Embryo Project Encyclopedia Articles

Anatomical models have always been a mainstay of descriptive embryology. As the training of embryologists grew in the late 1800s, so too did the need for large-scale teaching models. Embryo wax models, such as those made by Adolf Ziegler and Gustav Born, were popular in the latter part of the nineteenth century and the early twentieth century as a way to visualize, in three dimensions, the fine detail of embryos without the aid of a microscope. While these models were found in many university laboratories, museums of science, and even expositions and world's fairs, they were anything but easy to make or obtain. Wax modeling required skill, patience, and specialized tools. Small laboratories with only one or two embryologists often found the prospect of wax modeling too laborious, too difficult, and too expensive to make the pursuit worthwhile. As an alternative, Susanna Phelps Gage, an embryologist at Cornell University, perfected a technique of using stacks of absorbent blotting paper rather than stacks of wax plates for constructing embryo models. She first demonstrated her blotting paper method to other embryologists at the annual meeting of the Association of American Anatomists in 1905 and later at the International Zoological Congress, held in Boston in August 1907.

Possums is a 174-page book consisting of a series of essays written about the Virginia opossum (Didelphis virginiana), the only living marsupial in the US. The essays were written by Carl Gottfried Hartman, an embryologist at the Carnegie Institute of Washington (CIW), in Baltimore, Maryland, who also worked with another mammal, the rhesus monkey. Possums was published in 1952 by Hartman's alma mater, the University of Texas at Austin (UT). Beginning in 1913, while as a graduate student, and later as an instructor at UT, Hartman captured and raised opossums. He was one of the first zoologists to study the intricacies of opossum embryology, leading to an account of the embryology and reproductive physiology of a mammal from the wild, rather than of a mammal bred exclusively for laboratory research. Possums culminated Hartman's studies of the marsupial.

Embryos in Wax: Models from the Ziegler Studio is a history of embryo wax modeling written by science historian Nick Hopwood. Published by the Whipple Museum of the History of Science University of Cambridge and the Institute of the History of Medicine University of Bern, 2002, the book, like the wax models, helps exemplify the visual and material culture of science. The first half of the book describes the modeling work of Germany's Adolf and son Friedrich Ziegler during the rise of developmental embryology from 1850 to 1920, a time when embryology's practitioners needed educational aids that could help teach students in laboratories and lay persons in public lectures. Three-dimensional wax models provided just this visual aid.

Osborne O. Heard was a noted Carnegie embryological model maker for the Department of Embryology at The Carnegie Institute of Washington (CIW), Baltimore, Maryland. Heard was born in Frederick, Maryland, on 21 November 1890. His father died while Heard and his three brothers were quite young. Heard attended night school at the Maryland Institute of Art and Design where he studied sculpting and patternmaking. While working as a patternmaker for the Detrick and Harvey Machine Company, Heard made models of tools using a variety of materials such as wood, plastic, and plaster of Paris. These models were then handed over to a mold maker to form a casting. Heard's work came to the attention of Franklin Paine Mall, the first director of the CIW's Embryology Department. Mall persuaded Heard to leave the machine company and to continue his craft at the Carnegie Institute. Hired in 1913, Heard remained an employee of the department for forty-two years, making hundreds of wax and plaster embryo models and contributing to several improvements in reconstruction technology.

The scientific field of embryology experienced great growth in scope and direction in Germany from approximately 1850 to 1920. During this time, Adolf Ziegler and his son Friedrich crafted hundreds of wax embryo models, representing a shift in how embryos were viewed and used. Their final products, whether human or trout embryos, showcased the now lost collaboration between wax modeling artists and embryologists.

Three-dimensional anatomical models have long been essential to the learning of science and lend a sense of "control" to those practicing in the field. As the development of embryology grew in importance during the late 1800s, so did the need for models to show intricate details of embryos. Embryologists such as Wilhelm His, Ernst Haeckel, and Oscar Hertwig all initially constructed their own wax models of embryos but later handed over the modification and reproduction of their models to various "plastic artists." The most renowned among these artists was Adolf Ziegler.