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Since 1998 and as recently as November 2018, 165 Tibetans have burned themselves alive in public protest, both inside Tibet and in exile. This study foregrounds Tibetan refugees’ interpretations of the self-immolation protests and examines how the exile community has socially, politically, and emotionally interrogated and assimilated this resistance movement. Based upon eleven months of ethnographic field research and 150 hours of formal interviews with different groups of Tibetan refugees in northern India, including: freedom activists, former political prisoners, members of the exile parliament, teachers of Tibetan Buddhism, families of self-immolators, and survivors of self-immolation, this project asks: What does activism look like in a time of martyrdom? What are the practices of solidarity with the dead? How does a refugee community that has been in exile for over three generations make sense of a wave of death occurring in a homeland most cannot access? Does the tactic of self-immolation challenge Tibetan held conceptions of resistance and the conceived relationship between politics, religion and nation? These questions are examined with attention to the sociopolitical expectations and vulnerabilities that the refugee community face. This study thus analyzes what it means to mourn those one never knew, and examines the fractious connections between resistance, solidarity, trauma, representation, political exigency, and community cohesion. By examining the uncomfortable affect around self-immolation, its memorialization and representation, the author argues that self-immolation is a relational act that creates and ushers forth witnesses. As such, one must analyze the obligations of witnessing, the barriers to witnessing, and the expectations of solidarity. This project offers the theory of exigent solidarity, whereby solidarity is understood as a contested space, borne of expectation, pressure, and responsibility, with its expression complex and its execution seemingly impossible. It calls for attention to the affective labor of solidarity in a time of ongoing martyrdom, and demonstrates that in the need to maintain solidarity and social cohesion, a sense of mutual-becoming occurs whereby the community is reconciled uneasily into a shared fate.
ContributorsVehaba, Alana Sara (Author) / Talebi, Shahla (Thesis advisor) / Lauderdale, Pat (Committee member) / Lee, Charles (Committee member) / Carrico, Kevin (Committee member) / Arizona State University (Publisher)
Created2019
Description
Much of the anthropological and Islamic studies focus in recent years has addressed the shifting forms of Islamic piety across Muslim majority societies. The analysis of this shift in Islamic practice and belief has enveloped the changing sensibilities around technologies, social strata, democracy, law, and everyday life. In light of these transformations, after the fall of the Indonesian New Order in 1998, the performances of Islamic devotional songs (salawat) by Habib Syech bin Abdul Qadir Assegaf (Habib Syech) began bringing millions of people together across Indonesia, Malaysia, Taiwan, Hong Kong, Thailand, South Korea, Egypt, Saudi Arabia, and Yemen. Although salawat has typically been performed in remembrance of the birth of Prophet Muhammad (mawlid) in localized celebrations. The performances of salawat by Habib Syech, on the other hand, occur fifteen or more times a month with crowds swelling to tens of thousands across multiple nation-states. Habib Syech’s salawat performances furthermore appeal to and bring together diverse Muslim populations that have historically been more divided. Habib Syech’s gatherings reveal how popular forms of piety are shifting in conjunction with profound societal changes in Indonesia and other Muslim communities. In untangling the popularity of Habib Syech’s gatherings, it was not until I became entangled in the rhythm of salawat that baraka, often translated as blessings, emerged as a slippery, elusive, and living helping propel the popularity of this phenomena. The guttural cries of my interlocutors (baraka, baraka, baraka) resonate and summon a methodology that takes the visible and invisible together in understanding the concept and life of baraka. I, like my interlocutors, began hunting baraka as an alternative, living concept that challenges understandings of Islam in Indonesia driven by Islamic civil organizations, prescriptive vs everyday Islamic piety, and Western interpretations of the world as disenchanted. This dissertation is an exploration of new opportunities for understanding religion in the modern world that emerge from the ethnographic field through the life of baraka.
ContributorsEdmonds, James Michael (Author) / Talebi, Shahla (Thesis advisor) / Bennett, Gaymon (Committee member) / Haines, Charles (Committee member) / Rush, James (Committee member) / Arizona State University (Publisher)
Created2021