Theses and Dissertations
This collection includes both ASU Theses and Dissertations, submitted by graduate students, and the Barrett, Honors College theses submitted by undergraduate students.
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- Creators: Glenberg, Arthur
Description
One of the nation's most pressing health related issues is that of healthy diet and proper nutrition. Because much research has shown that many Americans are in poor health or are at risk to become so due to poor diet and nutrition, understanding the psychological factors of a healthy diet or lack thereof is of the utmost importance. In order to understand the adoption and maintenance of health related behaviors, the link between intentions and behaviors must be evaluated. Of current health behavior models, the model utilized in this study was the Health Action Process Approach model (HAPA), which addressed this "intention-behavior gap." The HAPA model proposes that planning is the key mediator of the link between intentions and behavior. The current research was performed in two stages. The first stage evaluated the psychosocial constructs of the HAPA model, and their predictive utility for current diet and the second stage evaluated a planning-based intervention that aimed to increase proper nutrition in college-aged women. All HAPA constructs were found to be significantly correlated with one another, and planning was found to significantly and fully mediate the link between intention and healthy diet. The intervention did not lead to an increase in healthy diet relative to a standard-of-care control, although all participants across conditions reported increased intention, self-efficacy, and healthy diet from pre-test to follow-up.
ContributorsWells, Jordan Rebecca (Author) / Aiken, Leona (Thesis director) / Glenberg, Arthur (Committee member) / Hansen, Whitney (Committee member) / Barrett, The Honors College (Contributor) / Department of Psychology (Contributor)
Created2013-12
Description
Tempo control is a crucial part of musicianship that can provide an obstacle for novice musicians. The current study examines why novice percussionists increase their playing tempo when they increase their loudness (in music, loudness is referred to as dynamics). This study tested five hypotheses: 1) As actual tempo changes, listeners perceive that the tempo is changing; 2) There is a perceptual bias to perceive increases in acoustic intensity as also increasing in tempo; 3) All individuals, regardless of percussion experience, display the bias described in hypothesis 2; 4) Unskilled or non-percussionists increase or decrease produced tempo as they respectively increase or decrease loudness; and 5) Skilled percussionist produce less change in tempo due to changes in loudness than non-percussionists. In Experiment 1, percussionists and non-percussionists listened to metronome samples that gradually change in intensity and/or tempo. Participants identified the direction and size of their perceived tempo change using a computer mouse. In Experiment 2, both groups of participants produced various tempo and dynamic changes on a drum pad. Our findings support that both percussionists and non-percussionists, to some extent, display a perceptual bias to perceive tempo changes as a function of intensity changes. We also found that non-percussionists altered their tempo as a function of changing dynamic levels, whereas percussionists did not. Overall, our findings support that listeners tend to experience some integrality between perceptual dimensions of perceived tempo and loudness. Dimensional integration also persists when playing percussion instruments though experience with percussion instruments reduces this effect.
ContributorsJohnson, Adam Gregory (Author) / McBeath, Michael (Thesis director) / Glenberg, Arthur (Committee member) / Yost, William (Committee member) / Barrett, The Honors College (Contributor) / Department of Psychology (Contributor)
Created2014-05