Description
The repertoire of the saxophone has advanced significantly since its invention circa 1840. Performers are required to adapt to the demands of composers - many of whom are exploring new and unconventional sounds and techniques. Numerous texts exist to identify and explain these so-called "extended" techniques, but there are very few resources for the initial stages of performance. In order to offer performers a resource, the author of this text composed forty original etudes (or studies) that incorporate extended techniques in a variety of ways. After identifying common extended techniques that a performer might face, the author focused on four different ways each individual technique might appear in actual repertoire. The resulting work is entitled Pushing Boundaries: Forty Etudes on Extended Techniques. Each etude offers a practical approach to what is generally a single extended technique. Although this text is not pedagogical in the sense of identifying the mechanics and anatomical requirements of each technique, it does contain a performance analysis of each etude. This analysis identifies areas where performers might struggle and offers helpful suggestions. To this end, the etudes accompanied by performance analysis provide a paced, systematic approach to the mastery of each technique.
Details
Contributors
- Murphy, Patrick Joseph (Author)
- Hill, Gary (Thesis advisor)
- Spring, Robert (Committee member)
- McAllister, Timothy (Committee member)
- Micklich, Albie (Committee member)
- DeMars, James (Committee member)
- Arizona State University (Publisher)
Date Created
The date the item was original created (prior to any relationship with the ASU Digital Repositories.)
2013
Topical Subject
Resource Type
Language
- eng
Note
- thesisPartial requirement for: D.M.A., Arizona State University, 2013
- bibliographyIncludes bibliographical references
- Field of study: Music
- Contains: Murphy, Patrick Joseph. Pushing boundaries