This collection includes both ASU Theses and Dissertations, submitted by graduate students, and the Barrett, Honors College theses submitted by undergraduate students. 

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Description
This thesis examines contemporary cinematic adaptations of the Ovidian Pygmalion story. The films Blade Runner (1981), Lars and the Real Girl (2007), Ruby Sparks (2012), and Her (2013) are analyzed. This thesis seeks to understand why this particular myth is so resonant in today's popular culture and what this relevance

This thesis examines contemporary cinematic adaptations of the Ovidian Pygmalion story. The films Blade Runner (1981), Lars and the Real Girl (2007), Ruby Sparks (2012), and Her (2013) are analyzed. This thesis seeks to understand why this particular myth is so resonant in today's popular culture and what this relevance reveals about modern society. The roles of female subjugation, sexualization, and relationship with technology will be major areas of concern. Research includes film criticism, Ovidian scholarship, and new advances in computer technology.
ContributorsStory, Sara Katherine (Author) / Corse, Taylor (Thesis director) / Ellis, Lawrence (Committee member) / Barrett, The Honors College (Contributor) / Department of English (Contributor)
Created2015-05
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Description
Both "After Annie" and "When It All Happens, The End, And She's in Her Forties" focus on evolving familial relationships characterized by both love and loss. Though told in different styles, different voices, different tenses, both stories triumph the power of memory in relation to love while simultaneously emphasizing the

Both "After Annie" and "When It All Happens, The End, And She's in Her Forties" focus on evolving familial relationships characterized by both love and loss. Though told in different styles, different voices, different tenses, both stories triumph the power of memory in relation to love while simultaneously emphasizing the trauma and long-lasting effects of loss. With one, through the relationship between grandfather and granddaughter and the other, through a daughter's loss of her mother, both stories converge at the intersection of duty and the need for flight (and perhaps self preservation). "After Annie" and "When It All Happens, The End, And She's in Her Forties" speak to the careful ghosts of memory, which are sometimes, thankfully, even stronger than the pull of what's been left in their absence.
ContributorsArregoces, Christina Marie (Author) / McNally, T. M. (Thesis director) / Ellis, Lawrence (Committee member) / Barrett, The Honors College (Contributor) / Sandra Day O'Connor College of Law (Contributor) / Department of English (Contributor)
Created2014-05
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Description
We, in the Ages Lying: An Exploration of Monstrosity in "Beauty and the Beast" examines the tropes and themes of traditional and non-traditional "Beauty and the Beast" adaptations with a focus on the question of what is and is not monstrous. This thesis contains an in-progress essay with detailed outline.

We, in the Ages Lying: An Exploration of Monstrosity in "Beauty and the Beast" examines the tropes and themes of traditional and non-traditional "Beauty and the Beast" adaptations with a focus on the question of what is and is not monstrous. This thesis contains an in-progress essay with detailed outline. The focus of the project was one's own adaptation of the tale, "We, in the Ages Lying", which takes place in tribal Botswana, following the maturation of main character, Ntwadumela, and the interactions with the beast, the "phiritoo".
ContributorsBrigham, Dominique Claire (Author) / Cook, Paul (Thesis director) / Ellis, Lawrence (Committee member) / Humphrey, Ted (Committee member) / Barrett, The Honors College (Contributor) / Department of English (Contributor)
Created2013-05