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Description
ASU student Bandok Lul (Nuer) rehearses a pitch for Refugee Coding Academy. “Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost

ASU student Bandok Lul (Nuer) rehearses a pitch for Refugee Coding Academy. “Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost Boys/Girls as are willing, and will be used in a future book.
ContributorsLul, Bandok (Actor) / Amparano, Julie (Director) / MacNeill, Harper (Cinematographer)
Created2017-03-29
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Description
“Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost Boys/Girls as are willing, and will be used in a future

“Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost Boys/Girls as are willing, and will be used in a future book.
ContributorsAmparano, Julie (Interviewer) / Santino (Contributor)
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Description

Uniforms and logos are an essential part of sports teams and are created with the intention of representing the city and state of their respective teams. More than a uniform: How culture influences the creation of Arizona sports logos and jerseys presents a look at the conversations and processes undergone

Uniforms and logos are an essential part of sports teams and are created with the intention of representing the city and state of their respective teams. More than a uniform: How culture influences the creation of Arizona sports logos and jerseys presents a look at the conversations and processes undergone before teams are able to unveil their new threads. Four local professional teams are involved with this project: Phoenix Suns, Arizona Diamondbacks, Arizona Coyotes and Arizona Cardinals. Members from each of the organizations were interviewed, in addition to Greg Fisher of Fisher Design. Information was gathered from each of those interviews in addition to research done on the history of each of the team’s uniforms. The information was then created into a documentary that consists of visual and verbal components. The film highlights how each team attempts to represent Arizona and its culture when it comes to what they are wearing on the field, court or ice. The interviews capture the mindset of creative teams as they explore growing new ideas and looks, in addition to a historical delve into two of the team’s debuts in the 1990s. Many of Arizona’s sports teams have much more behind their logos and jerseys than meets the eye. The project taught me how adapt broadcast skills into documentary style storytelling and how important visuals are for longer features. The interviews showed that so many things are taken into consideration when designing a sports logo or uniform and the process can take either months or years to finally reach fruition.

ContributorsNoel, Adam Jude (Author) / Dieffenbach, Paola (Thesis director) / Easley, Isaac (Committee member) / College of Integrative Sciences and Arts (Contributor) / Walter Cronkite School of Journalism and Mass Comm (Contributor) / Barrett, The Honors College (Contributor)
Created2021-05
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Description
Each year the United States' interstates and roadways become increasingly congested, with little development of useful mass transit. Elon Musk released a whitepaper titled Hyperloop Alpha in order to generate conversation around a potential "fifth mode of transportation" as an alternative to current high-speed rail technologies. This case study analyzes

Each year the United States' interstates and roadways become increasingly congested, with little development of useful mass transit. Elon Musk released a whitepaper titled Hyperloop Alpha in order to generate conversation around a potential "fifth mode of transportation" as an alternative to current high-speed rail technologies. This case study analyzes the implications of implementing the Hyperloop along the 120-mile Phoenix-Tucson route in terms of the State's geographic, economic, political, and environmental advantages for the Hyperloop design. This case study was not meant to investigate the engineering aspects of an untested technology, but rather to generate conversation and elicit enthusiasm in the State of Arizona in order to bring the project in-house. Through comparison of the California context of the Hyperloop and other megaregions this report proposes that given Arizona's solar power production potential, short, flat, undeveloped route, explosive population growth, urban density distribution, recognized need for HSR, and strong research institutions make it the ideal site and premiere candidate for initial Hyperloop testing and construction.
ContributorsMartin, Sean Joseph (Author) / Martin, Pasqualetti (Thesis director) / Basile, George (Committee member) / Barrett, The Honors College (Contributor) / School of Sustainability (Contributor) / W. P. Carey School of Business (Contributor)
Created2014-05
DescriptionA creative project was made in the form of a movie. The video portrays the corruption of children through media and pop culture's influence. From this, we created the ideas of the Superhero Complex, Princess Complex, and Quasi-fairytale life.
ContributorsEvans, Chanel Nicole (Co-author) / Clayson, Danielle (Co-author) / Switzer, Heather (Thesis director) / Dove-Viebahn, Aviva (Committee member) / Katsulis, Yasmina (Committee member) / Barrett, The Honors College (Contributor)
Created2013-05
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Description
The phytoplankton communities in the open oceans are dominated by picophytoplankton (0.7-2µm) and nanophytoplankton (3-5µm). Studying the community dynamics of these phytoplankton is important to learn about their role in the carbon cycle and food web of the oceans. Dilution experiments were used, along with microscopy and molecular

