reinforced changes to American values and ideologies through the evolution of public history practice in the museum. The primary focus of this study is the museum's exhibits and analyzing what their content and presentation convey about the social climate during the various stages of the Baseball Hall of Fame's evolution. The principal resources utilized to identify these stages include promotional materials, exhibit reviews, periodicals, and photographic records, as well as interviews with past and present Hall-of-Fame staff. What this research uncovers is the story of an institution in the midst of a slow transition. Throughout the past half century, the Hall of Fame staff struggled with a variety of obstacles to change (including the museum's traditionally conservative roots, the unquestioning devotion Americans display for baseball and its mythology, and the Hall of Fame's idyllic setting in a quaint corner of small-town America) that undermined their efforts to become the type of socially relevant institution many envisioned. Contending with these challenges continues to characterize much of the museum's operations today.
ContributorsMangan, Gregory (Author) / Warren-Findley, Jannelle (Thesis advisor) / Szuter, Christine (Committee member) / Toon, Richard (Committee member) / Arizona State University (Publisher)
Created2013
Description
Once perceived as an unimportant occurrence in living organisms, cell degeneration was reconfigured as an important biological phenomenon in development, aging, health, and diseases in the twentieth century. This dissertation tells a twentieth-century history of scientific investigations on cell degeneration, including cell death and aging. By describing four central developments in cell degeneration research with the four major chapters, I trace the emergence of the degenerating cell as a scientific object, describe the generations of a variety of concepts, interpretations and usages associated with cell death and aging, and analyze the transforming influences of the rising cell degeneration research. Particularly, the four chapters show how the changing scientific practices about cellular life in embryology, cell culture, aging research, and molecular biology of Caenorhabditis elegans shaped the interpretations about cell degeneration in the twentieth-century as life-shaping, limit-setting, complex, yet regulated. These events created and consolidated important concepts in life sciences such as programmed cell death, the Hayflick limit, apoptosis, and death genes. These cases also transformed the material and epistemic practices about the end of cellular life subsequently and led to the formations of new research communities. The four cases together show the ways cell degeneration became a shared subject between molecular cell biology, developmental biology, gerontology, oncology, and pathology of degenerative diseases. These practices and perspectives created a special kind of interconnectivity between different fields and led to a level of interdisciplinarity within cell degeneration research by the early 1990s.
ContributorsJiang, Lijing (Author) / Maienschein, Jane (Thesis advisor) / Laubichler, Manfred (Thesis advisor) / Hurlbut, James (Committee member) / Creath, Richard (Committee member) / White, Michael (Committee member) / Arizona State University (Publisher)
Created2013
Description
This study examines history museums in Arizona and New Mexico to determine whether New Western History themes are prevalent, twenty years after the term was conceived. Patricia Limerick is credited with using the expression in the 1980s, but she had to promote the concept frequently and for many years. There was resistance to changing from the Frederick Jackson Turner thesis of looking at the frontier as an expansion from the East, even while others were already writing more current historiography.
Limerick’s four “Cs”—continuity, convergence, conquest, and complexity—took a view of the West from the West, worthy of a separate perspective. These themes also allowed historians to reflect on what was happening locally, how and why various people were interacting, how there was less of a benevolent imbuing of European culture on Native Americans than there was a conquest of indigenous people, and how resource extraction created complex situations for all living things. While scholarly works were changing to provide relevant material based on these themes, museums were receiving thousands of visitors every year and may have been providing the Anglo-centric view of events or creating more inclusive displays. Label texts could have been either clarifying or confusing to a history loving audience.
Three types of museums were visited to determine whether there was a difference in display based on governing body. National Park Service sites, state sponsored institutions, and local city-based museums served as the study material. The age of the existing long-term exhibits ranged from brand new to fifty-one years extant. As important to the use of New Western History themes as the term of the current exhibit was the type of governing body.
Monographs, essays, and museum exhibits are all important to the dissemination of history. How they relate and how current they are to each other creates an opportunity for both academic and museum professional historians to reflect on the delivery systems used to enlighten a history-loving public.
