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The purpose of this study is to document and analyze three women's English language learning journeys after moving from various parts of Mexico to Phoenix, Arizona. The study explores the effects of English as a Second Language (ESL) education on the social and cultural development of Mexican women students at

The purpose of this study is to document and analyze three women's English language learning journeys after moving from various parts of Mexico to Phoenix, Arizona. The study explores the effects of English as a Second Language (ESL) education on the social and cultural development of Mexican women students at Friendly House, whose mission is to "Empower Arizona communities through education and human services". The literature review section explores such topics as the complications and history of Mexican immigration to Phoenix and of state-funded ESL education in Phoenix. The consequent research study will entail a pair of interviews with the three beginner ESL students about their lives in Mexico compared to their lives in Phoenix, with a specific focus on aspects of their language acquisition and cultural adjustment to life in Arizona. Photos of and by the consultants add to their stories and lead to a discussion about the implications of their experiences for ESL teachers. By documenting the consultants' experiences, this study finds many gaps in ESL education in Phoenix. Suggestions about how ESL programs and teaching methods can be modified to fit student's needs form the basis for the conclusions.
ContributorsDriscoll, Ashley Marisa (Author) / Horan, Elizabeth (Thesis director) / O'Connor, Brendan (Committee member) / Department of English (Contributor) / School of International Letters and Cultures (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
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Nohokáá Dine’é Diyinii’s (Empowered Earth Surface People, Diné People) story begins with the origin of the cosmos as detailed in Diné emergence narratives, and continues in Diné ceremonial songs, film, and poetry. Diné people’s emergence narratives describe how life moved through the four worlds and how Changing Woman brought Diné

Nohokáá Dine’é Diyinii’s (Empowered Earth Surface People, Diné People) story begins with the origin of the cosmos as detailed in Diné emergence narratives, and continues in Diné ceremonial songs, film, and poetry. Diné people’s emergence narratives describe how life moved through the four worlds and how Changing Woman brought Diné people into existence. In the present, Diné people often tell stories against violent colonial domination that aims to unsettle the hope and safety that undergirds their life and prosperity. Through their stories, Diné people bring their past and present together to make futures where Diné life can flourish. Each dissertation chapter explores the contours of storytelling as imagination, power, and future-making through selected Diné stories. Chapter 1 draws from the story of Gus Bighorse as set forth in his as-told-to autobiography (1990). The chapter describes how this Diné warrior, who survived the 1860s forced removal of Diné people, spoke from the heart to tell of a future beyond the US Cavalry’s violence. Such future-focused storying illustrates how Diné people apply elements of Sa’ah’ Naghai Bike’ Hózhǫ (SNBH) in the present to encourage the people to live. SNBH is a philosophy, worldview, and organizing principle for the underlying power through and by which Diné people imagine, create, remake, and renew our reality to realize hózhǫ, beauty. Chapter 2 examines the critical discourse within and around the 2014 Navajo election language fluency controversy that led to Christopher L. Clark Deschene’s removal from the general election ballot. Chapter 3 analyzes the hooghan and the Treaty of 1868 to show how construction in the United States always has sustained and marked the permanence of settler colonialism as white colonizers usurped Diné people’s lands and destroyed their homes. Chapter 4 employs the concept of feminist rehearsal to map the production of life and death in the border town of Gallup. This chapter interweaves the author’s family’s border town experience, the Nááhwíiłbįįhí Story, and Sydney Freeland’s feature film Drunktown’s Finest (2014). Chapter 5, an examination of Diné narratives of catastrophe and emergence, establishes a Diné-based approach to the threat of removal that climate change imposes.
ContributorsClark, Jerome (Author) / Horan, Elizabeth (Thesis advisor) / Bebout, Lee (Committee member) / Fonseca-Chávez, Vaness (Committee member) / Yazzie, Melanie K. (Committee member) / Arizona State University (Publisher)
Created2021