Theses and Dissertations
This collection includes both ASU Theses and Dissertations, submitted by graduate students, and the Barrett, Honors College theses submitted by undergraduate students.
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- Creators: Turaga, Pavan
Description
Speech is generated by articulators acting on
a phonatory source. Identification of this
phonatory source and articulatory geometry are
individually challenging and ill-posed
problems, called speech separation and
articulatory inversion, respectively.
There exists a trade-off
between decomposition and recovered
articulatory geometry due to multiple
possible mappings between an
articulatory configuration
and the speech produced. However, if measurements
are obtained only from a microphone sensor,
they lack any invasive insight and add
additional challenge to an already difficult
problem.
A joint non-invasive estimation
strategy that couples articulatory and
phonatory knowledge would lead to better
articulatory speech synthesis. In this thesis,
a joint estimation strategy for speech
separation and articulatory geometry recovery
is studied. Unlike previous
periodic/aperiodic decomposition methods that
use stationary speech models within a
frame, the proposed model presents a
non-stationary speech decomposition method.
A parametric glottal source model and an
articulatory vocal tract response are
represented in a dynamic state space formulation.
The unknown parameters of the
speech generation components are estimated
using sequential Monte Carlo methods
under some specific assumptions.
The proposed approach is compared with other
glottal inverse filtering methods,
including iterative adaptive inverse filtering,
state-space inverse filtering, and
the quasi-closed phase method.
a phonatory source. Identification of this
phonatory source and articulatory geometry are
individually challenging and ill-posed
problems, called speech separation and
articulatory inversion, respectively.
There exists a trade-off
between decomposition and recovered
articulatory geometry due to multiple
possible mappings between an
articulatory configuration
and the speech produced. However, if measurements
are obtained only from a microphone sensor,
they lack any invasive insight and add
additional challenge to an already difficult
problem.
A joint non-invasive estimation
strategy that couples articulatory and
phonatory knowledge would lead to better
articulatory speech synthesis. In this thesis,
a joint estimation strategy for speech
separation and articulatory geometry recovery
is studied. Unlike previous
periodic/aperiodic decomposition methods that
use stationary speech models within a
frame, the proposed model presents a
non-stationary speech decomposition method.
A parametric glottal source model and an
articulatory vocal tract response are
represented in a dynamic state space formulation.
The unknown parameters of the
speech generation components are estimated
using sequential Monte Carlo methods
under some specific assumptions.
The proposed approach is compared with other
glottal inverse filtering methods,
including iterative adaptive inverse filtering,
state-space inverse filtering, and
the quasi-closed phase method.
ContributorsVenkataramani, Adarsh Akkshai (Author) / Papandreou-Suppappola, Antonia (Thesis advisor) / Bliss, Daniel W (Committee member) / Turaga, Pavan (Committee member) / Arizona State University (Publisher)
Created2018
Description
Open Design is a crowd-driven global ecosystem which tries to challenge and alter contemporary modes of capitalistic hardware production. It strives to build on the collective skills, expertise and efforts of people regardless of their educational, social or political backgrounds to develop and disseminate physical products, machines and systems. In contrast to capitalistic hardware production, Open Design practitioners publicly share design files, blueprints and knowhow through various channels including internet platforms and in-person workshops. These designs are typically replicated, modified, improved and reshared by individuals and groups who are broadly referred to as ‘makers’.
This dissertation aims to expand the current scope of Open Design within human-computer interaction (HCI) research through a long-term exploration of Open Design’s socio-technical processes. I examine Open Design from three perspectives: the functional—materials, tools, and platforms that enable crowd-driven open hardware production, the critical—materially-oriented engagements within open design as a site for sociotechnical discourse, and the speculative—crowd-driven critical envisioning of future hardware.
More specifically, this dissertation first explores the growing global scene of Open Design through a long-term ethnographic study of the open science hardware (OScH) movement, a genre of Open Design. This long-term study of OScH provides a focal point for HCI to deeply understand Open Design's growing global landscape. Second, it examines the application of Critical Making within Open Design through an OScH workshop with designers, engineers, artists and makers from local communities. This work foregrounds the role of HCI researchers as facilitators of collaborative critical engagements within Open Design. Third, this dissertation introduces the concept of crowd-driven Design Fiction through the development of a publicly accessible online Design Fiction platform named Dream Drones. Through a six month long development and a study with drone related practitioners, it offers several pragmatic insights into the challenges and opportunities for crowd-driven Design Fiction. Through these explorations, I highlight the broader implications and novel research pathways for HCI to shape and be shaped by the global Open Design movement.
This dissertation aims to expand the current scope of Open Design within human-computer interaction (HCI) research through a long-term exploration of Open Design’s socio-technical processes. I examine Open Design from three perspectives: the functional—materials, tools, and platforms that enable crowd-driven open hardware production, the critical—materially-oriented engagements within open design as a site for sociotechnical discourse, and the speculative—crowd-driven critical envisioning of future hardware.
More specifically, this dissertation first explores the growing global scene of Open Design through a long-term ethnographic study of the open science hardware (OScH) movement, a genre of Open Design. This long-term study of OScH provides a focal point for HCI to deeply understand Open Design's growing global landscape. Second, it examines the application of Critical Making within Open Design through an OScH workshop with designers, engineers, artists and makers from local communities. This work foregrounds the role of HCI researchers as facilitators of collaborative critical engagements within Open Design. Third, this dissertation introduces the concept of crowd-driven Design Fiction through the development of a publicly accessible online Design Fiction platform named Dream Drones. Through a six month long development and a study with drone related practitioners, it offers several pragmatic insights into the challenges and opportunities for crowd-driven Design Fiction. Through these explorations, I highlight the broader implications and novel research pathways for HCI to shape and be shaped by the global Open Design movement.
ContributorsFernando, Kattak Kuttige Rex Piyum (Author) / Kuznetsov, Anastasia (Thesis advisor) / Turaga, Pavan (Committee member) / Middel, Ariane (Committee member) / Takamura, John (Committee member) / Arizona State University (Publisher)
Created2020