Limerick’s four “Cs”—continuity, convergence, conquest, and complexity—took a view of the West from the West, worthy of a separate perspective. These themes also allowed historians to reflect on what was happening locally, how and why various people were interacting, how there was less of a benevolent imbuing of European culture on Native Americans than there was a conquest of indigenous people, and how resource extraction created complex situations for all living things. While scholarly works were changing to provide relevant material based on these themes, museums were receiving thousands of visitors every year and may have been providing the Anglo-centric view of events or creating more inclusive displays. Label texts could have been either clarifying or confusing to a history loving audience.
Three types of museums were visited to determine whether there was a difference in display based on governing body. National Park Service sites, state sponsored institutions, and local city-based museums served as the study material. The age of the existing long-term exhibits ranged from brand new to fifty-one years extant. As important to the use of New Western History themes as the term of the current exhibit was the type of governing body.
Monographs, essays, and museum exhibits are all important to the dissemination of history. How they relate and how current they are to each other creates an opportunity for both academic and museum professional historians to reflect on the delivery systems used to enlighten a history-loving public.
ContributorsWalsh, Thomas Kevin (Author) / Pagan, Eduardo (Thesis advisor) / Toon, Richard (Thesis advisor) / Fixico, Donald (Committee member) / Arizona State University (Publisher)
Created2015
Description
The study of wasp societies (family Vespidae) has played a central role in advancing our knowledge of why social life evolves and how it functions. This dissertation asks: How have scientists generated and evaluated new concepts and theories about social life and its evolution by investigating wasp societies? It addresses this question both from a narrative/historical and from a reflective/epistemological perspective. The historical narratives reconstruct the investigative pathways of the Italian entomologist Leo Pardi (1915-1990) and the British evolutionary biologist William D. Hamilton (1936-2000). The works of these two scientists represent respectively the beginning of our current understanding of immediate and evolutionary causes of social life. Chapter 1 shows how Pardi, in the 1940s, generated a conceptual framework to explain how wasp colonies function in terms of social and reproductive dominance. Chapter 2 shows how Hamilton, in the 1960s, attempted to evaluate his own theory of inclusive fitness by investigating social wasps. The epistemological reflections revolve around the idea of investigative framework for theory evaluation. Chapter 3 draws on the analysis of important studies on social wasps from the 1960s and 1970s and provides an account of theory evaluation in the form of an investigative framework. The framework shows how inferences from empirical data (bottom-up) and inferences from the theory (top-down) inform one another in the generation of hypotheses, predictions and statements about phenomena of social evolution. It provides an alternative to existing philosophical accounts of scientific inquiry and theory evaluation, which keep a strong, hierarchical distinction between inferences from the theory and inferences from the data. The historical narratives in this dissertation show that important scientists have advanced our knowledge of complex biological phenomena by constantly interweaving empirical, conceptual, and theoretical work. The epistemological reflections argue that we need holistic frameworks that account for how multiple scientific practices synergistically contribute to advance our knowledge of complex phenomena. Both narratives and reflections aim to inspire and inform future work in social evolution capitalizing on lessons learnt from the past.
ContributorsCaniglia, Guido (Author) / Laubichler, Manfred (Thesis advisor) / Maienschein, Jane (Thesis advisor) / Creath, Richard (Committee member) / Mitchell, Sandra (Committee member) / Arizona State University (Publisher)
Created2016
Description
A central task for historians and philosophers of science is to characterize and analyze the epistemic practices in a given science. The epistemic practice of a science includes its explanatory goals as well as the methods used to achieve these goals. This dissertation addresses the epistemic practices in gene expression research spanning the mid-twentieth century to the twenty-first century. The critical evaluation of the standard historical narratives of the molecular life sciences clarifies certain philosophical problems with respect to reduction, emergence, and representation, and offers new ways with which to think about the development of scientific research and the nature of scientific change.
The first chapter revisits some of the key experiments that contributed to the development of the repression model of genetic regulation in the lac operon and concludes that the early research on gene expression and genetic regulation depict an iterative and integrative process, which was neither reductionist nor holist. In doing so, it challenges a common application of a conceptual framework in the history of biology and offers an alternative framework. The second chapter argues that the concept of emergence in the history and philosophy of biology is too ambiguous to account for the current research in post-genomic molecular biology and it is often erroneously used to argue against some reductionist theses. The third chapter investigates the use of network representations of gene expression in developmental evolution research and takes up some of the conceptual and methodological problems it has generated. The concluding comments present potential avenues for future research arising from each substantial chapter.
