Matching Items (5)
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- All Subjects: LGBTQ studies
- Creators: Himberg, Julia
- Creators: Mean, Lindsey
Description
There is currently a proliferation of images of transgender youth in popular discourse, many of which reflect the threat to capitalist heteronormativity that transgender young people pose to contemporary U.S. society. This veritable explosion in media visibility of transgender youth must be critically examined. This dissertation explores media economies of transgender youth visibility by examining media and self-represented narratives by and about transgender young people in contemporary U.S. popular discourse to uncover where, and how, certain young transgender bodies become endowed with value in the service of the neoliberal multicultural U.S. nation-state. As normative transgender youth become increasingly visible as signifiers of the progress of the tolerant U.S. nation, transgender youth who are positioned further from the intelligible field of U.S. citizenship are erased.
Utilizing frameworks from critical transgender studies, youth studies, and media studies, this project illustrates how value is distributed, and at the expense of whom this process of assigning value occurs, in media economies of transgender youth visibility. Discursive analyses of online self-representations, as well as of online representations of media narratives, facilitate this investigation into how transgender youth negotiate the terms of those narratives circulating about them in U.S. contemporary media. This project demonstrates that increases in visibility do not always translate into political power; at best, they distract from the need for political interventions for marginalized groups, and at worst, they erase those stories already far from view in popular discourse: of non-normative transgender youth who are already positioned outside the realm of intelligibility to a national body structured by a heteronormative binary gender system.
Utilizing frameworks from critical transgender studies, youth studies, and media studies, this project illustrates how value is distributed, and at the expense of whom this process of assigning value occurs, in media economies of transgender youth visibility. Discursive analyses of online self-representations, as well as of online representations of media narratives, facilitate this investigation into how transgender youth negotiate the terms of those narratives circulating about them in U.S. contemporary media. This project demonstrates that increases in visibility do not always translate into political power; at best, they distract from the need for political interventions for marginalized groups, and at worst, they erase those stories already far from view in popular discourse: of non-normative transgender youth who are already positioned outside the realm of intelligibility to a national body structured by a heteronormative binary gender system.
ContributorsReinke, Rachel Anne (Author) / Switzer, Heather D. (Thesis advisor) / Aizura, Aren (Committee member) / Anderson, Lisa (Committee member) / Himberg, Julia (Committee member) / Arizona State University (Publisher)
Created2016
Description
In this study, the posts and interactions on a social media site for sexuality and/or gender questioning adolescents were analyzed in order to explore how online spaces contribute to identity development and exploration for this community. Fifty posts, pulled from two Reddit threads, were assessed to determine how questioning adolescents were discussing and questioning their sexual and/or gender identity. The replies of the postee to comments from others were also analyzed to further explore responses to and engagement with other members of the LGBTQ+ community. Using a thematic analysis, it was determined that questioning youth were using Reddit as a means of getting advice, help, explanation, and clarification about their identities and labels they could self-identify as. It was also determined that identities were positively impacted and informed through engagement with others through the exchange of supportive comments and advice. This data suggests that social media can provide positive and supportive safe spaces for identity development and a sense of shared community. However, the significance of the anonymity provided by social media sites is an important part of this provision. It is recommended that further research be done within this framework in order to assess how identity exploration occurs on multiple social media platforms, with an emphasis on the earlier aspects of identity formation given that the focus to date has been primarily on the specific process of coming out.
