Description
Numerous orchestral reductions for piano are plagued by cumbersome passages that impede pianists from delivering phrases with flow and elegance. The vocal works of George Frideric Handel (1685–1759) and Richard Wagner (1813–1883) are among the more unwieldy of these.
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Contributors
- Peterman, Jeremy Patrick (Author)
- Campbell, Andrew (Thesis advisor)
- FitzPatrick, Carole (Committee member)
- Oldani, Robert (Committee member)
- Reber, William (Committee member)
- Ryan, Russell (Committee member)
- Arizona State University (Publisher)
Date Created
The date the item was original created (prior to any relationship with the ASU Digital Repositories.)
2012
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Note
- Partial requirement for: D.M.A., Arizona State University, 2012Note typethesis
- Includes bibliographical referencesNote typebibliography
- Field of study: Music
- Contains: Handel, George Frideric, 1685-1759. Giulio Cesare. Empio, dirò, tu sei; arranged
- Contains: Handel, George Frideric, 1685-1759. Messiah. For unto us a child is born; arranged
- Contains: Wagner, Richard, 1813-1883. Ring des Nibelungen. Walküre. Du bist der Lenz; arranged
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by Jeremy Patrick Peterman