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- All Subjects: Sociology
Description
Over the past decades, Colombian society has endured the impact of a longstanding political conflict among different actors and outrageous expressions of violence, especially among left wing guerrillas, right wing paramilitary groups and the state government. Drawing on socio-legal studies in transitional justice and human rights, this research attempts to analyze the recent experience of transitional justice in Colombia. The main purpose of this research is to understand how political, institutional and social actors, especially the government, the courts, the human rights and transitional justice NGOs, and victims associations, frame the mechanisms of transitional justice and use legal instruments to transform the conflict and reach what they consider "justice." It also attempts to understand the relations between politics and law in the context of a hegemonic discourse of security and give account of the expressions of resistance of human rights networks. In doing so, this research advances theory on literature about law and society and transitional justice by means of applying and expanding the theoretical framework of socio-legal research via the process of transitional justice in Colombia. The dissertation presents information gathered in the field in Colombia between July 2009 and July 2010 through a qualitative research design based on document analysis and in-depth interviews with members of different international and domestic human rights organizations, victims' organizations and national institutions. The research explains how these organizations combined political and legal actions in order to contest a project of security, and more specifically a project of impunity that came from negotiations with the paramilitary groups. The research also explains how the human rights networks not only mobilized internationally to gain political support from the international community, but also how these organizations contributed to transform the political debate about victims' rights. The research also explains how the human rights organizations and victims' groups articulated the global discourse on human rights and the local and domestic meanings constructed by the emerging movements of victims. Finally, the research analyses the relevance of legal practices consisting on strategic use of law in order to protect the victims of human rights violations.
ContributorsGomez Sanchez, Gabriel (Author) / Lauderdale, Pat (Thesis advisor) / Vanna, Gonzales (Committee member) / Ladawn, Haglund (Committee member) / Jeffrey, Juris (Committee member) / Arizona State University (Publisher)
Created2011
Description
I will demonstrate through analysis that the effectiveness of music in social movements relies in large part on two unique elements: authenticity and collective action. I will then argue that these elements are antithetic to the actual conditions of music production as the 21st century progresses in America. While this paper does not explore the possible effectiveness of movements without music, I emphasize the well documented ((Futrell, et. al. (2006), (Roy, 2010), (Dyck, 2017)) link between music and social movements, and conclude that this relationship between music and social movements is in danger.
ContributorsCochlin, Fallon Julia (Author) / Fette, Don (Thesis director) / Lauderdale, Pat (Committee member) / Historical, Philosophical & Religious Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
ABSTRACT
This research analyzes the testimonies of eleven women survivors of state terrorism and genocide from several different regions of the world in an effort to glean the patterns that emerge from their lived experiences. Women often have been targeted and used instrumentally in political violence by states. Yet, when it comes to nation-building, national narratives and identities, their voices are excluded. Data were collected from archival interviews with women survivors and one case-study interview conducted with a survivor recruited for this study, as a cross-check backdrop to compare similarities and differences in contexts and experiences. Four dominant themes appear to emerge across interviews: gendered violence; internalization/reproduction of gender roles; identity relationship to national narrative; and perception of perpetrators. The case-study participant interview revealed disconfirming evidence across themes, suggesting that sense of belonging may be an important facet of national identity which needs further exploration. Relationships between women’s experiences of state terror, genocide, national narrative construction, and nation-building are examined. Suggestions for future research include the need for expanded survivor demographic information, increased in-person interviews, and similar work centered on women perpetrators of state terror and genocide, as well as men’s experiences of state terror and genocide. Keywords: state terrorism; genocide; women; gender; nation-building; social hierarchy
ContributorsMoio-Johnson, Hadley (Author) / Oliverio, Annamarie (Thesis advisor) / Lauderdale, Pat (Committee member) / Yellow Horse, Aggie (Committee member) / Arizona State University (Publisher)
Created2022
Description
