Barrett, The Honors College Thesis/Creative Project Collection
Barrett, The Honors College at Arizona State University proudly showcases the work of undergraduate honors students by sharing this collection exclusively with the ASU community.
Barrett accepts high performing, academically engaged undergraduate students and works with them in collaboration with all of the other academic units at Arizona State University. All Barrett students complete a thesis or creative project which is an opportunity to explore an intellectual interest and produce an original piece of scholarly research. The thesis or creative project is supervised and defended in front of a faculty committee. Students are able to engage with professors who are nationally recognized in their fields and committed to working with honors students. Completing a Barrett thesis or creative project is an opportunity for undergraduate honors students to contribute to the ASU academic community in a meaningful way.
Displaying 1 - 5 of 5
Description
The maximal amount of oxygen a person’s body can use while exercising is their VO2max. It is important to test VO2max in chronic stroke survivors who experience stroke-related deficits. The American College of Sports Medicine defines criteria for determining if a VO2max was reached. These criteria appear not to be applicable for this population. We explored an alternative set of criteria that appears more appropriate. Criteria for VO2max testing post-stroke should be further tested and defined.
ContributorsBauer, Rebecca Ellen (Author) / Holzapfel, Simon (Thesis director) / Bosch, Pamela (Committee member) / College of Health Solutions (Contributor, Contributor) / Dean, W.P. Carey School of Business (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
The intergroup contact theory purports positive effects of intergroup contact on both implicit and explicit attitudes. Implicit attitudes refer to the lack of awareness of the attitude, whereas explicit attitudes are conscious to each individual. The purpose of this study was to examine the effects of direct interaction with people with intellectual disabilities on both the conscious and unconscious attitudes of college students without intellectual disabilities. The intergroup contact was accomplished through the Exercise Program for Adults with Down Syndrome (ExDS) at Arizona State University (ASU). ExDS is a semester long program integrating ASU students with adults with Down syndrome to design and perform workouts in a buddy system twice a week. ASU students enrolled in unrelated on-ground courses served as control participants. Implicit attitudes were tested using the Implicit Association Task at the beginning and end of the semester. Explicit attitudes were also tested using a self-report questionnaire--Community Living Attitudes Scale-ID version before and after enrollment in the program. Results were analyzed using a two-way ANOVA, where the interaction effects were statistically insignificant for both the IAT and CLAS-ID. Limitations included inconsistencies in the data collection process, the type of contact with those with intellectual disabilities, possible testing effects of learning both measures pre- and post- testing and a small sample size. Further research is necessary to determine the most effective way to measure implicit and explicit biases to those with intellectual disabilities.
ContributorsHightower, Tristany Fayeth (Author) / Holzapfel, Simon (Thesis director) / Tran, Alisa (Committee member) / Department of Psychology (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
Physical therapy patients still receive their plan of care onto a piece of paper when there are hundreds of engaging physical therapy exercise videos on the internet. These exercise videos are way more appealing to watch and physical therapists should consider delivering Home Exercise Programs (HEP) digitally. There are apps and online services such as Physioadvisor, Physprac app, Anterior Cruciate Ligament repair app, and work-out apps for people to create their own plan of care and are easily accessible with any electronic device. Most people are receiving information and learning through a lit screen anyways so it may only be a matter of time before people start using these resources instead of a physical therapist. Physical Therapists need to provide better resources for their patients and an app may be all they need. Figures of the results of the Qualtrics survey both Physical Therapists and Patient responses and were provided. A data analysis of each question and responses were interpreted to determine whether patients and physical therapists would like to use a physical therapy app as part of their rehab program. A Physiotherapy research journal with Switzerland researchers conducted a case study in a hospital and determined whether a HEP app testing was effective for patients to utilize.
ContributorsChang, Cheng H. (Author) / Holzapfel, Simon (Thesis director) / Peterson, Daniel (Committee member) / College of Health Solutions (Contributor, Contributor, Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
This paper is the culmination of my creative project for graduation from Barrett, the Honors College at Arizona State University. The creative portion of the project consisted of researching Québécois (or French-Canadian) composers and specifically finding music for flute and piano. I wished to find pieces that could prove valuable in expanding the standard flute repertoire. My goal with this project was to shed light on some fairly unknown and certainly under-played pieces for flute and piano by French-Canadian composers and learn those pieces for my senior recital on March 2, 2020. This summary of the research experience and the process of recital preparation is intended to be a guide for flutists who may work on these pieces in the future and musicians on any instrument who take on a similar project of introducing new pieces to their instrument’s existing repertory.
ContributorsRule, Renee Rejane (Author) / Buck, Elizabeth (Thesis director) / Feisst, Sabine (Committee member) / Dean, W.P. Carey School of Business (Contributor) / School of Music (Contributor) / Department of English (Contributor, Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
The first women who performed in orchestral settings were harpists who were substitute or extra players specifically hired for works requiring harp, such as Gustav Mahler’s symphonies or Maurice Ravel’s La Valse (c. 1919). It was not until flutist Doriot Anthony Dwyer won the principal flute position in the BSO in 1952 that a woman was hired as a principal player of a major US orchestra. Following Dwyer’s lead, more women slowly earned their acceptance in professional orchestras. Focusing on the time period 1920-1950, three of the first pioneers who gained acceptance into American orchestras and were the first female orchestral players were flutists Doriot Anthony Dwyer, Lois Schaefer, and Frances Blaisdell. These women lived extraordinary lives and have inspired many generations of female flutists to continue in their footsteps pursuing their own orchestral and professional solo careers. One significant factor for the eventual increase of female musicians in the modern orchestra was the establishment of blind auditions. A blind audition is where a player performs behind a screen for an audition committee to preserve anonymity. Screens can be made of heavy cloth or a room divider that separates the player from the panel of orchestra members critiquing potential hires. This can often include the music director and other musicians. The screen conceals each player’s identity and allows the panel to focus their listening on how a candidate actually sounds versus how they may look and act while playing. Limiting stimuli to aural perception would help to mitigate bias or prejudice against race, gender, or age through the audition process.
ContributorsMcClain, Katelyn (Author) / Buck, Elizabeth (Thesis director) / Meyer, Jeffery (Committee member) / School of Music (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05