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- All Subjects: deep learning
- All Subjects: Virtual Reality
- Creators: Computer Science and Engineering Program
- Resource Type: Text
In this experiment, a haptic glove with vibratory motors on the fingertips was tested against the standard HTC Vive controller to see if the additional vibrations provided by the glove increased immersion in common gaming scenarios where haptic feedback is provided. Specifically, two scenarios were developed: an explosion scene containing a small and large explosion and a box interaction scene that allowed the participants to touch the box virtually with their hand. At the start of this project, it was hypothesized that the haptic glove would have a significant positive impact in at least one of these scenarios. Nine participants took place in the study and immersion was measured through a post-experiment questionnaire. Statistical analysis on the results showed that the haptic glove did have a significant impact on immersion in the box interaction scene, but not in the explosion scene. In the end, I conclude that since this haptic glove does not significantly increase immersion across all scenarios when compared to the standard Vive controller, it should not be used at a replacement in its current state.
This thesis is based on bringing together three different components: non-Euclidean geometric worlds, virtual reality, and environmental puzzles in video games. While all three exist in their own right in the world of video games, as well as combined in pairs, there are virtually no examples of all three together. Non-Euclidean environmental puzzle games have existed for around 10 years in various forms, short environmental puzzle games in virtual reality have come into existence in around the past five years, and non-Euclidean virtual reality exists mainly as non-video game short demos from the past few years. This project seeks to be able to bring these components together to create a proof of concept for how a game like this should function, particularly the integration of non-Euclidean virtual reality in the context of a video game. To do this, a Unity package which uses a custom system for creating worlds in a non-Euclidean way rather than Unity’s built-in components such as for transforms, collisions, and rendering was used. This was used in conjunction with the SteamVR implementation with Unity to create a cohesive and immersive player experience.
algorithms for recommending new music to users. However, at the
core of their recommendations is the collaborative filtering algorithm,
which recommends music based on what other people with similar
tastes have listened to [1]. While this can produce highly relevant
content recommendations, it tends to promote only popular content
[2]. The popularity bias inherent in collaborative-filtering based
systems can overlook music that fits a user’s taste, simply because
nobody else is listening to it. One possible solution to this problem is
to recommend music based on features of the music itself, and
recommend songs which have similar features. Here, a method for
extracting high-level features representing the mood of a song is
presented, with the aim of tailoring music recommendations to an
individual's mood, and providing music recommendations with
diversity in popularity.