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Creators: Norton, Kay

Process-Driven Collaboration: Capacities from Teaching Artistry That Enrich the Work of Collaborative Pianists

Description

The work of collaborative pianists can vary widely, requiring a large spectrum of musical and foreign language skills. In addition, many non-musical skills are required of collaborative pianists in order to adapt to various types of work, the roles they assume, and the needs of the people they encounter professionally. Collaborative pianists usually develop good habits for survival on the job, but rarely receive preliminary training in capacities such as facilitation, maintaining objectivity in collaboration, asking good questions, and giving feedback effectively. The emerging field of teaching artistry offers a wealth of information for the development of these non-musical skills in collaborative pianists. The skills necessary for teaching artistry and collaborative piano frequently overlap, which is instructive for collaborative pianists as they prepare for their various musical and leadership roles. This paper explores shared practices between these disciplines, how they can enhance the activities of a collaborative pianist, and also help them develop skills as arts advocates. Advocating techniques for new music and audience engagement are addressed, as well as programming, content development and building teams around projects. The idea of the collaborative pianist becoming a teaching artist is also explored, as the diverse activities and experiences of a collaborative pianist can serve as valuable resources. All of these approaches to non-musical skills focus on building strong processes, leading to creative activities that are process-driven rather than product-driven. This study seeks to enrich activities of collaborative pianists through the application of teaching artist capacities and pave pathways for new, more effective professional collaborations.

ContributorsWitt, Juliana (Author) / Campbell, Andrew (Thesis advisor) / Norton, Kay (Committee member) / Ryan, Russell (Committee member) / Swoboda, Deanna (Committee member) / Arizona State University (Publisher)

Created2020

Mosaics: Profiles in Social Justice and Advocacy in the Works of Gabriela Lena Frank, Missy Mazzoli, and Jennifer Jolley

Description

This thesis examines the role of advocacy and social justice in the music of three living American women composers, and the ways their efforts as mentors, patrons, academics, and educators interact with their work as composers. Case studies include Gabriela Lena Frank (b. 1972), Missy Mazzoli (b. 1980), and Jennifer Jolley (b. 1981). My musicological narrative is informed by Kimberly Francis’s concept of women as “cultural mosaics” and Patricia Hill Collins’s theorization of intersectionality, which addresses the junction of variable characteristics (such as race, gender, or class) as they relate to an individual’s identity. I have centered my narrative on social issues these composers address through their activism and their music. Gabriela Lena Frank’s orchestral work, Peregrinos (2009), emphasizes Frank’s value of community outreach and her interdependence on others. Frank uses folklórica traditions and Latin mythology to musically recognize the diverse experiences of Latin American immigrants living in Indianapolis. Missy Mazzoli blends operatic traditions with electronics to convey messages of female empowerment in Song from the Uproar: The Lives and Deaths of Isabelle Eberhardt (2012). Mazzoli’s characterization of the fascinating life of this nineteenth-century woman resonates with modern understandings of intersectionality and agency, and aligns with her work with the Luna Composition Lab. Jennifer Jolley’s approach to musical activism in Prisoner of Conscience (2017) mirrors her philosophical and political messages explored on her blog and e-magazine articles. Juxtaposing punk rock with church motets and madrigals, Jolley comments on the nature of protest and the punishment of Russian feminist punk group, Pussy Riot. I position these composers as cultural agents with diverse concerns and diverse means by which to voice them. Frank, Mazzoli, and Jolley each participate in valuable extra-musical roles outside of their compositions: from Gabriela Lena Frank’s Creative Academy of Music, to Mazzoli’s Luna Composition Lab, to Jolley’s NewMusicBox articles. Each of these composers negotiate agency within traditions that have not always been open to women, and they seek to further remedy race and gender inequities through their prominent positions as educators and composers.

ContributorsMartinac, Caitlin (Author) / Norton, Kay (Thesis advisor) / Saucier, Catherine (Committee member) / Hicks, Glen (Committee member) / Arizona State University (Publisher)

Created2021

The Agassiz’s Desert Tortoise Genome Provides a Resource for the Conservation of a Threatened Species

Description

Agassiz’s desert tortoise (Gopherus agassizii) is a long-lived species native to the Mojave Desert and is listed as threatened under the US Endangered Species Act. To aid conservation efforts for preserving the genetic diversity of this species, we generated a whole genome reference sequence with an annotation based on deep transcriptome sequences of adult skeletal muscle, lung, brain, and blood. The draft genome assembly for G. agassizii has a scaffold N50 length of 252 kbp and a total length of 2.4 Gbp. Genome annotation reveals 20,172 protein-coding genes in the G. agassizii assembly, and that gene structure is more similar to chicken than other turtles. We provide a series of comparative analyses demonstrating (1) that turtles are among the slowest-evolving genome-enabled reptiles, (2) amino acid changes in genes controlling desert tortoise traits such as shell development, longevity and osmoregulation, and (3) fixed variants across the Gopherus species complex in genes related to desert adaptations, including circadian rhythm and innate immune response. This G. agassizii genome reference and annotation is the first such resource for any tortoise, and will serve as a foundation for future analysis of the genetic basis of adaptations to the desert environment, allow for investigation into genomic factors affecting tortoise health, disease and longevity, and serve as a valuable resource for additional studies in this species complex.

Data Availability: All genomic and transcriptomic sequence files are available from the NIH-NCBI BioProject database (accession numbers PRJNA352725, PRJNA352726, and PRJNA281763). All genome assembly, transcriptome assembly, predicted protein, transcript, genome annotation, repeatmasker, phylogenetic trees, .vcf and GO enrichment files are available on Harvard Dataverse (doi:10.7910/DVN/EH2S9K).

ContributorsTollis, Marc (Author) / DeNardo, Dale F (Author) / Cornelius, John A (Author) / Dolby, Greer A (Author) / Edwards, Taylor (Author) / Henen, Brian T. (Author) / Karl, Alice E. (Author) / Murphy, Robert W. (Author) / Kusumi, Kenro (Author)

Created2017-05-31