The phytoplankton communities in the open oceans are dominated by picophytoplankton (0.7-2µm) and nanophytoplankton (3-5µm). Studying the community dynamics of these phytoplankton is important to learn about their role in the carbon cycle and food web of the oceans. Dilution experiments were used, along with microscopy and molecular techniques, to determine abundance, biomass and phytoplankton growth and grazing rates in the oligotrophic Sargasso Sea (western North Atlantic subtropical gyre) around the Bermuda Atlantic Time Series Station (BATS) in the summer of 2012. With low biomass and chlorophyll a, the Sargasso Sea appears to be unproductive at first glance, but I found that pico- and nanophytoplankton have high instantaneous growth rates that are balanced by the high grazing rates of microzooplankton.
Mesoscale eddies are important features in the Sargasso Sea that can increase or decrease the available nutrients in the euphotic zone. Two different mesoscale eddies were sampled: an anti-cyclonic eddy and the BATS station which was located at the edge of a cyclonic eddy. The results indicated that BATS had overall higher instantaneous growth (µ between 0.1 d-1 and 3.7 d-1) and grazing rates on pico- and nanophytoplankton, as well as diatoms, compared to the anti-cyclonic eddy (µ between 0.2 d-1 and 3 d-1). I also determined taxon-specific rates using quantitative polymerase chain reaction (qPCR) for the order Mamiellales, one of the smallest representatives of the abundant prasinophytes. This method yielded surprisingly high growth (9.7 d-1 ) and grazing rates (-8.2 d-1) at 80m for BATS. The euphotic zone (~100m) integrated biomass of all phytoplankton did not vary significantly between BATS (379 mg C m-2) and the anti-cyclonic eddy (408 mg C m-2) and the net growth rates at both locations were very close to zero for most of the groups. Although the biomass and net growth rates did not vary greatly between the two locations, the high instantaneous growth and grazing rates of pico- and nano-eukaryotic phytoplankton indicate an increase in the rate of the marine microbial food web, or microbial loop, compared to the anti-cyclonic eddy. This could have been due to the input of new nutrients in the edge of the cyclonic eddy at BATS. Thus, my study suggests that mesoscale variability is of considerable importance for the dynamics of the phytoplankton community and their role in the microbial loop. Much can be learned when using DNA based taxon-specific rates, especially to understand the relative importance and contribution of specific taxa.
More taxon-specific molecular studies will have to be carried out to quantify specific rates of more phytoplankton groups, which will supply a more complete knowledge of phytoplankton community dynamics in the Sargasso Sea. This will increase our understanding of the role of specific groups to the biological carbon dynamics in the euphotic zone into the deep ocean.
ContributorsHamill, Demetra Scott (Author) / Neuer, Susanne (Thesis director) / Elser, Jim (Committee member) / De Martini, Francesca (Committee member) / Barrett, The Honors College (Contributor) / School of Life Sciences (Contributor)
Created2013-05
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Description

ASU faculty and students share research at Phoenix City Hall regarding urban heat, including causes, consequences, and potential solutions.
 

ContributorsASU (Contributor)
Created2017-09-29
Description

An interview with Clyde Parker, Technical Director of ASU's Gammage Auditorium. Clyde describes his coming to ASU in 1961 as a Education major and beginning as a stage hand at Gammage Auditorium when it opened in 1964. He went on to become Technical Director. He describes memorable events at the

An interview with Clyde Parker, Technical Director of ASU's Gammage Auditorium. Clyde describes his coming to ASU in 1961 as a Education major and beginning as a stage hand at Gammage Auditorium when it opened in 1964. He went on to become Technical Director. He describes memorable events at the Auditorium and on the campus. The interview was conducted by Colleen Jennings Roggensack, Executive Director for ASU Gammage and Associate Vice President Cultural Affairs for ASU.

Created2009-05-29
Description

Mathew Betz joined ASU in 1961 as a member of the Civil Engineering Department but he spent much of his career in the Provost's Office. Matt was instrumental in the acquiring and early planning of ASU Polytechnic campus. The interview covers Betz's early life in Chicago area, college at Cal

Mathew Betz joined ASU in 1961 as a member of the Civil Engineering Department but he spent much of his career in the Provost's Office. Matt was instrumental in the acquiring and early planning of ASU Polytechnic campus. The interview covers Betz's early life in Chicago area, college at Cal Tech and Northwestern majoring in the new field of Transportation Engineering. Early travels to Africa and the Sudan. Teaching career starts at ASU in 1961. Description of ASU Engineering in early days. Project work in Sudan. Assistant Dean in the Graduate College. Teaching/living in Kenya. Evaluating Graduate Programs. Working in Academic V.P.s office to evaluate (Regents directive) all programs. Computerizing the Registrar's Office. Developing the ADOT Transportation Research Center. Creating the Office of Strategic Planning. Vice President of Planning and Budgeting. Offers insight into the past and future of education in Arizona. He served many years on the ASU Retirees Board including President. He suggested and implemented the ASURA Video History Project.

ContributorsStevenson, Pam (Interviewer) / Arizona State University Retirees Association (Producer)
Created2007-01-12
Description

An Interview of Eugene Grigsby of the ASU Department of Art covering his life and career.

ContributorsStevenson, Pam (Interviewer) / Agave Productions (Producer)
Created2007-01-13