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- All Subjects: Dance
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The goal of this study was to look at touch and dance from different views to gain a better perspective on the benefits of touch, mainly when used in dance and also perhaps in broader contexts. Part of this investigation also looked at the stigmatized view of touch in the American culture and in turn the lack of knowledge about, and comfort with touch in our society. A personal research component involved the creation of a solo reflecting about the question of why I connect with touch so intensely. The bulk of the study involved facilitating touch experiences in two introductory level dance classes for high school students. Daily journal entries were collected from each of the eighty students that focused on their personal experiences with touch in a series of six movement sessions. The study shows that bringing touch to the dance classroom has multiple benefits, including promoting a greater understanding and acceptance of the sense of touch, a positive impact on students' views about dance, and a break down of preconceived notions about the mind and the body.
The author's curiosity with foreign landscapes and his exploratory spirit are the driving forces for this project. Before arriving at the thesis topic, the author knew that environmental exploration and dance would be at the forefront of the research. Similar to a museum exhibition context, this document yearns for variety, and studies the environments through an event that encapsulates it all. This document explores the author’s multiple artistic interests in photography, film, and live performance, all of which were presented in a single event.
Learning a novel motor pattern through imitation of the skilled performance of an expert has been shown to result in better learning outcomes relative to observational or physical practice. The aim of the present project was to examine if the advantages of imitational practice could be further augmented through a supplementary technique derived from my previous research. This research has provided converging behavioral evidence that dyads engaged in joint action in a familiar task requiring spatial and temporal synchrony end up developing an extended overlap in their body representations, termed a joint body schema (JBS). The present research examined if inducing a JBS between a trainer and a novice trainee, prior to having the dyad engage in imitation practice on a novel motor pattern would enhance both of the training process and its outcomes.
Participants either worked with their trainer on a familiar joint task to develop the JBS (Joint condition) or performed a solo equivalent of the task while being watched by their trainer (Solo condition). Participants In both groups then engaged in blocks of alternating imitation practice and free production of a novel manual motor pattern, while their motor output was recorded. Analyses indicated that the Joint participants outperformed the Solo participants in the ability to synchronize the spatial and temporal components of their imitation movements with the trainer’s pattern-modeling movements. The same group showed superior performance when attempting to freely produce the pattern. These results carry significant theoretical and translational potentials for the fields of motor learning and rehabilitation.