Description
The purpose of this study is to explore the question: what are the ways in which the texts An Actor Prepares (1936) by Constantin Stanislavski and Theatre of the Oppressed (1985) by Augusto Boal intersect with each other and diverge from each other such that in their intersection/divergence a new horizons of understanding may emerge?
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Contributors
- Turner, Thomas (Author)
- Blumenfeld-Jones, Donald (Thesis advisor)
- Carlson, David L. (Committee member)
- Saldana, Johnny (Committee member)
- Arizona State University (Publisher)
Date Created
The date the item was original created (prior to any relationship with the ASU Digital Repositories.)
2012
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Note
- Partial requirement for: Ph. D., Arizona State University, 2012Note typethesis
- Includes bibliographical references (p. 222-227)Note typebibliography
- Field of study: Curriculum and instruction
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by Thomas Turner