In sum, this dissertation argues that the epistemic practices of gene expression research are an iterative and integrative process, which produces theoretical representations of the complex interactions in gene expression as networks. Moreover, conceptualizing these interactions as networks constrains empirical research strategies by the limited number of ways in which gene expression can be controlled through general rules of network interactions. Making these strategies explicit helps to clarify how they can explain the dynamic and adaptive features of genomes.
The first chapter revisits some of the key experiments that contributed to the development of the repression model of genetic regulation in the lac operon and concludes that the early research on gene expression and genetic regulation depict an iterative and integrative process, which was neither reductionist nor holist. In doing so, it challenges a common application of a conceptual framework in the history of biology and offers an alternative framework. The second chapter argues that the concept of emergence in the history and philosophy of biology is too ambiguous to account for the current research in post-genomic molecular biology and it is often erroneously used to argue against some reductionist theses. The third chapter investigates the use of network representations of gene expression in developmental evolution research and takes up some of the conceptual and methodological problems it has generated. The concluding comments present potential avenues for future research arising from each substantial chapter.
In sum, this dissertation argues that the epistemic practices of gene expression research are an iterative and integrative process, which produces theoretical representations of the complex interactions in gene expression as networks. Moreover, conceptualizing these interactions as networks constrains empirical research strategies by the limited number of ways in which gene expression can be controlled through general rules of network interactions. Making these strategies explicit helps to clarify how they can explain the dynamic and adaptive features of genomes.
ContributorsRacine, Valerie (Author) / Maienschein, Jane (Thesis advisor) / Laubichler, Manfred D (Thesis advisor) / Creath, Richard (Committee member) / Newfeld, Stuart (Committee member) / Morange, Michel (Committee member) / Arizona State University (Publisher)
Created2016
Description
Scientific researchers have studied microorganisms since the emergence of the single lens microscope in the 17th century. Since then, researchers designed and published many thousands of images to record and share their observations, including hand-drawn diagrams, photomicrographs, and photographs. Images shaped how researchers conceived of microorganisms, their concepts of microorganisms shaped their images, and their images and concepts were shaped by the contexts in which they were working. Over time, the interplay of images and concepts in various research contexts participated in the development of new concepts related to microorganisms, like the “biofilm” concept, or the idea that bacteria exist in nature as complex aggregates attached to surfaces via extracellular polymeric matrices. Many histories of microbiology locate the origin of the biofilm concept in the 1970s, but that date obscures the rich history of research about attached microbial aggregates that occurred throughout the history of microbiology. I discovered how the interplay of images and concepts related to bacteria participated in the development of the biofilm concept by documenting when and why researchers used different visual features to represent changing concepts related to microorganisms. I specifically examined how and why scientists represented evolving concepts related to bacteria during the 17th century (Chapter 1), from the late 17th century to the early 20th century (Chapter 2), and during the first seventy-four years of the 20th century (Chapter 3). I discovered the biofilm concept developed in at least three unique research contexts during the 20th century, and how images reflected and shaped the concept’s development in each case. The narrative and collection of images generated from this work serve as a visual history of the development of scientists’ ideas about the nature of bacteria over 300 years.
ContributorsGuerrero, Anna Clemencia (Author) / Maienschein, Jane (Thesis advisor) / Laubichler, Manfred (Committee member) / Sterner, Beckett (Committee member) / Matlin, Karl (Committee member) / Arizona State University (Publisher)
Created2023
Description
This dissertation examines the efforts of the Carnegie Image Tube Committee (CITC), a group created by Vannevar Bush and composed of astronomers and physicists, who sought to develop a photoelectric imaging device, generally called an image tube, to aid astronomical observations. The Carnegie Institution of Washington’s Department of Terrestrial Magnetism coordinated the CITC, but the committee included members from observatories and laboratories across the United States. The CITC, which operated from 1954 to 1976, sought to replace direct photography as the primary means of astronomical imaging.
Physicists, who gained training in electronics during World War II, led the early push for the development of image tubes in astronomy. Vannevar Bush’s concern for scientific prestige led him to form a committee to investigate image tube technology, and postwar federal funding for the sciences helped the CITC sustain development efforts for a decade. During those development years, the CITC acted as a mediator between the astronomical community and the image tube producers but failed to engage astronomers concerning various development paths, resulting in a user group without real buy-in on the final product.
