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Gloria is a work written for SATB choir and brass quintet that uses the traditional Latin text of the Gloria found in the ordinary of the Mass. The piece is approximately fourteen minutes and explores a variety of textures, colors, and timbres of the brass quintet and choir. The composition uses quartal sonorities mixed with upper tertian structures while avoiding simple triads and stable root position voicings until the most important climactic moments. The Gloria opens with a fanfare presenting the initial rhythmic motive in a call and response between the brass and choir before the irregular meters of the A section enter. The piece develops a variety of sonorities, pitch collections, and timbres before arriving at the first climactic moment on the text "Rex" (King). The music slowly comes to a point of repose with a brass interlude revealing the motives used in the B section. The choir begins the B section a cappella on the text "Dómine Fili unigénite, Jésu Chríste" (Lord Jesus Christ, the only begotten Son). The section features a dialogue between the brass and choir, though the two groups never sound together. The section includes a lyrical soprano duet incorporating dissonant intervals preceding the choir's response on the text requesting the mercy of the Lord. The section comes to a somber, penitential rest ending with the brass quintet response. The piece gradually builds and accelerates to the second climactic moment on the word "Jésu." From there it once again gains momentum toward the return of the A section on the text "Cum Sáncto Spíritu" (With the Holy Spirit). After a climactic "Amen" section, the composition concludes with a return to the material found in the introduction followed by an affirming brass postlude.
ContributorsRichard, Nathan Daniel (Author) / Rogers, Rodney (Thesis advisor) / DeMars, James (Committee member) / Gentry, Gregory (Committee member) / Arizona State University (Publisher)
Created2012
Description
The popularity that regional Mexican music has achieved in the last years is impressive. The population increase of Mexican nationals in the United States and the availability to share information via web has increased the popularity of the musical genre, specially the subgenres of música norteña and banda. Regarless of the low economic class that is associated with the subgenres of música norteña and banda, nowadays they are a fundamental asset in the music industry, impart to the high volume of sales and popularity. However, even with a high index of popularity at a multinational level, the world of música grupera, how is categorized for subgenres of banda, música norteña, conjunto and duranguense, there is a low number of feminine artist that participate. The participation of women in the gupera world is very scarce, due to the patriarchal hegemony and machismo that spreads through the subgenres. Because of the low participation of women in the subgenres, they get classified the passive voice. The absence of a strong female representation has caused the expansion of a machista message though the songs implemented in the regional Mexican music. This phenomenon can be clearly appreciated in the songs "El carrito" (n.d.). "Disfruté engañarte" (2013), "La fory fay" (2013) and "Soy un desmadre" (2014). Using the ideology of power of Michel Foucault and complemented with the feminism of Hélène Cixious, the analysis and identification of the marginalized women in this examples can be reached. However, even though there are a low number of feminine artists that participate in the subgenres of música norteña and banda, their success has achieved the distortion of the hegemonic barrier imposed on society. Artist like Jenni Rivera and Los Horóscopos de Durango are some of the few artist that have distorted this socio and cultural hegemony that preexist in regional Mexican music. With the success of their songs, they have created a space of feminine expression against the machista message that marginalizes women, and opens new doors of opportunities for others. All this efforts have the intent to create equality of power in the sphere of regional Mexican music.
ContributorsCórdova, Martín (Author) / Hernández-G., Manuel J (Thesis advisor) / Foster, David W (Committee member) / Garcia-Fernandez, Carlos J (Committee member) / Arizona State University (Publisher)
Created2015