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- Creators: Division of Teacher Preparation
Description
"Miranda remembers how Paul used to be. Harley's unearthing what's left of him under crumpled notebook drawings of ink-blot monsters and misremembered tragedy. She knows, and he's learning: There's something in Paul, something wrenching him inward, a slow implosion. Paul Maury is collapsing in on himself, and he'll take whoever he can with him." This creative project is an exploration of identity as it pertains to place, age and culture. Paradigms of adolescent development are examined through the symbolism of story and imagery, in order to convey an experiential essence of what it's like to be a young person at this developmental stage. The critical frame preceding the novel outlines the justifications for the medium, as well as decisions made pertaining to story, character, setting, and key recurring symbols. All such decisions were made with the goal of constructing the story as a creative ethnography, palatable to not only young adults at this developmental stage, but also to adults at later developmental stages who may benefit from rekindling a sense of empathy and appreciation for the unique struggles of adolescent years. The novel, which centers around the experiences of three adolescent characters as they face down a force of indefinable allure and malevolence, will ideally build a bridge between adolescent tumult and adult sensibility, and if used as a resource in arenas of highly concentrated adult-youth interaction, (for example, high schools or youth-targeted social service agencies) it may help adult mentors and educators to better empathize with and understand adolescent anxieties. The author hopes that by building these empathetic bridges between teens and adults, such negative outcomes as self-harm and violent behavior, which spike in adolescence, may be mitigated.
ContributorsPesch, Abrielle Nicole (Author) / Dombrowski, Rosemarie (Thesis director) / Pfister, Michael (Committee member) / School of Social Work (Contributor) / Division of Teacher Preparation (Contributor) / Barrett, The Honors College (Contributor)
Created2016-12
Description
During an Inpatient hospitalization at a psychiatric care facility, 18 year-old Kaija has to begin facing the reality of the direction her life has gone in since her past of childhood trauma. Throughout this, she is taken through the process of re-stabilization after her entry to the unit.
As the novel progresses, readers become aware of who Kaija is as a patient, and more importantly, as a person. They learn who she is right as she does, going on a journey to see if she will be able to figure out what she wants to gain from this experience - and if she wants to make it out better than she was going in.
ContributorsSvitenko, Dasha (Author) / Amparano-Garcia, Julie (Thesis director) / Kirsch, Sharon (Committee member) / Barrett, The Honors College (Contributor) / Division of Teacher Preparation (Contributor)
Created2022-05
Description
This thesis examines the evolution of the interpretation of the battle of Gettysburg, as well as how the analysis and presentation of the battle by multiple stakeholders have affected the public's understanding of the violence of the engagement and subsequently its understanding of the war's repercussions. While multiple components of the visitor experience are examined throughout this thesis, the majority of analysis focuses on the interpretive wayside signs that dot the landscape throughout the Gettysburg National Military Park. These wayside signs are the creation of the Park Service, and while they are not strictly interpretive in nature, they remain an extremely visible component of the visitor's park experience. As such, they are an important reflection of the interpretive priorities of the Park Service, an agency which is likely the dominant public history entity shaping understanding of the American Civil War. Memory at Gettysburg in the first decades after the battle largely sought to focus on celebratory accounts of the clash that praised the valor of all white combatants as a means of bringing about resolution between the two sides. By focusing on triumphant memories of martial valor in a conflict fought over ambiguous reasons, veterans and the public at large neglected unsettling and difficult conversations. These avoided discussions primarily concerned what the war had really accomplished aside from preserving the Union, as white Americans appeared unwilling to confront the war's abolitionist legacy. Additionally, they avoided discussion of the horrific levels of violence that the war had truly required of its combatants. Reconciliationist memories of the conflict that did not discuss the violence and trauma of combat were thus incorporated into early interpretations of Civil War battlefields, and continued to hinder understanding of the true savagery of combat into the present. This thesis focuses on the presence (or lack thereof) of violence and trauma in the wayside interpretive signage at Gettysburg, and argues that a more active interpretation of the war's remarkably violent and traumatic legacies can assist in dislodging a faulty legacy of reconciliationist remembrance that continues to permeate public memory of the Civil War.
ContributorsPittenger, Jack (Author) / Simpson, Brooks D. (Thesis advisor) / Schermerhorn, Calvin (Committee member) / Dallett, Nancy (Committee member) / Arizona State University (Publisher)
Created2013