After a decade of development efforts, the CITC designed an image tube, which Radio Corporation of American manufactured, and, with additional funding from the National Science Foundation, the committee distributed to observatories around the world. While excited about the potential of electronic imaging, few astronomers used the Carnegie-developed device regularly. Although the CITC’s efforts did not result in an overwhelming adoption of image tubes by the astronomical community, examining the design, funding, production, and marketing of the Carnegie image tube shows the many and varied processes through which astronomers have acquired new tools. Astronomers’ use of the Carnegie image tube to acquire useful scientific data illustrates factors that contribute to astronomers’ adoption or non-adoption of those new tools.
Physicists, who gained training in electronics during World War II, led the early push for the development of image tubes in astronomy. Vannevar Bush’s concern for scientific prestige led him to form a committee to investigate image tube technology, and postwar federal funding for the sciences helped the CITC sustain development efforts for a decade. During those development years, the CITC acted as a mediator between the astronomical community and the image tube producers but failed to engage astronomers concerning various development paths, resulting in a user group without real buy-in on the final product.
After a decade of development efforts, the CITC designed an image tube, which Radio Corporation of American manufactured, and, with additional funding from the National Science Foundation, the committee distributed to observatories around the world. While excited about the potential of electronic imaging, few astronomers used the Carnegie-developed device regularly. Although the CITC’s efforts did not result in an overwhelming adoption of image tubes by the astronomical community, examining the design, funding, production, and marketing of the Carnegie image tube shows the many and varied processes through which astronomers have acquired new tools. Astronomers’ use of the Carnegie image tube to acquire useful scientific data illustrates factors that contribute to astronomers’ adoption or non-adoption of those new tools.
ContributorsThompson, Samantha Michelle (Author) / Ellison, Karin (Thesis advisor) / Wetmore, Jameson (Thesis advisor) / Maienschein, Jane (Committee member) / Creath, Richard (Committee member) / DeVorkin, David (Committee member) / Arizona State University (Publisher)
Created2019
Description
This dissertation focuses on creating a pluralistic approach to understanding and measuring interdisciplinarity at various scales to further the study of the evolution of knowledge and innovation. Interdisciplinarity is considered an important research component and is closely linked to higher rates of innovation. If the goal is to create more innovative research, we must understand how interdisciplinarity operates.
I begin by examining interdisciplinarity with a small scope, the research university. This study uses metadata to create co-authorship networks and examine how a change in university policies to increase interdisciplinarity can be successful. The New American University Initiative (NAUI) at Arizona State University (ASU) set forth the goal of making ASU a world hub for interdisciplinary research. This kind of interdisciplinarity is produced from a deliberate, engineered, reorganization of the individuals within the university and the knowledge they contain. By using a set of social network analysis measurements, I created an algorithm to measure the changes to the co-authorship networks that resulted from increased university support for interdisciplinary research.
The second case study increases the scope of interdisciplinarity from individual universities to a single scientific discourse, the Anthropocene. The idea of the Anthropocene began as an idea about the need for a new geological epoch and underwent unsupervised interdisciplinary expansion due to climate change integrating itself into the core of the discourse. In contrast to the NAUI which was specifically engineered to increase interdisciplinarity, the I use keyword co-occurrence networks to measure how the Anthropocene discourse increases its interdisciplinarity through unsupervised expansion after climate change becomes a core keyword within the network and behaves as an anchor point for new disciplines to connect and join the discourse.
The scope of interdisciplinarity increases again with the final case study about the field of evolutionary medicine. Evolutionary medicine is a case of engineered interdisciplinary integration between evolutionary biology and medicine. The primary goal of evolutionary medicine is to better understand "why we get sick" through the lens of evolutionary biology. This makes it an excellent candidate to understand large-scale interdisciplinarity. I show through multiple type of networks and metadata analyses that evolutionary medicine successfully integrates the concepts of evolutionary biology into medicine.
By increasing our knowledge of interdisciplinarity at various scales and how it behaves in different initial conditions, we are better able to understand the elusive nature of innovation. Interdisciplinary can mean different things depending on how its defined. I show that a pluralistic approach to defining and measuring interdisciplinarity is not only appropriate but necessary if our goal is to increase interdisciplinarity, the frequency of innovations, and our understanding of the evolution of knowledge.
