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Poetry has served as my own personal emergency medicine throughout my entire life. Its ability to capture a moment in its entirety has allowed me to fully address my experiences so that I can use them as a source of personal growth rather than let them hinder me over time.

Poetry has served as my own personal emergency medicine throughout my entire life. Its ability to capture a moment in its entirety has allowed me to fully address my experiences so that I can use them as a source of personal growth rather than let them hinder me over time. For this same reason, I also believe poetry is the perfect medium to capture medical traumas. I based the poetry written in this collection on medical emergencies that I either personally experienced or witnessed firsthand shadowing the paramedics of the Anaheim Fire Department. Having the opportunity to witness medical emergencies from the perspective of first responders emphasized the uniqueness of professions in charge of handling emergency medical situations. One of the most important lessons learned from my experiences is that medical traumas are not rare, and an alarmingly high percentage of people will experience some sort of medical trauma in their lifetime. Therefore, it is incredibly important for people to be prepared to process the traumas and medical emergencies they will eventually encounter. The aim of Emergency Medicine is first and foremost to honor the individuals who are affected by medical emergencies and the first responders/emergency medical personnel who work tirelessly to preserve the lives of their patients. I also hope my poems serve as a reminder of the spontaneous nature of trauma and encourage readers to consider using poetry as a form of both healing and self-alignment. I am incredibly thankful for everyone who helped me complete this collection of poetry, however I am especially grateful for the direction given to me by Dr. Rosemarie Dombrowski.
ContributorsPoe, Campbell Riley (Author) / Dombrowski, Rosemarie (Thesis director) / Foote, Nicola (Committee member) / College of Health Solutions (Contributor) / Department of Psychology (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
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Description
Childhood adversity, trauma and maltreatment have been linked to intimate partner violence (IPV) in adulthood, with many survivors experiencing revictimization. The majority of research in this area focuses on established adults, and does not highlight the mechanism between childhood adversity and IPV. This study examines the impact childhood adversity has

Childhood adversity, trauma and maltreatment have been linked to intimate partner violence (IPV) in adulthood, with many survivors experiencing revictimization. The majority of research in this area focuses on established adults, and does not highlight the mechanism between childhood adversity and IPV. This study examines the impact childhood adversity has on the perceived acceptability of less-obvious abusive behaviors, or “yellow flags”, in young adult romantic and friendly relationships amongst Arizona State University undergraduates (M age = 20.4). Hierarchical multiple regressions indicated that young adults are more permissive of yellow flag behaviors in their friendships, as does the frequency of said behavior. Age, sex, minority status, and type of adversity experienced are significantly correlated with increased acceptability and frequency. No significant findings were found for romantic relationships, but may have been limited by sample demographics and the pool from which participants were drawn.
ContributorsMartin, Beth (Author) / Black, Candace J. (Thesis director) / Cavanaugh Toft, Carolyn (Committee member) / Department of Psychology (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
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Description
This essay outlines public art in District Six, Cape Town, South Africa and how public art can manifest itself to reconstruct cultural memory, provide a space for healing and processing collective trauma, and produce critical public pedagogy. Public art also has the power to provide symbolic reparations, an approach proposed

This essay outlines public art in District Six, Cape Town, South Africa and how public art can manifest itself to reconstruct cultural memory, provide a space for healing and processing collective trauma, and produce critical public pedagogy. Public art also has the power to provide symbolic reparations, an approach proposed by the Truth and Reconciliation Committee but one that I believe was not properly or effectively handled by the South African government. In this paper I will cover two specific public art projects and one established museum, all three framed within the context of both institutionalized and individual approaches to public art. Such projects extend to the District Six Museum, the Public Arts Festival of 1997, and the Black Arts Collective visual-media project, ‘Returning the Gaze.’ This paper proposes that the concept of public art should be reconsidered; I argue that its purpose is not to solely beautify urban landscapes, but rather to provide platforms for survivors of abuse to relay their experiences, influence popular discourse, and challenge hegemonic notions of race, identity, and culture.
ContributorsHeppner, Gena Rose (Author) / Sandlin, Jennifer (Thesis director) / Popova, Laura (Committee member) / Historical, Philosophical & Religious Studies (Contributor) / School of Social Transformation (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
Poetry is a way of living for me both as a writer and as a survivor of child sexual (CSA) and physical abuse. I have been turning to poetry for as long as I can remember as a companion on my journey through my trauma, trying to figure out who