ContributorsArcher, Katie (Author) / Mean, Lindsey (Thesis advisor) / Cayetano, Catalina (Committee member) / Taylor, Jameien (Committee member) / Arizona State University (Publisher)
Created2021
Description
Lesbian, gay, bisexual, transgender and queer (LGBTQ+) individuals experience a variety of types of representation, particularly in media outlets. While the quantity of such representations is steadily increasing, research must continue to examine the content of representations as they become available. This examination is important as much of society is determined by discourses presented in media outlets. Further, media often produces and reproduces dominant narratives about minority groups. Television is one arena where individuals come to learn about themselves and others. Particularly, the sitcom genre can be useful for figuring out how to deal with real-world issues in a humorous and entertaining way. However, the humor of sitcom does not exclude it from the meaning-making and identity-formation systems present in television and media, more broadly. Thus, this study investigates the discourses surrounding LGBTQ+ representation in the Canadian sitcom Schitt’s Creek through critical and rhetorical discursive analyses while also applying principles of queer theory throughout. Results indicate while Schitt’s Creek does many things well in terms of its representation of LGBTQ+ individuals, problematic stereotypes still often remain. In other words, Schitt’s Creek breaks from typical LGBTQ+ representation found in sitcoms, but often still embodies dominant cultural narratives used to degrade, restrict, and punish LGBTQ+ individuals. This is particularly evident as one examines the ways Schitt’s Creek often falls into heteronormative standards and continually polices the sexual nature of LGBTQ+ individuals to display a safe and comfortable version of homosexuality. Therefore, Schitt’s Creek may often and unknowingly reinforce the heteronormative hegemonies it seeks to break from.
ContributorsKiourkas, Steffanie M (Author) / Mean, Lindsey (Thesis advisor) / Walker, Michael (Committee member) / Gruber, Diane (Committee member) / Arizona State University (Publisher)
Created2023
Description
This dissertation project examines the cultural labor of the drag queen in the United States (US). I explore how the drag queen can be understood as a heuristic to understand the stakes and limits of belonging and exceptionalism. Inclusion in our social and national belonging in the US allows for legibility and safety, however, when exceptional or token figures become the path towards achieving belonging, it can leave out those who are unable to conform, which are often the most vulnerable folks. I argue that attending to the drag queen’s trajectory, we can trace the ways that multiply-marginalized bodies navigate attempts to include, subsume, and erase their existence by the nation-state while simultaneously celebrating and consuming them in the realm of media and consumer culture. In the first chapter I introduce the project, the context and the stakes involved. Chapter two examines representations of drag queens in films to unpack how these representations have layered over time for American audiences, and positions these films as necessary building blocks for queer semiosis for viewers to return to and engage with. Chapter three analyzes RuPaul and RuPaul’s Drag Race to outline RuPaul labor as an exceptional subject, focusing on his investment in homonormative politics and labor supporting homonationalist projects. Chapter four centers questions of trans* identity and race, specifically Blackness to analyze how Drag Race renders certain bodies and performances legitimate and legible, constructing proper drag citizens. Chapter five utilizes ethnographic methods to center local drag communities, focusing on The Rock and drag performers in Phoenix, Arizona to analyze how performers navigate shifting media discourses of drag and construct a queer performance space all their own.
ContributorsCollier, Cassandra M (Author) / Anderson, Lisa M. (Thesis advisor) / Bailey, Marlon M (Committee member) / Himberg, Julia (Committee member) / Arizona State University (Publisher)
Created2020
Description
Much of the literature around coming out narratives is concerned with monosexual coming out experiences. While some recent literature has expanded to include discussions of non-monosexual experiences, there is a lack of research surrounding the coming out narratives of non-monosexual individuals specifically. This thesis aims to investigate such coming out narratives. The coming out narrative genre as a whole has been examined by several researchers across several years, highlighting a variety of monosexual coming out experiences. This project aims to utilize past research of coming out narratives to build a framework of common themes within the genre and employ this framework as a basis of comparison between monosexual and non-monosexual coming out narratives. Since the experiences of non-monosexual members of the queer community are not being looked at within the coming out narrative genre, it is crucial to highlight non-monosexual experiences in narrative research such as this. Data for this study comes from several publicly available online coming out narratives from YouTube, with the final total equaling 12 narratives. This study finds that there are distinct differences between the coming out narratives of monosexual and non-monosexual narratives and, as such, provides evidence of unique lived experiences for non-monosexual individuals when coming out.
ContributorsHill, Taylor (Author) / Prior, Matthew (Thesis advisor) / SturtzSreetharan, Cindi (Thesis advisor) / Himberg, Julia (Committee member) / Arizona State University (Publisher)
Created2022