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Laberinto Journal Vol. 12 (2019)
ContributorsDe Armas, Frederick A., 1945- (Contributor) / Worden, Bill (Professor) (Contributor) / Marek, Margaret (Contributor) / Prendergast, Ryan (Contributor) / Gasior, Bonnie L., 1971- (Contributor) / Granja Ibarreche, Xabier (Contributor) / Gil-Osle, Juan Pablo (Contributor) / ACMRS Press (Creator) / Arizona State University (Contributor) / Arizona Center for Medieval and Renaissance Studies (Contributor)
Created2019
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Description
An exploration of the art of writing fiction through the lens of memory, myth, and the fractured psyche, of performance and spectacle: image, projection, and the secret self. The craft of writing is the craft of myth. The very process of storytelling relies on collective, personal, and historical myth-making -

An exploration of the art of writing fiction through the lens of memory, myth, and the fractured psyche, of performance and spectacle: image, projection, and the secret self. The craft of writing is the craft of myth. The very process of storytelling relies on collective, personal, and historical myth-making - stories surrounding the body and consciousness, collective and personal memory.
ContributorsHutson, Elizabeth (Author) / Pritchard, Melissa (Thesis advisor) / Bell, Matt (Committee member) / Ison, Tara (Committee member) / Arizona State University (Publisher)
Created2016
Rethinking Conceptual Art
Description

This book review considers three books on Conceptual Art that appeared in this year, by Anne Rorimer, Michael Newman and Jon Bird, and Rosalind Krauss. In 2011 this review was distinguished as one of the most consulted in the history of caa.reviews; see Patricia Kelly, “2002,” at: http://www.caareviews.org/centennial/2002

ContributorsMesch, Claudia (Author)
Created2002