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- Creators: Doherty, Kelley
- Creators: Barrett, The Honors College
Description
This focuses on recent changes in Arizona eminent domain law regarding the question of whether a use be "truly public." In light of the landmark decision in Bailey v City of Mesa--often lauded as a great victory for proponents of private property rights-- a few sources will be reviewed to provide an indication of the extent redevelopment in Arizona has been affected by the decision. While the result in Bailey, precluding the City from taking the subject property may have been the correct outcome, the test to which the case now subjects any similar case involving redevelopment has made it unnecessarily difficult for political subdivisions of the state to carry out legislated redevelopment goals. The Bailey case only served to convolute the question of "public use" in the context of economic development, rather than create a workable body of law. In addition to providing a historical context and analyzing the effect of new interpretations on redevelopment generally, this paper will critique the Bailey decision in order to resolve the conflict that the decision created: that of the redevelopment goals of the state and municipalities and the authorized use of condemnation to achieve these goals with the judiciary's decision to greatly restrict the use of condemnation for the achievement of redevelopment goals. Arguably this conflict arose from a failure to fully understand the complexities of the use of the power of eminent domain for redevelopment purposes. Unaware of the need to use eminent domain in order to speed along and make possible economic redevelopment, overzealous proponents of property rights have reduced the issue to a narrow view of the state vs. the individual. Hopefully this paper can offer a more moderate and unbiased view of the use of eminent domain in light of the charge of the state and municipalities to facilitate economic growth.
ContributorsStern-Sapad, Zalman Badi (Author) / Birnbaum, Gary (Thesis director) / Braselton, James (Committee member) / Barrett, The Honors College (Contributor) / W. P. Carey School of Business (Contributor)
Created2015-05
Description
Transit-oriented developments (TODs) are a promising strategy to increase public transit use and, as a result, reduce personal car travel. By using TOD infill to increase urban population density and encourage transportation mode-shifting, the potential exists to reduce life-cycle per capita energy use and environmental impacts of the interdependent infrastructure systems. This project specifically examined the Gold Line of light rail and Orange Line of bus rapid transit in Los Angeles, CA.
ContributorsNahlik, Matthew John (Author) / Chester, Mikhail (Thesis director) / Pendyala, Ram (Committee member) / Pincetl, Stephanie (Committee member) / Civil, Environmental and Sustainable Engineering Programs (Contributor) / Barrett, The Honors College (Contributor) / School of Sustainability (Contributor)
Created2013-05
Description
The ASU School of Dance presents Emerging Artists II, February 14-17, with works by dance BA and MFA students Cassie Roberts, Katie McCaskill, Lydia Sakolsky-Basquill, Kelly Doherty, and Kristin Tovson, performed at the Dance Studio Theatre.
ContributorsHergerber Institute School of Dance (Publisher) / Ackermann, Jennifer Keane (Choreographer) / McGloin, Aaron (Lighting designer) / Mihaleva, Galina (Costume designer, Costume designer) / Roberts, Cassie (Costume designer, Dancer) / Ebling, Brett (Choreographer, Costume designer) / Trujillo, Davey (Lighting designer, Dancer) / Abruzzi, Lucio (Dancer) / Dumont, Marguerite (Dancer) / Hosack, Brittany (Dancer) / Hauk, Chelsey (Dancer) / Kozulla, Ashle (Dancer) / Murray, Leigh (Dancer) / Mollicone, Karissa (Dancer) / Buskirk, Kelly Van (Dancer) / Fitzgerald, Mary (Choreographer, Costume designer, Set designer) / Koch, Carolyn (Lighting designer) / McCaskill, Katie (Costume designer, Dancer) / Ammerman, Mark (Set designer) / Limon, Jose (Choreographer) / Sakolsky-Basquill, Lydia (Costume designer, Dancer) / Doherty, Kelley (Choreographer, Costume designer, Dancer) / Benard, Jacqueline (Costume designer) / Faciana, Maria (Dancer)
Created2008
Description
The ASU School of Dance presents New Dance Works 3, January 24-27, with works by dance MFA candidates C-c Braun, Janie D. Ross, and Julia Vessey, performed at the Dance Studio Theatre.
