Adapting Chinese Southwestern Folk Music to Cello: An Analysis and Performer’s Guide to Chen Yi’s Three Bagatelles from China West (for Cello and Piano)

This project consists of both a recording of Chen Yi’s Three Bagatelles from China West (Duet for Cello and Piano), and a research paper examining the adaptation of Chinese Southwestern folk music to the cello. Chen Yi initiated and adapted this new transcription of Three Bagatelles from China West for cello and piano, both as part of this research project and for me to give its premiere. This research paper explores essential considerations in the process of cross-cultural adaptation, including an introduction to Chinese Southwestern folk music, as well as discussions on differences in theoretical systems, instrumental limitations, performance practices, and authenticity in interpretation. This research paper uses Chen Yi’s Three Bagatelles from China West (Duet for Cello and Piano) as a case study, offers comprehensive musical analysis and performance guidance to highlight key practical considerations in both the compositional and interpretative processes, ultimately emphasizing the significance of such adaptations in contemporary music-making. Through this study, readers develop an awareness of the possibilities of integrating Chinese and Western musical traditions, while musicians and scholars can expand their understanding of the compositional techniques and performance approaches to further contribute to cross-cultural collaboration.