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This study investigated the effects of a training seminar and selected background variables on Greek music teachers’ attitudes and self-evaluation regarding research. Public school, university, and conservatory teachers (n=41) participated in 16 hours of seminar instruction over a two-week period at a Greek university. The seminar provided an introduction to empirical

This study investigated the effects of a training seminar and selected background variables on Greek music teachers’ attitudes and self-evaluation regarding research. Public school, university, and conservatory teachers (n=41) participated in 16 hours of seminar instruction over a two-week period at a Greek university. The seminar provided an introduction to empirical research methods, testing, and basic statistical concepts and, procedures and an overview of music aptitude testing and the administration of selected tests. There was no significant pre-seminar difference in self-assessed interest and ability in research between participants who had and had not taken a prior research course. However, participants with prior training scored significantly higher on self-assessed knowledge of selected research concepts. A mixed-model analysis of variance indicated that the seminar instruction was effective in improving self-assessed research knowledge and interest, and that those with previous research training improved more than those without such training.
ContributorsStamou, Lelouda (Author) / Humphreys, Jere Thomas (Author) / Schmidt, Charles P. (Author)
Created2007
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Some ancient Greek perspectives on three praxial musical activities: composing, performing, and listening. Early founders of modern Western thought created boundaries and hierarchies among these three activities, in addition to the scientific study of music. Under the dualistic conception of reality, or "truth," original musical works became objects. Plato stipulated

Some ancient Greek perspectives on three praxial musical activities: composing, performing, and listening. Early founders of modern Western thought created boundaries and hierarchies among these three activities, in addition to the scientific study of music. Under the dualistic conception of reality, or "truth," original musical works became objects. Plato stipulated the use of "good" songs, reserved composition for a select few, and believed that "goodness" in music could be determined objectively by society's leaders, a form of universal "truth" represented in artistic products. The praxis of music performing, regarded as a "practiced habit" and given lower status than composing, was deemed an appropriate leisure-time activity for gentlemen. Virtuoso music performance was to be left to non-citizens, leaving citizens free for more intellectual pursuits. . . . [I]t is no surprising that subsequent educators taught music primarily through theoretical means. . . .
ContributorsHumphreys, Jere Thomas (Author) / Elliott, David J. (Respondent) / Androutsos, Polyvios (Editor)
Created2007
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Description

The purpose of this study was to standardize the Primary Measures of Music Audiation in Greece (N = 1,188). Split-halves reliability was acceptable across grade levels (K through 3) for the Tonal and Rhythm subtests, but test-retest reliability was generally unacceptable, especially for the Rhythm subtest. Concurrent validity was mixed,

The purpose of this study was to standardize the Primary Measures of Music Audiation in Greece (N = 1,188). Split-halves reliability was acceptable across grade levels (K through 3) for the Tonal and Rhythm subtests, but test-retest reliability was generally unacceptable, especially for the Rhythm subtest. Concurrent validity was mixed, with teacher ratings of musical achievement generally significantly correlated with Tonal but not Rhythm subtest scores. Composite test means were significantly higher for suburban and urban samples than for rural samples and were significantly higher for higher grade levels. Item difficulty coefficients were significantly correlated across grade levels. The Greek and U.S. composite means were similar except for a significantly higher U.S. mean for grade 1. However, when the rural subgroup was removed from the Greek sample to equate with the U.S. norming sample, there were nonsignificant differences from grades K through 1, but significant differences in favor of the Greek sample for grades 3 and 4.

ContributorsStamou, Lelouda (Author) / Schmidt, Charles P. (Author) / Humphreys, Jere Thomas (Author)
Created2010-04
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Description

The purpose of this study was to examine the classroom observation ability of pre-service music teachers in Greece (N = 62). Two groups of undergraduates, one near the beginning and one near the end of a two-year course sequence in teaching methods that included in-class and in-school training in observation

The purpose of this study was to examine the classroom observation ability of pre-service music teachers in Greece (N = 62). Two groups of undergraduates, one near the beginning and one near the end of a two-year course sequence in teaching methods that included in-class and in-school training in observation ("juniors" and "seniors," respectively), observed videotapes of one elementary (4th grade) and one secondary (8th grade) general music class, each being taught by its own expert music teacher. Subjects wrote comments that judges classified into subcategories within overall categories of lesson, teacher, and students. Results largely confirmed those of previous research from the USA, with the more experienced subjects making significantly more comments and both groups focusing more on teachers than on lessons or students. There were also differences between subcategories and significant intersections involving experience level and sex of the subjects.

ContributorsAndroutsos, Polyvios (Author) / Humphreys, Jere Thomas (Author)
Created2010-02