ContributorsHergerber Institute School of Dance (Publisher) / Ammerman, Mark C. (Technical director) / Atwood, Laura (Choreographer, Set designer) / Braun, C-c (Dancer, Choreographer, Costume designer, Composer) / Cortex, Margarita G. (Choreographer) / Doherty, Kelley (Choreographer, Dancer) / Dorfman, David (Dancer) / Dumont, Marguertie (Dancer) / Fisher, Rose (Choreographer, Dancer) / Goodman, Curtis (Choreographer, Dancer) / Issac, Chris (Composer) / Kirwan, Molly (Dancer) / Koch, Carolyn (Production manager, Lighting designer) / Malan-McDonalds, Sara Jean (Dancer) / Mapes, Aileen (Choreographer, Dancer) / Martinez, Meredith (Dancer) / Mihaleva, Galina (Costume designer) / Milam, Nichole (Dancer) / Mooney, Elina (Artistic director) / Penderecki, Krystof (Composer) / Ross, Janie D. (Choreographer, Costume designer, Dancer) / Spenceley, Jenni (Dancer) / Swayze, William (Sound designer) / Tovoson, Kristin (Choreographer, Dancer) / Trujillo, David (Lighting designer) / Vessey, Julia (Costume designer, Dancer, Choreographer, Lighting designer, Set designer) / Yanez, Avery (Dancer, Choreographer)
Created2008
Description
The ASU School of Dance presents Emerging Artists II, November 14-16, with works by Samantha Basting and Kristin Tovson, performed at Dance Studio Theatre, PEBE 132.
ContributorsAmmerman, Mark C. (Set designer) / Basting, Samantha (Editor, Performer, Choreographer, Costume designer, Dancer) / Bernard, Jacqueline (Costume designer) / Berry, Chris (Artist) / Canto, Melissa (Dancer) / Doherty, Kelley (Dancer) / Duchnowski, Nic (Dancer) / Dumont, Marguerite (Dancer) / Fisher, Rose (Dancer) / Fitzgerald, Mary (Choreographer) / Ford, Mary (Dancer) / Hancock, Whitney (Dancer) / Hauk, Chelsey (Dancer) / Kirwan, Molly (Dancer) / Koch, Carolyn (Lighting designer) / LoSasso, Sarah (Dancer) / McNamara, Caitlyn (Dancer) / Mihaleva, Galina (Costume designer) / Mumford, Jessica (Videographer) / Oyer, Xela (Dancer) / Pellegrino, Laura (Dancer) / Ramey, Jenna (Dancer) / Ricker, Gina (Dancer) / Schwab, Katie (Dancer) / Spenceley, Jenni (Dancer) / Tovson, Kristin (Performer, Choreographer, Sound designer, Costume designer, Dancer) / Trujillo, David (Dancer) / Vasilas, Georgianna (Dancer) / Herberger Institute School of Dance (Publisher)
Created2008
Description
The ASU School of Dance presents New Danceworks IV, February 28-March 2, with works by dance MFA candidates Lisa Thorngren and Jenna R. Kosowski, performed at the Dance Studio Theatre.
ContributorsHerberger Institute School of Dance (Publisher) / Ammerman, Mark C. (Technical director) / Benard, Jacqueline (Costume designer) / Brack, Ashley (Dancer) / Campbell, Tricia (Dancer) / Conder, Carley (Choreographer, Costume designer) / Doherty, Kelley (Dancer) / Dumont, Marguerite (Dancer) / Evens, Laura (Dancer) / Koch, Carolyn (Production manager) / Kosowski, Jenna (Choreographer, Lighting designer, Costume designer, Dancer) / Lopez, Lisa (Dancer) / Mihaleva, Galina (Costume designer) / Mollicone, Karissa (Dancer) / Monney, Elina (Artistic director) / Sakolsky-Basquill, Lydia (Dancer) / Swayze, William (Sound designer) / Theobald, Kiri (Stage manager) / Thorngren, Lisa (Choreographer, Dancer, Costume designer) / Trujillo, David (Lighting designer) / Van Buskirk, Kelly (Dancer)
Created2008
Description
The ASU School of Dance presents Cache, November 29-December 2, with works by dance MFA candidate Harper Piver, performed at the Experimental Dance Laboratory.
