Description
This paper explores the relationship of text and music in Dies Natalis by Gerald Finzi. Many of Gerald Finzi’s compositions have been researched and analyzed, but Dies Natalis, a work for high voice and string quartet, has received limited attention. The text is by Thomas Traherne, a lesser-known English poet and theologian.
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Contributors
- McKee, Marcy (Author)
- Mills, Robert (Thesis advisor)
- Rogers, Rodney (Committee member)
- Hawkins, Gordon (Committee member)
- Arizona State University (Publisher)
Date Created
The date the item was original created (prior to any relationship with the ASU Digital Repositories.)
2016
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Note
- Partial requirement for: D.M.A., Arizona State University, 2016Note typethesis
- Includes bibliographical referencesNote typebibliography
- Field of study: Music
Citation and reuse
Statement of Responsibility
by Marcy McKee