Barrett, The Honors College Thesis/Creative Project Collection
Barrett, The Honors College at Arizona State University proudly showcases the work of undergraduate honors students by sharing this collection exclusively with the ASU community.
Barrett accepts high performing, academically engaged undergraduate students and works with them in collaboration with all of the other academic units at Arizona State University. All Barrett students complete a thesis or creative project which is an opportunity to explore an intellectual interest and produce an original piece of scholarly research. The thesis or creative project is supervised and defended in front of a faculty committee. Students are able to engage with professors who are nationally recognized in their fields and committed to working with honors students. Completing a Barrett thesis or creative project is an opportunity for undergraduate honors students to contribute to the ASU academic community in a meaningful way.
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- Creators: School of Mathematical and Statistical Sciences
- Creators: Van Engen, Dagmar
In thesis we will build up our operator theory for finite and infinite dimensional systems. We then prove that Heisenberg and Schrodinger representations are equivalent for systems with finite degrees of freedom. We will then make a case to switch to a C*-algebra formulation of quantum mechanics as we will prove that the Schrodinger and Heisenberg pictures become inadequate to full describe systems with infinitely many degrees of freedom because of inequivalent representations. This becomes important as we shift from single particle systems to quantum field theory, statistical mechanics, and many other areas of study. The goal of this thesis is to introduce these mathematical topics rigorously and prove that they are necessary for further study in particle physics.
Robocop, Logan, and War Girls all present dystopian futures where technology, and more specifically cyborg augmentation, unleashes the worst of humanity. Within these texts, the cyborg, when produced for military use, allows humans to indulge their most harmful impulses in armed conflict. The government-produced cyborg facilitates the domination of outgroups by forcing characters to shed empathy and to “other” perceived enemies. The cyborg in this situation works within the militarized masculine framework described by Cristina Masters in Cyborg Soldiers And Militarized Masculinities. This is the cyborg individual’s transformation into a weapon with a singular use. This transformation is facilitated and encouraged by dominant military power structures, and allows these structures with the help of the cyborg to execute brutal violence against any group unlucky enough to find themselves on the wrong side of a conflict. The solution to such exploitation, then, is for the cyborg to assert its humanity and reject this transformation into a weapon. This thesis argues that doing this will involve abandoning the military structure, rejecting the subjectivity of militarized masculinity characterized by empathy loss and “othering”, and refusing to remain a soldier of the dominant corporate or governmental power structures. Even though this cannot bring down the entire system that perpetuates injustice and bloodletting, it does free the cyborg and hinder the military structure’s ability to execute this injustice. In the uncomfortably plausible dystopias my primary texts reasonably predict, the solution to the cyborg’s exploitation and transformation is to firmly oppose the military-industrial war machine characterized by hyper capitalist and imperialist ambitions.
Speculative fiction and fantasy media have abundant power to portray alternative realities or imagined futures for minority groups. Buffy the Vampire Slayer, from the late 1990s-early 2000s, and Wynonna Earp, from the late 2010s, are two fantasy television shows that produce this often-progressive, impactful representation, particularly for lesbians and bisexual people. Drawing on Queer and Monster Theories from Susan Stryker, Marilee Lindemann, Harry Benshoff, and Alexis Lothian, this thesis examines queer representation in these TV shows and how it contributes to the normalization of LGBTQ+ individuals whilst simultaneously honoring the shows’ queer fans. Normalizing non-cishetero genders and sexualities helps rewrite the narrative of LGBTQ+ people being considered “deviant” and threatening societal order; and holding true to queer roots of challenging social norms prevents the power of the queer community from being influenced by the pressures of compulsory heterosexuality.
Bdellovibrio bacteriovorus (BB) is a gram negative predatory bacteria that uses other gram negative bacteria to proliferate non-binarily. Due to the predatory nature of BB researchers have proposed to use it as a potential biocontrol agent against other gram negative bacteria. The in vivo effect of predatory bacteria on a living host lacks thorough investigation. This paper explores BB inside and outside of the C. elegans. BB acts internally by pre- infecting C. elegans with E. coli and then treating the worms with BB. After BB treatment worm survivavbility increased and morbidity decreased. Ex- ternally, BB modulated the environment around the nematode which reduced infection rates and increased nematode lifespan and survivability. Together, the internal and external results suggest BB has the capability to act as a living antibiotic acting topically and internally to reduce infection rates.