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Imagination + imagery: a model for design pedagogy

Description
The Imagination + Imagery model for design pedagogy is presented. Two studies were conducted to develop the model: (a) the visual imagery assessment of design students; and (b) a historical research on the concept of imagination. Results suggest the following implications as the components of strong imagination for design thinkers:…

The Imagination + Imagery model for design pedagogy is presented. Two studies were conducted to develop the model: (a) the visual imagery assessment of design students; and (b) a historical research on the concept of imagination. Results suggest the following implications as the components of strong imagination for design thinkers: (a) the ability to shape vivid images of objects in mind; (b) the ability to mentally transform the spatial representations of images; (c) to consider the ethical consequences of imagined situation; (d) to use imagination for resolving design wicked problems; and (e) to actively imagine for mental and emotional health.
ContributorsHedayati, Farzaneh (Author) / Takamura, John (Thesis advisor) / Lerman, Liz (Committee member) / Heywood, William (Committee member) / Arizona State University (Publisher)
Created2018
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Places that shape you

Description
Places That Shape You documents the development and experience of composing and presenting Places That Shape You, an evening-length dance performance examining the relationship between culture and urban spaces, inspired by the physical parameters that cities provide for our lives. In the performance, a blend of postmodern contemporary movement vocabulary,…

Places That Shape You documents the development and experience of composing and presenting Places That Shape You, an evening-length dance performance examining the relationship between culture and urban spaces, inspired by the physical parameters that cities provide for our lives. In the performance, a blend of postmodern contemporary movement vocabulary, text, projection, a mattress, 12 phonebooks and an overhead projector were used to a tell a story through the contrast of objects both obsolete and current. Musical collaborator, Austen Mack, created an original score that worked in partnership with the movement, advancing the unfolding of concepts about public and private spaces, community, memory, expectation and abstraction. In collaboration with six dancers, the choreographer conducted movement and archival research investigating personal stories, urban theory, somatic experience, place-making, and memories left in the spaces people inhabit, culminating in an evening length performance.
ContributorsWillcox, Halley (Author) / Fitzgerald, Mary (Thesis advisor) / Lerman, Liz (Committee member) / Rajko, Jessica (Committee member) / Arizona State University (Publisher)
Created2019