I begin by examining interdisciplinarity with a small scope, the research university. This study uses metadata to create co-authorship networks and examine how a change in university policies to increase interdisciplinarity can be successful. The New American University Initiative (NAUI) at Arizona State University (ASU) set forth the goal of making ASU a world hub for interdisciplinary research. This kind of interdisciplinarity is produced from a deliberate, engineered, reorganization of the individuals within the university and the knowledge they contain. By using a set of social network analysis measurements, I created an algorithm to measure the changes to the co-authorship networks that resulted from increased university support for interdisciplinary research.
The second case study increases the scope of interdisciplinarity from individual universities to a single scientific discourse, the Anthropocene. The idea of the Anthropocene began as an idea about the need for a new geological epoch and underwent unsupervised interdisciplinary expansion due to climate change integrating itself into the core of the discourse. In contrast to the NAUI which was specifically engineered to increase interdisciplinarity, the I use keyword co-occurrence networks to measure how the Anthropocene discourse increases its interdisciplinarity through unsupervised expansion after climate change becomes a core keyword within the network and behaves as an anchor point for new disciplines to connect and join the discourse.
The scope of interdisciplinarity increases again with the final case study about the field of evolutionary medicine. Evolutionary medicine is a case of engineered interdisciplinary integration between evolutionary biology and medicine. The primary goal of evolutionary medicine is to better understand "why we get sick" through the lens of evolutionary biology. This makes it an excellent candidate to understand large-scale interdisciplinarity. I show through multiple type of networks and metadata analyses that evolutionary medicine successfully integrates the concepts of evolutionary biology into medicine.
By increasing our knowledge of interdisciplinarity at various scales and how it behaves in different initial conditions, we are better able to understand the elusive nature of innovation. Interdisciplinary can mean different things depending on how its defined. I show that a pluralistic approach to defining and measuring interdisciplinarity is not only appropriate but necessary if our goal is to increase interdisciplinarity, the frequency of innovations, and our understanding of the evolution of knowledge.
ContributorsPainter, Deryc T (Author) / Laubichler, Manfred D (Thesis advisor) / Maienschein, Jane (Committee member) / Bliss, Nadya T (Committee member) / Simeone, Michael P (Committee member) / Nesse, Randolph M. (Committee member) / Arizona State University (Publisher)
Created2019
Description
This dissertation is an historical analysis of the science of human origins, paleoanthropology, examining the intersection of science and culture around fossil human ancestors (hominins) over the last century and a half. Focusing on fossils as scientific objects, this work examines three controversial fossils from the science’s history asking, how do fossils formulate, challenge, and reconfigure notions of what it means to be human? The introduction reviews the historiography of paleoanthropology and the gaps that exist in the literature. Chapter two examines the first case study, the type specimen of Homo neanderthalensis, known as the Feldhofer Neanderthal, providing a biography of the object from its discovery in Germany in 1856 until its species designation in 1864. Chapter three briefly links the Neanderthal’s story in time and space to the next fossil’s story. Chapter four picks up the story of paleoanthropology in 1924 in South Africa, with the discovery and initial analysis of a specimen nicknamed the Taungs Baby, which was labeled a new hominin species, Australopithecus africanus. Chapter five is another brief chapter connecting the Taungs Baby story in time and space to the final specimen examined in this work at the end of the century. Chapter six examines the final case study, a specimen discovered in 2003 in Indonesia, designated a new species named Homo floresiensis and nicknamed the Hobbit. Through comparing contrasting, and connecting the stories of these three specimens, three major conclusions emerge about the field. First, the fossils themselves play an important role in knowledge production about the hominin past. Second, scientific practice shaped both interpretations of fossils and larger questions of what it means to be human. Third, the scientific practice is itself shaped by local culture, which continually interacts with attempts to establish a global perspective about the human past. The perspective gleaned through the eyes of these three fossils therefore reveals the way shifting, rather than eternally true, claims are embedded in culture and intertwined with the perspectives of the humans conducting the science.
ContributorsMadison, Paige (Author) / Maienschein, Jane (Thesis advisor) / Kimbel, William (Committee member) / Creath, Richard (Committee member) / Hurlbut, James (Committee member) / Laubichler, Mandred (Committee member) / Arizona State University (Publisher)
Created2020