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Interdisciplinary art allows artists to design their careers without restrictions because it lets them merge different types of art such as painting, sketching, crafting and anything else that may represent art to them. Interdisciplinary artists invent new media, with their own techniques. In doing so, they allow others the freedom to create and interpret their creations without feeling pressured to follow conventions and guidelines, eventually providing a space to explore talents.
Calderón, who was born in Mexico and later moved, felt she was caught between embracing the culture of the United States and perpetuating her family's identity, which mixes the ideas of being Latino and American at the same time. Factors such as traditions, values, language and social experiences are what constructed Calderón’s identity; these are the same factors that make all of our identities. But as Calderón started expressing her identity through artwork, she was able to represent her true self as a Latina woman without feeling that she had to disregard either of the cultures she grew up with.
This thesis will explore the way that Latino artists like Diana Calderón use interdisciplinary art as a tool to help others – especially Latinos in between two or more cultures – discover their identity, even as they are being pressured by societal factors that impose what an individual should do or be.
Keywords: identity, interdisciplinary art, Hispanic/Latino, Diana Calderón
Website:
https://medium.com/@ekarina796/hispanic-latino-mexican-american-exploring-identity-and-labels-through-art-b420af0e2df8
Each chapter of this thesis closely studies a different object of a different medium to trace relationships between Constructivist objects and Soviet community. El Lissitzky’s PROUN Manifesto illuminates the creation of an artistic community. Alexander Rodchenko’s print Propaganda communicates between a state and its people. Varvara Stepanova’s Sportswear designs facilitate a society of workers. Alexandra Exter’s Marionettes combine common everyday objects and children’s theater. Vladimir Tatlin’s Monument to the Third International, envisions the ideal Soviet society as place in which socialists could convene. And Liubov Popova’s Painterly Architectonics relates the functional and aesthetic goals of Constructivism from Russia to the international art world. Benedict Anderson’s Imagined Communities, Bruno Latour’s Reassembling the Social, and Pierre Bourdieu’s Distinction each provide the framework for discussing the intersections of art objects and community. Anderson explores nationhood through the lens of language and print media, Latour studies how social interaction on an individual basis might rely upon the physical objects around them, whereas Bourdieu addresses hierarchies in distinguishing objects of art in class-based societies by outlining the conflicts between cultural capital and tastemaking in the analysis of objects.
Through the exploration of each Constructivist object, this thesis explores individual, national, and international communities while considering their changing political, social contexts.
Activist burnout theory has produced minimal but meaningful literature and research that explores the dynamics of burnout culture, movement in-fighting, marginalized identities, and dimensions of burnout symptoms. Black feminist visionaries and writers such as Audre Lorde and bell hooks have developed theories of love, self-care and community as central to resistance that have informed my research approach. Thus, my study aims to investigate activist burnout from a perspective that marries popular activist burnout theory with these frameworks of self-care and community. I conducted a survey of Arizona State University student organizers and activists (N=34) to address the following research questions: What are the causes and symptoms of burnout for Arizona State University activists and organizers? How have self-care and community played a role in their work and countered burnout? Can working conceptions of self-care and community serve as resistance in ways that feel meaningful to activists? The survey was broken into three dimensions: “Demographics and Experience,” “Burnout,” and “Self-Care and Community.” The results reinforced prior findings on established toxic cultures and burnout symptoms but introduced complications to working theories, such as the connections between cycles of burnout and the cyclical nature of electoral politics along with the roles of chronic and mental illness. Respondents largely demonstrated conceptions of self-care and community as resistance but also demonstrated personal and professional barriers to putting these conceptions into practice.