This collection includes both ASU Theses and Dissertations, submitted by graduate students, and the Barrett, Honors College theses submitted by undergraduate students. 

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In this thesis, I delve into the complex ethical issue of deception and coercion as external factors that can undermine consent. Countless theorists have debated the moral permissibility of different forms of deception and coercion, and in this thesis, I propose my own solution to this challenging problem in the

In this thesis, I delve into the complex ethical issue of deception and coercion as external factors that can undermine consent. Countless theorists have debated the moral permissibility of different forms of deception and coercion, and in this thesis, I propose my own solution to this challenging problem in the ethics of consent. Narrow in scope, my investigation focuses on the morally transformative power of consent and how deception and coercion hinder consent from performing this morally transformative "magic." I argue that certain features of sex are essential to the act of consent, and that deception about these features fundamentally undermines the validity of consent. Furthermore, I support David Boonin's distinction between threats and offers in the coercion literature as the most compelling distinction thus far. Through rigorous analysis and critical engagement with existing literature, my thesis contributes to the ongoing philosophical discourse on consent, deception, and coercion, shedding light on the intricacies of these issues and advancing our understanding of this complex ethical landscape.

ContributorsDevaraj, Sunil (Author) / McGregor, Joan (Thesis director) / de Marneffe, Peter (Committee member) / Barrett, The Honors College (Contributor) / School of Life Sciences (Contributor) / Historical, Philosophical & Religious Studies, Sch (Contributor)
Created2023-05
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It is my position that Kendrick Lamar takes a journey over the course of his album “To Pimp a Butterfly” (TPAB) that is similar to the journey taken by the prisoner up and out of the cave described by Socrates in the Republic. Using the structure and ideas of the

It is my position that Kendrick Lamar takes a journey over the course of his album “To Pimp a Butterfly” (TPAB) that is similar to the journey taken by the prisoner up and out of the cave described by Socrates in the Republic. Using the structure and ideas of the Republic, I will provide a novel interpretation of the album that highlights Lamar’s transformation and development. The general lesson that I have learned by connecting these two works is that becoming a better person is a difficult and continuous process but also a fulfilling one. First, I will provide some points of context from the Republic and TPAB that are relevant to my argument. Second, I will identify the three stages of the cave prisoner’s ascent out of the cave and Lamar’s escape from Compton together. Third, I will split up the three stages into their own three chapters and show how Lamar’s three-staged journey is similar to the cave prisoner’s. To do this, I will propose shadows, statues, and forms present in TPAB. In each chapter, I will demonstrate using Plato’s tripartite model of the soul how each stage corresponds to one of the three stages of Lamar’s metaphorical metamorphosis on TPAB: caterpillar, cocoon, and butterfly. In the third chapter, I will bring everything together to show how a Platonic understanding of TPAB allows us to better understand the process of Lamar’s self-realization. In my conclusion, I will end with summary of what I have accomplished and the personal thoughts and lessons I have learned from assembling all of this.
ContributorsDonovan, Jaxon (Author) / Klein, Shawn (Thesis director) / de Marneffe, Peter (Committee member) / Barrett, The Honors College (Contributor) / Historical, Philosophical & Religious Studies, Sch (Contributor) / School of Politics and Global Studies (Contributor)
Created2024-05