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This dissertation theorizes nineteenth-century public performance of spiritual media as being inherent to the production of autobiography itself. Too often, dominant social discourses are cast as being singular cultural phenomena, but analyzing the rhetorical strategies of women attempting to access public spheres reveals fractures in what would otherwise appear to

This dissertation theorizes nineteenth-century public performance of spiritual media as being inherent to the production of autobiography itself. Too often, dominant social discourses are cast as being singular cultural phenomena, but analyzing the rhetorical strategies of women attempting to access public spheres reveals fractures in what would otherwise appear to be a monolithic patriarchal discourse. These women's resistant performances reap the benefits of a fractured discourse to reveal a multiplicity of alternative discourses that can be accessed and leveraged to gain social power. By examining the phenomena of four nineteenth- century Spiritualists' mediumship from a rhetorical perspective, this study considers how female spirit mediums used their autobiographies to operate as discursive spaces mediating between private and public spheres; how female mediums constructed themselves in the public sphere as women and as spiritual authorities; how they negotiated entry into volatile and unpredictable publics; how they conceived of the vulnerability of the female body in the public sphere; and how they coped with complications inherent to Victorian era constructions of feminine corporeality. In conclusion, this dissertation offers a highly situated performative theory of subaltern publicity.
ContributorsLowry, Elizabeth (Author) / Daly Goggin, Maureen (Thesis advisor) / Long, Elenore (Committee member) / Miller, Keith (Committee member) / Arizona State University (Publisher)
Created2012
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This dissertation examines collaborative inquiry as a form of graduate mentoring. To investigate this issue, I analyze the research and writing process of a team of five multilingual graduate students and their mentor as they collaboratively design, implement, and report a study based in their local writing program over the

This dissertation examines collaborative inquiry as a form of graduate mentoring. To investigate this issue, I analyze the research and writing process of a team of five multilingual graduate students and their mentor as they collaboratively design, implement, and report a study based in their local writing program over the course of two years. Through a qualitative activity analysis of team meetings, participant interviews, and the team’s written drafts and email correspondence, I investigate the ways in which self-sponsored, team-based collaborative research and writing supports participants’ learning and development of a professional identity.

Key findings show that unanticipated obstacles in the research context present participants with “real-world” dilemmas that call forth disciplinary alignments, reinforce existing disciplinary practices, and, most importantly, generate new practices altogether. An example of this process is reflected in the research team's frequent need to adjust their research design as a result of constraints within the research environment. The team's ability to pivot in response to such constraints encouraged individual members to view the research enterprise as dynamic and fluid, leading ultimately to a heightened sense of agency and stronger awareness of the rhetorical challenges and opportunities posed by empirical research. Similarly, participants’ demonstrated an ability to recognize and resolve tensions stemming from competing demands on their time and attention during the course of their graduate study. Actively constructing resonances across various domains of their graduate worlds—coursework, teaching, and non-curricular research and professionalization activities—served to clarify purposes and increase motivation.

An additional aspect of this study is the way graduate students leverage their language resources in the collaborative process. This dissertation extends the disciplinary conversation by investigating ways in which language resources function as rhetorical tools within the research context. This focus on language, in concert with collaboration and rhetorical stances to inquiry, challenges persistent views of authorship, apprenticeship, and language norms, while simultaneously lending insight into how graduate students invent new ways of participating in their professional worlds.
ContributorsBommarito, Daniel Vincent (Author) / Matsuda, Paul Kei (Thesis advisor) / Long, Elenore (Committee member) / Rose, Shirley K. (Committee member) / Arizona State University (Publisher)
Created2015
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Description
This study offers a critical discourse analysis of four Saudi newspapers, examining their coverage of two particular incidents relating to the Committee for the Promotion of Virtue and the Prevention of Vice. Following van Dijk’s framework, the study examines the ideological role of language within media discourse. The tools of

This study offers a critical discourse analysis of four Saudi newspapers, examining their coverage of two particular incidents relating to the Committee for the Promotion of Virtue and the Prevention of Vice. Following van Dijk’s framework, the study examines the ideological role of language within media discourse. The tools of analysis include headlines, leads, lexical choices, reported speech, unnamed sources, and silenced texts. The findings of the study show that there are differences between the four newspapers in the coverage of the two incidents. The analysis also reveals different ideological attitudes among writers.
ContributorsAlshalawi, Hamad (Author) / Adams, Karen L (Thesis advisor) / Long, Elenore (Committee member) / Prior, Mathew (Committee member) / Arizona State University (Publisher)
Created2016
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Description
The aim of this study was to investigate the issue of Saudi women’s right to drive through a critical analysis of the Saudi online discourse on women’s right to drive. In the study, the attempt was made to provide a critical contrastive analysis of the online debate for and

