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- All Subjects: Islam
- Creators: Talebi, Shahla
Description
This study is based on a submission of anthropological, historical, and literary approaches. The ethnographic study of the Shi'a holy shrines between November 2011 and January 2012 is based on my visit to Iraq. The study lasted almost ten weeks, to include the two events under discussion: `Ashurā and Al-Arb`ain, in Karbala of that year. This thesis argues that the mourning rituals of `Ashurā and the Forty Day Visitation Zyarat Al-Arb`ain contribute to the social or individual life of Iraqi Shi'a. They also make significant contributions through creating a symbolic language to communicate for the community, as well as communicating with their essential symbolic structure. Second, the Forty Day Visitation Zyarat Al-Arb`ain is one of the most significant collective mourning rituals, one that expresses unity and solidarity of the Iraqi Shi'a community, and helps them to represent their collective power, and maintain their collective existence. This study uses two of Victor Turner's tripartite models. For `Ashurā the rite of passage rituals is used, which consists of the separation, margin, and re-aggregation phase. Through this process of entering and leaving time and social structure, it helps in changing the social status of the participants. The other model used for Al-Arb`ain is pilgrimage as a social process, which includes three levels of communitas: existential, normative, and ideological communitas. The Shi'a in Iraq are holding a position similar to Turner's notion of communitas since they are living within a society that is Muslim and yet even though they are a larger population of the society, they still become marginalized by the Sunni population socially, economically, and politically. Social relations and links play a significant role for Shi'a in `Ashurā and Al-Arb`ain as a reflection between their social status as an undefined communitas and the general structure of Iraqi society.
ContributorsHamdan, Faraj Hattab (Author) / Talebi, Shahla (Thesis advisor) / Ali, Souad T. (Thesis advisor) / Gallab, Abdullahi (Committee member) / Gereboff, Joel (Committee member) / Arizona State University (Publisher)
Created2012
Description
Guantánamo: The Amen Temple of Empire connects the fetishization of the trauma of nine/eleven with the co-constitution of subjects at Guantánamo—that of the contained Muslim terrorist prisoner silhouetted against the ideal nationalistic military body—circulated as ‘afterimages’ that carry ideological narratives about U.S. Empire. These narratives in turn religiously and racially charge the new normative practices of the security state and its historically haunted symbolic order. As individuals with complex subjectivities, the prisoners and guards are, of course, not reducible to the standardizing imprimatur of the state or its narratives. Despite the circulation of these ‘afterimages’ as fixed currency, the prisoners and guards produce their own metanarratives, through their para-ethnographic accounts of containment and of self. From within the panopticon of the prison, they seek sight lines, and gaze back at the state. This dissertation is thus a meditation on US militarism, violence, torture, race, and carceral practices, revealed thematically through metaphors of hungry ghosts, nature, journey and death, liminality, time, space, community, and salvage. Based on a multi-sited, empirical and imaginary ethnography, as well as textual and discourse analysis, I draw on the writing and testimony of prisoners, and military and intelligence personnel, whom I consider insightful para-ethnographers of the haunting valence of this fetishized historical event.
ContributorsColeman, Diana (Diana Murtaugh) (Author) / Talebi, Shahla (Thesis advisor) / Matustik, Martin (Committee member) / Fessenden, Tracy (Committee member) / Arizona State University (Publisher)
Created2018