Poetry is a way of living for me both as a writer and as a survivor of child sexual (CSA) and physical abuse. I have been turning to poetry for as long as I can remember as a companion on my journey through my trauma, trying to figure out who exactly it is. In Devil and the Deep Blue: Exploring Identity through Poetry, I take my trauma from my past and dissect it. I have taken old poems and edited them along with the guidance of Dr. Dombrowski and Dr. McNeil as my director and second reader respectively and edited them down into a collection of micro-poems. My goal in making these poems is to both put my own trauma to rest in a way, but to also make something for other trauma survivors who may not know they are not alone. My poems are one perspective on trauma, as I can only write what I have felt, but they are meant to show that there is someone who has felt that pain, as well as trying to make myself a better person through my own writing. Along with the micro poems, there are covers that I designed using childhood photos of my father and I, of which there are only a few remaining photographs, as well as designs I drew alongside those photos. The 3rd cover is an amalgam of childhood photos of my parents as well as photos of our family today, intending to show the change in message in the poems as they progress through the collection; they begin in introspection, move into the exploration of the more piercing pieces of trauma that I had yet to even uncover until now, and then the third group of poems is focused on the calmer pieces of aftermath that I still experience and how I am trying to withstand all of that.
ContributorsThompson, Tara Athlyn (Author) / Dombrowski, Rosemarie (Thesis director) / McNeil, Elizabeth (Committee member) / School of Humanities, Arts, and Cultural Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05
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Description
Children with cancer can experience decreased emotional health along with deteriorating
physical health compared to children without cancer. Many studies have been done to examine the effects of emotional distress and mental health on the cancer patient, as well as the role of familial support. It was found that children with

Children with cancer can experience decreased emotional health along with deteriorating
physical health compared to children without cancer. Many studies have been done to examine the effects of emotional distress and mental health on the cancer patient, as well as the role of familial support. It was found that children with cancer may suffer from depression, anxiety, PTSD, and socio-emotional problems as a result of the trauma of being diagnosed and treated for a pervasive, life-threatening disease. Late effects may also worsen co-morbid mental health disorders. Childhood cancer patients who experience co-morbid mental health problems of depression and anxiety end up having a longer duration of recovery, as well as a worsened outcome than others with a single disorder (Massie, 2004). It was also shown that family members are affected emotionally and mentally from dealing with childhood cancer. Not only is the cancer patient at risk for PTSD during or after treatment, but also family members (National Cancer Institute, 2015). Siblings of the child with cancer may experience feelings of loneliness, fear, and anxiety, as the parent’s attention is focused on the child suffering with cancer. According to the National Cancer Institute (2015), familial problems can affect the child’s ability to adjust to the diagnosis and treatment in a positive way. However, children with strong familial and social support adjust easier to living with cancer. A common theme found in literature is that regular mental health checkups during and after cancer treatment is important for quality of life. Therefore, it is important for all childhood cancer patients and their families to receive information about mental health awareness, as well as therapeutic interventions that are developed for families caring for a child with cancer.
ContributorsBuchanan, Chantel Tatiana (Author) / Seeley, Bridget (Thesis director) / Bradley, Robert (Committee member) / Department of Psychology (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05
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DescriptionThe paper intends to look at the issues surrounding trauma center proliferation, cost, and the worries of cascading failure.
ContributorsOcal, Jon (Author) / Douglas, Kacey (Thesis director) / Foster, William (Committee member) / Department of Finance (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
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Description
During an Inpatient hospitalization at a psychiatric care facility, 18 year-old Kaija has to begin facing the reality of the direction her life has gone in since her past of childhood trauma. Throughout this, she is taken through the process of re-stabilization after her entry to the unit. As the

During an Inpatient hospitalization at a psychiatric care facility, 18 year-old Kaija has to begin facing the reality of the direction her life has gone in since her past of childhood trauma. Throughout this, she is taken through the process of re-stabilization after her entry to the unit. As the novel progresses, readers become aware of who Kaija is as a patient, and more importantly, as a person. They learn who she is right as she does, going on a journey to see if she will be able to figure out what she wants to gain from this experience - and if she wants to make it out better than she was going in.
ContributorsSvitenko, Dasha (Author) / Amparano-Garcia, Julie (Thesis director) / Kirsch, Sharon (Committee member) / Barrett, The Honors College (Contributor) / Division of Teacher Preparation (Contributor)
Created2022-05