ContributorsHerberger Institute School of Dance (Publisher) / Ammerman, Mark C. (Technical director, Lighting designer) / Benard, Jacqueline (Costume designer) / Canto, Melissa (Dancer) / Doherty, Kelley (Dancer) / Felix, Steven (Dancer) / Hancock, Whitney (Dancer) / Koch, Carolyn (Production manager) / Mapes, Aileen (Dancer) / Martinez, Cristobal (Sound designer) / Mihaleva, Galina (Costume designer) / Milam, Nichole (Dancer) / Mooney, Elina (Artistic director) / Mumford, Jessica (Dancer) / Piver, Harper (Choreographer, Director) / Scott, Jillian (Dancer)
Created2007
Description
The ASU School of Dance presents New Danceworks II, March 29-April 1, with works by dance MFA candidates Lindsey Bauer, Sara Parish, and Kristen DeBottis, performed at Dance Studio Theatre, PEBE 132.
ContributorsAmmerman, Mark C. (Lighting designer) / Basting, Samantha (Dancer) / Bauer, Lindsey (Choreographer, Dancer) / Benard, Jacqueline (Costume designer) / Boyette, Corey (Dancer) / Braun, C-c (Dancer) / Cook, Zachary (Dancer) / Debottis, Kristen (Dancer, Choreographer) / Doherty, Kelley (Dancer) / Dostal, Michael (Lighting designer) / Escoto, Evan (Dancer) / Evans, Laura (Dancer) / Grant, Blake (Dancer) / Hallinan, Jayne (Dancer) / Hauk, Chelsey (Dancer) / Keuter, Cliff (Choreographer, Set designer, Costume designer) / Khoutakoun, Alan (Dancer) / King, Natalie (Choreographer, Costume designer, Lighting designer, Set designer) / Koch, Carolyn (Lighting designer) / Lee, Chris (Lighting designer) / Love, Stormy (Dancer) / Manus, Nicole (Dancer) / Mayer, Alicia (Dancer) / McGloin, Aaron (Dancer) / McNamara, Caitlyn (Dancer) / Mesman, Travis (Dancer) / Mihaleva, Galina (Costume designer) / Parish, Sara (Choreographer, Costume designer, Dancer) / Pärt, Arvo (Composer) / Price, Meghan (Dancer) / Rajko, Stjepan (Dancer) / Ross, Janie D. (Dancer) / Spenceley, Jenni (Dancer) / Taylor, Samuel (Dancer) / Urquhart, Craig (Composer) / Vessey, Julia (Dancer, Costume designer) / Wacker, David (Dancer) / Williams, Celia (Dancer) / Wooldridge, Holly (Dancer) / Wright, Emily (Dancer)
Created2007
Description
The purpose of this research was to address the viability of a monoculture to polyculture agricultural land-cover transition within the context of the palm oil industry in Malaysia and Indonesia. A lifecycle assessment was used as a framework in the Cradle-to-Gate methodology used to understand sustainability hotspots, develop four future scenarios, and to measure three chosen indicators for metric changes. The four scenarios included a business-as-usual, perfect world, and two transition scenarios highlighting greenhouse gases, bio-control chemicals, fertilizer-use, and crop yield as indicators. In the four scenarios, a 1000 ha of plantation land with 140,000 palm oil trees created the backdrop for investigating nutrient cycling, cultivation methods, and the economic trade-offs of a transition. Primary literature was the main source of investigation and a wide-variety of current polyculture research helped create tangible data across the four scenarios. However, polyculture failed to address the socioeconomic barriers present in the governance, business-state, and regulations within this industry and region. An institutional analysis was conducted to investigate the political, financial, and regulatory barriers in this industry and recommend changes. It was concluded that while polyculture is an important form of environmental sustainability and can increase crop yield, the socioeconomic structure of the industry is the largest barrier to change and implement polyculture. In order for this social structure to change, it was recommended that the regulatory institutions, such as the Roundtable for Sustainable Palm Oil (RSPO), reframe their pressure points and instead focus on the interconnectedness of logging and palm oil companies with the regional governments.
ContributorsPhillips, Katherine Wasem (Author) / Clark, Susan (Thesis director) / Shrestha, Milan (Committee member) / School of Sustainability (Contributor) / School of International Letters and Cultures (Contributor) / Barrett, The Honors College (Contributor)
Created2016-05