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This honors thesis outlines a method for teaching argument writing in the secondary classroom, including the elements of an argument based upon the Toulmin method, and diverse ways to help students who are all types of learners become engaged and receive the support they need. It includes all elements of

This honors thesis outlines a method for teaching argument writing in the secondary classroom, including the elements of an argument based upon the Toulmin method, and diverse ways to help students who are all types of learners become engaged and receive the support they need. It includes all elements of argument, including evidence, warrants, backing, counterargument, claims, theses, the rhetorical triangle and the rhetorical appeals, including definitions and how they fit together in an argumentative essay. The largest portion of the project is dedicated to activities and resources for teachers based upon all of those elements, along with activities for the writing process as a whole. These activities are based upon the student's individual experience as well as various scholarly resources from leading professionals in the curriculum development field for English Language Arts. This is not meant to be an end-all be-all solution for teaching argument writing, but rather one of many resources that teachers can use in their classroom. This 30-page paper, including references, are condensed into an accessible website for teachers to use more easily. Each tab on the website refers to a different element or focus of the argument writing process, with both a definition and introduction as well as one or more activities for teachers to implement into the classroom. The activities are versatile and general for the purpose of teachers being able to include them into whatever curriculum they are currently teaching. The goal is that they can add argument instruction into what they are already either willingly or being required to teach in an easy and logical way. The website is available for any secondary teachers to use as they see fit at www.teachingargumentwriting.weebly.com.
ContributorsBrooks, Jenna Nicole (Author) / Blasingame, James (Thesis director) / Barnett, Juliet (Committee member) / Division of Teacher Preparation (Contributor) / School of Film, Dance and Theatre (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
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This project created a teaching curriculum resource guide for using the popular series, The Hunger Games, in 6th-8th grade classrooms to introduce cultural issues such as child soldiers and international development to students. Studies have shown that literature can cultivate empathy and encourage youth to act. This combined with the

This project created a teaching curriculum resource guide for using the popular series, The Hunger Games, in 6th-8th grade classrooms to introduce cultural issues such as child soldiers and international development to students. Studies have shown that literature can cultivate empathy and encourage youth to act. This combined with the expanding phenomenon of participatory culture and fandom activism as outlined by Henry Jenkins demonstrate the potential for youth to learn and act when given the opportunity and resources to do so. The curriculum is composed of three units: The first is a three-week reading of the books with various activities for students to really understand the narrative and source text. The second and third units address the issues of child soldiers and international development using The Hunger Games as a framework and a keystone to build connections so that these complex issues are accessible to youth. This project is a first step in the development of a curriculum that spans the full trilogy and covers a variety of current event topics.
ContributorsSimpson, Rebecca (Author) / Sivak, Henry (Thesis director) / Blasingame, James (Committee member) / Nelson, Margaret (Committee member) / Barrett, The Honors College (Contributor) / School of Politics and Global Studies (Contributor) / School of Human Evolution and Social Change (Contributor)
Created2014-05
Description

As restrictions regarding the COVID pandemic began to be enforced in March 2020, the first celebrity announced they had tested positive. It was Tom Hanks. An American cultural icon and a household name in the United States since his role as Forrest Gump in the movie Forrest Gump (1994). My

As restrictions regarding the COVID pandemic began to be enforced in March 2020, the first celebrity announced they had tested positive. It was Tom Hanks. An American cultural icon and a household name in the United States since his role as Forrest Gump in the movie Forrest Gump (1994). My family loves all his movies, especially Big (1988), and I found myself concerned for his health like he was my family. Every time there was an update on social media or the news, I held my breath for the other foot to drop. When my parents told me that Hanks was getting better, I breathed a sigh of relief. I heard many other pandemic stories like those of President Donald Trump, American singer-songwriter Pink, and NBA player Rudy Gobert. However, I realized that I didn’t hear enough about how my community experienced this global pandemic. I wanted to know how the people I used to see all the time navigated the health issues, isolation, financial stress, and other issues that arose, and more specifically, I wanted to know how their beliefs had helped them navigate the crisis. The purpose of this project is to share the Covid-19 stories of ordinary people across ages and genders—from high school students to college students, parents to grandparents. While no one person experienced it the same way as another, there were common themes across the narratives of the 8 people that I interviewed, namely, their reliance on their Christian faith during these times of uncertainty and fear. My interviews with participants lasted roughly thirty minutes, and I always started with the initial question, “what was your initial reaction to COVID?” I would then follow up by asking the participant how Covid-19 impacted their life. How did it impact their education, career, family, and community? I asked what challenges arose and what opportunities or good came to them during this time. I also asked participants what they learned about God and how they grew over the past few years. Each participant shared with me a quote, verse, or lyric they held onto, used as a source of strength, or represents a theme of their life during that time (you will see these written as epigraphs for the stories). Rather than merely collecting and publishing their interviews, I wanted to transform their experiences into literary narratives, so I turned to a practice called art-based research (ABR), a practice that involves the translation of fieldwork (and interview) into creative art forms. ABR addresses research in more engaged ways, and it allows us to share information in more culturally appropriate ways. By using ABR, this collection of Covid stories will engage and appeal more to a general audience. The resultant collection of nine narratives revealed strong themes of faith and family. Each narrative gave light to how the pandemic was hard and/or fruitful for the participants’ relationships with God and relationships with their families. The five participants who were 25 and under rendered additional themes of community and isolation while the four who were 26 and up rendered additional themes of emotional and mental health. The six female participants rendered additional themes of education and community while the three male participants rendered additional themes of politics and self-improvement. It is important to note that four of the five participants who are 25 and under are female while the group of 26 and up were half female and half male. Also important to note is that four of the six female participants were 25 and under while two of the three male participants were 26 and up. Thus, the small number of participants does not allow the research to apply broadly to any group outside the study. I hope that this project unifies the American experience of COVID as well as highlights the differences that make each story special. The history books will hone in on the generic and standard research studies will focus on the numbers, but projects like this provide a layer of humanity to the history we will tell future generations. I also hope that in the more immediate future, this project will serve today’s generations well in processing the trauma and grief that occurred during these last few years as well as render empathy for one another.

ContributorsSemon, Jenna (Author) / Dombrowski, Rosemarie (Thesis director) / Blasingame, James (Committee member) / Barrett, The Honors College (Contributor) / Division of Teacher Preparation (Contributor)
Created2023-05