The aim of this study was to investigate the issue of Saudi women’s right to drive through a critical analysis of the Saudi online discourse on women’s right to drive. In the study, the attempt was made to provide a critical contrastive analysis of the online debate for and against Saudi women’s right to drive. A review of the literature indicated that very little research has been done about critical discourse analysis (CDA) of online texts focusing on the representation and rights of Saudi women. Employing Fairclough’s three-dimensional framework, a corpus of written posts on the right to drive, written by Saudi women, was analyzed at three levels: (a) textual analysis, (b) discursive practice analysis, and (c) sociocultural practice. The findings of the analysis on the textual and discursive practice levels showed that the theme of ingroup and outgroup presentation was significant in the data. The findings also indicated that ideologies were expressed linguistically by means of naming, presuppositions, predication, and intertextuality. At the sociocultural practice level, the controversial struggle about the right to drive was situated in its broader sociocultural context, in which the complexity of the sociocultural practice of the Saudi Society was revealed.
ContributorsAlharbi, Badr (Author) / Adams, Karen L (Thesis advisor) / Long, Elenore (Committee member) / Warriner, Doris (Committee member) / Arizona State University (Publisher)
Created2016
Description

A handbook consisting of scholarship and social media included to frame the six experiences around which this handbook is organized: getting in the zone, a thought process in overdrive; impulsivity; a distinct relationship to creativity; difficulties with transitions, especially the transition to and from sleep; and a complex relationship to

A handbook consisting of scholarship and social media included to frame the six experiences around which this handbook is organized: getting in the zone, a thought process in overdrive; impulsivity; a distinct relationship to creativity; difficulties with transitions, especially the transition to and from sleep; and a complex relationship to medication. Following the initial framing, I then describe what each of these experiences feel like to me. To render these experiences for the purpose of a shared inquiry, I followed the critical-incident interview method that Flower describes in Community Literacy and the Rhetoric of Public Engagement. I first learned to use this interview technique in ENG 205: Introduction to Writing, Rhetorics and Literacies and practiced it further in ENG 390: Methods of Inquiry. The crux of my project is the insights of research participants as they read and responded to the six critical incidents and respective follow-up questions I designed for this study. The full interview protocol–approved by ASU’s Internal Review Board in December of 2022–is included in the appendix. Following IRB approval, I recruited four participants for a critical-incident interview, the results of which enliven this handbook’s portrait of thriving with ADHD.

ContributorsClark, Sydney (Author) / Long, Elenore (Thesis director) / Boyd Webb, Patricia (Committee member) / Barrett, The Honors College (Contributor) / School of Criminology and Criminal Justice (Contributor) / Department of English (Contributor)
Created2023-05
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Description
Much of the public discourse promoting Navajo (Diné) language revitalization and language programs takes place in English, both on and off the reservation, as in many other indigenous communities whose heritage languages are endangered. Although Navajo language is commonly discussed as being central to the identity of a Navajo person,

Much of the public discourse promoting Navajo (Diné) language revitalization and language programs takes place in English, both on and off the reservation, as in many other indigenous communities whose heritage languages are endangered. Although Navajo language is commonly discussed as being central to the identity of a Navajo person, this ideology may lie in contradiction to the other linguistic and social means Navajos use to construct Navajo identities, which exist within a wide spectrum of demographic categories as well as communities of practice relating to religion, occupation, and other activities (Field, 2009; Baker & Bowie, 2010).

This dissertation examines two sets of data: 1) interviews with eight Navajo individuals whose interests, academic studies, and/or occupations relate to the promotion of Navajo language use in connection with cultural and linguistic revitalization; and 2) public statements made in online forums discussing the language used by Navajos. The interview data gathered consist of ten sociolinguistic (and open-ended conversational) interviews, culminating in over 13 hours of recorded interviews. The findings of this study show enregistered (i.e., imbued with social meaning) features of the dialect of Navajo English as well as insights into the challenges Navajos face while advocating for programs and policies supporting the teaching of their heritage language.
ContributorsMoss, Meredith Genevieve (Author) / Adams, Karen L (Thesis advisor) / Gelderen, Elly van (Committee member) / Long, Elenore (Committee member) / Arizona State University (Publisher)
Created2015
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Description
Screenplays and novels are similar in that they both tell a story. However, the two are not the same. Screenplays and novels have a significantly different function and purpose from one another. With that being said, this thesis conducts a register analysis to discover the prominent linguistic differences in each

Screenplays and novels are similar in that they both tell a story. However, the two are not the same. Screenplays and novels have a significantly different function and purpose from one another. With that being said, this thesis conducts a register analysis to discover the prominent linguistic differences in each register. Overall, this study finds that novels and screenplays do in fact have linguistic features that differ from one another. The linguistic features distinctive to a screenplay are: shorter sentences, more non-standard sentences, and more nouns. Longer sentences, independent clause coordination constituents, phrasal constituents, and reduced predicate adjective phrases are the linguistic features present in the novel.
ContributorsLuna, Elaina (Author) / Van Gelderen, Elly (Thesis advisor) / James, Mark (Committee member) / Long, Elenore (Committee member) / Arizona State University (Publisher)
Created2022