Matching Items (33)
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- All Subjects: Film
- All Subjects: Education
- Creators: Department of English
- Member of: Barrett, The Honors College Thesis/Creative Project Collection
- Resource Type: Text
Description
This study aims to understand how Arizona's current approach to ESL education \u2014 a recently developed version of Structured English Immersion (SEI) known as the four-hour ELD block \u2014 affects high school teachers and students in mainstream math and science classes containing a mixed population of English Language Learners (ELLs) and native English-speaking students. This focus was chosen due to a lack of prior research on the ELD block's effects at the high school level, and the unique consequences of the ELD block for the timing of ELL students' math and science enrollment. Four teachers of mixed-population, mainstream math and science classes, from four different high schools within a single Arizona district, were interviewed and observed in order to understand their perspectives on their own experiences and those of their students. Areas of focus included students' academic and social experiences, challenges faced by teachers and their responses to these challenges, and teachers' evaluations of their teaching situation and of the ELD block itself. Data were analyzed using modified analytic induction. The study found that teachers believe the following: that the ELD block causes ELLs to be socially isolated; that it damages ELLs' content development; and that, by forcing some ELLs to take mainstream math and science classes before they have received any ESL instruction, it damages their ability to succeed in these classes. Additionally, teachers indicated that they struggled to meet the needs of their ELL students and non-ELL students at once. Given these findings, the removal of the ELD block, and the addition of bilingual, ESL specialist aides into mainstream classes, is recommended as a solution.
ContributorsTinlin, Jessica Elizabeth (Author) / Matsuda, Aya (Thesis director) / Trifiro, Anthony (Committee member) / School of International Letters and Cultures (Contributor) / Department of English (Contributor) / Barrett, The Honors College (Contributor)
Created2016-05
Description
The History of the Future is a film series presented by ASU’s Center for Science and the Imagination in partnership with Majestic Neighborhood Cinema Grill Tempe. Once a month in the fall and spring seasons, Majestic Theater screens a retro sci-fi film I have selected that is set in the future and invites audience members to relive the nostalgia of seeing the movie in theaters all while applying its lessons to today’s future. For each film screening, I choose a guest speaker to introduce the movie and prime the audience to think of the film as just one imagination of the future. The project furthers CSI’s mission to connect with our community’s imaginations that can enact change for our collective future.
ContributorsHakkal, Devan (Author) / Wylie, Ruth (Thesis director) / Beard, Bob (Committee member) / Barrett, The Honors College (Contributor) / Department of English (Contributor)
Created2024-05
Description
This research paper explores the dynamic interplay between early Soviet film and
the French New Wave movement, with a specific focus on the cinematic contributions of Sergei Eisenstein. By delving into the personal diaries and memoirs of this iconic director and drawing from a rich array of essays, articles, and interviews found in the pages of Cahiers du Cinéma and Revue du Cinéma, this study seeks to unravel the intricate web of influences and ideological connections that link the two cinematic movements. Sergei Eisenstein, a pioneering figure in Soviet film, is examined in the context of his most prominent cinematic works, including "Battleship Potemkin" and "October." By scrutinizing Eisenstein's theories on montage and the dialectical synthesis of images, this paper uncovers the profound impact of his ideas on the aesthetics and narrative strategies employed by the directors of the French New Wave. In conclusion, this research contributes to a more comprehensive understanding of the cross-cultural dialogues within the world of cinema, emphasizing the enduring legacy of Eisenstein's theories by uncovering the often-overlooked connections between early Soviet film and the French New Wave, this study enriches our appreciation of the interconnected aspects of cinematic movements and the enduring impact Eisenstein’s vision combined with his charismatic personality.
ContributorsBenchoff, Charlotte (Author) / Hoogenboom, Hilde (Thesis director) / Gilfillan, Daniel (Committee member) / Barrett, The Honors College (Contributor) / Department of English (Contributor) / School of International Letters and Cultures (Contributor)
Created2024-05