This project aims to understand how eating disorder psychopathology, specifically with Bulimia Nervosa, is perpetuated, particularly by the unspoken rules of society that inadvertently provoke self -shame and discomfort by promoting a singular mold of beauty. Personally, I want to dissect the various psychological components that one faces when falling into this self-destructive disorder through the use of research and visual play. Art is a catalyst in unveiling the complexities of the human condition that are often concealed by those who feel them intimately, which is why it is a necessary means to reveal what is typically kept secret. Granted, it is worth noting that the paintings produced are meant to evoke a specific headspace rather than be a tool for art therapy.

The medium of film and television has become more prevalent in society than ever before. It pushes the boundaries of what technology can do and what realities mankind can explore. However, with their rapid expansion, the bounds by which society deems this medium as ethical or unethical, simplified as real or fiction, has become a lot hazier, daresay, inconsequential. While some facets of the medium strive and continue to focus on ethical practices (such as documentary work), others base their work loosely on those real experiences (e.g. “Based on a True Story”) or are wholly exaggerated or fabricated. With this in mind, it probes the question: Does research have a place in nonfiction storytelling? This thesis explores this premise, arguing that the more a story is researched and truthful to its subject matter, the better and more entertaining it will become.