Since the late-19th century, academic researchers, nonprofits, and law enforcement have organized in coalition to combat the problem of human trafficking in the United States, while distorting the social consequences of their interventions. This dissertation is an ethnographic and historical examination of the anti-trafficking movement in Arizona. In addition to conducting archival research, data was collected through direct observations of academics, local nonprofit leaders, and law enforcement at anti-trafficking events that were open to the public. By examining vast, invisible anti-trafficking coalitions in Arizona from the 20th century to today, it becomes clear that coalitions garner power and profit by facilitating the criminalization of sex workers and offering support for other groups, most notably Mormon polygamists, whose religious practices can be tantamount to trafficking. Combining Charles Mills’ (2007) concept of white ignorance and the nonprofit industrial complex (INCITE!, 2009), this study draws on literature from critical race theory and feminist theory to interrogate how Christo-fascist discourses of the 19th century white slavery movement continue to guide anti-trafficking coalitions in the contemporary United States. As a social formation in which bourgeois white women have always held influence, this exploration of anti-trafficking activism pivots around political, economic, and cultural conceptions of white Christian women’s capacity to reproduce the white race in the United States which has been since its foundation a Christian nation. In turn, there is limited scope and depth of awareness about the complexity of race, gender, class, agency, in relation to the problems associated with trafficking in Short Creek, Arizona, as well as the interventions that were implemented in response to human trafficking following the reign of Fundamentalist Latter-Day Saints’ Prophet, Warren Jeffs. In documenting and analyzing the organizing strategies of professional actors responding to human trafficking between 2016-2021, results generated from this research suggest that the anti-trafficking movement’s discourses are steeped in contradiction, to the effect of reproducing racial capitalism and necessitating the eradication of the trafficking framework. It reveals how the differential treatment of agency among trafficking victims in different communities, whether the women and children in polygamous families, or sex workers in Phoenix, has enabled their ongoing exploitation.
ContributorsDunn, Molly E. (Author) / Lee, Charles T (Thesis advisor) / Lauderdale, Pat (Committee member) / Musto, Jennifer L (Committee member) / Arizona State University (Publisher)
Created2023
Description
The life of Jean-Michel Basquiat is often misinterpreted in artistic discourse. From a social justice perspective, Basquiat's work is not merely art. Despite the symbolism and subject matter open for analysis, Basquiat articulated the self in relation to nuances of race, socio-economy, and historical scripts based upon real relations and conditions. Of the genre of Neo-Expressionism without a disciplined schooling in art, Jean-Michel is categorized as 'primitive' in style and form, labeled the "first black artist." Beyond the art world's possessive confines and according to post-colonial aesthetics, Jean-Michel articulates the existence of a learning self. With a pedagogical lens, a process of becoming an "artist" deepened Basquiat's expressions of self in relation to a “white” art world, which typically restricted the artist to specific categories and definitional parameters.
While recognition of the "artist" highlights the limitations of 'public' and 'self' in pedagogy, learning of the self through Neo-Expressionism is contingent upon articulating a situated existence among particular "publics," with regard to time and place. Variable dimensions of recognition create a fragmented self with transitional 'stages' and a series of acute shifts re-establish the definitional boundaries of art, definers, and ultimately the self and “Other”. These shifts continuously create new margins of the avant-garde and the self is redefined by art and discourse to sustain capital inflow, thereby replicating the colonial nature of capitalism with regard to communication, material and discovery, and “Other”. The process eschews a realized finality while expression as a relational communication of the situated persona redefines one's identity and demarcates a value of the self.
While recognition of the "artist" highlights the limitations of 'public' and 'self' in pedagogy, learning of the self through Neo-Expressionism is contingent upon articulating a situated existence among particular "publics," with regard to time and place. Variable dimensions of recognition create a fragmented self with transitional 'stages' and a series of acute shifts re-establish the definitional boundaries of art, definers, and ultimately the self and “Other”. These shifts continuously create new margins of the avant-garde and the self is redefined by art and discourse to sustain capital inflow, thereby replicating the colonial nature of capitalism with regard to communication, material and discovery, and “Other”. The process eschews a realized finality while expression as a relational communication of the situated persona redefines one's identity and demarcates a value of the self.
ContributorsDiffie, Dillon (Author) / Lauderdale, Pat (Thesis advisor) / Vicenti Carpio, Myla (Committee member) / Swadener, Beth Blue (Committee member) / Arizona State University (Publisher)
Created2017