Description
As with many concertante, Fantasy focuses on the interplay between the soloist and the orchestra. Contrast is a fundamental principle for creating the formal design of the composition. Adjacent sections are related to one another by the contrast of any or all of the following: register, timbre, and texture. Fantasy derives inspiration from the musical languages of Stravinsky, Prokofiev, Shostakovich, Moravec, and Debussy.
Details
Contributors
- Kemp, Tyler (Author)
- Rockmaker, Jody (Thesis advisor)
- DeMars, James (Committee member)
- Rogers, Rodney (Committee member)
- Arizona State University (Publisher)
Date Created
The date the item was original created (prior to any relationship with the ASU Digital Repositories.)
2018
Topical Subject
Resource Type
Language
- eng
Note
- Doctoral Dissertation Music 2018