Barrett, The Honors College Thesis/Creative Project Collection
Barrett, The Honors College at Arizona State University proudly showcases the work of undergraduate honors students by sharing this collection exclusively with the ASU community.
Barrett accepts high performing, academically engaged undergraduate students and works with them in collaboration with all of the other academic units at Arizona State University. All Barrett students complete a thesis or creative project which is an opportunity to explore an intellectual interest and produce an original piece of scholarly research. The thesis or creative project is supervised and defended in front of a faculty committee. Students are able to engage with professors who are nationally recognized in their fields and committed to working with honors students. Completing a Barrett thesis or creative project is an opportunity for undergraduate honors students to contribute to the ASU academic community in a meaningful way.
Displaying 1 - 9 of 9
Filtering by
Description
In today’s economy, advertisers understand that sex sells. The foundations of this concept, however, are influenced by patriarchal expectations that women are first and foremost sexual objects for men. Women are sold beauty and demeanor expectations for them to utilize when making themselves attractive for men and men are sold the idea of beautiful, docile women. This dynamic perpetuates strict definitions of acceptable gender displays and reinforces socially permitted gendered behavior. As a society in the 21st century, we understand the damage of sexist ideals, but where we fall short is in the monitoring of channels that perpetuate and maintain those stereotypes and how affected the public really is by the male gaze, and lack of a female gaze, in media. In this paper, I search for a female gaze, but in doing so recognize the inequalities inherent in yet another gendered practice of looking and instead steer the conversation towards personalized perspectives informed by an understanding of the dominant practice of looking and its inverse.
The primary perspective from which people are depicted in media today is shaped by the male gaze. The male gaze is comprised of patriarchal ideals and relies on the understanding that the spectator or viewer is a standard human being, which heteronormativity tells us is a man. From this perspective, the scope of visual representations of men and women in media has been molded after the hierarchized gender displays within which masculinity has primacy over femininity. By presenting a limited spectrum of behavior acceptable for men and women, the media hegemonically manipulates the social constructs of gender and gendered behavior across all levels of society.
This honors thesis applies semiotic and feminist methodologies to engage visual forms of media through art, film, and social media to challenge the social constructs of gender perpetuated and reinforced by dated stereotypes of gender and gendered behavior. First, the theoretical foundation will provide a framework for semiotic and feminist analysis of visual representations of gender in media. Then, I will present data representing the real-world impact that this social construction of gender has on adolescents in America using The State of Gender Equality for U.S. Adolescents, published by Plan International Inc. I will then bring together the explicated methodologies and evidential data alongside my own experiences as a female consumer of visual media to reveal alternative practices of looking that do not revolve around patriarchal norms, looking for a female gaze. In doing so, I hope to present recourse in the face of persistent use of sexist imagery across all levels of our culture and every medium of visual self-expression by providing tools that can be used to interrogate gendered perceptions and inform self-examination in pursuit of a feminist practice of looking.
The primary perspective from which people are depicted in media today is shaped by the male gaze. The male gaze is comprised of patriarchal ideals and relies on the understanding that the spectator or viewer is a standard human being, which heteronormativity tells us is a man. From this perspective, the scope of visual representations of men and women in media has been molded after the hierarchized gender displays within which masculinity has primacy over femininity. By presenting a limited spectrum of behavior acceptable for men and women, the media hegemonically manipulates the social constructs of gender and gendered behavior across all levels of society.
This honors thesis applies semiotic and feminist methodologies to engage visual forms of media through art, film, and social media to challenge the social constructs of gender perpetuated and reinforced by dated stereotypes of gender and gendered behavior. First, the theoretical foundation will provide a framework for semiotic and feminist analysis of visual representations of gender in media. Then, I will present data representing the real-world impact that this social construction of gender has on adolescents in America using The State of Gender Equality for U.S. Adolescents, published by Plan International Inc. I will then bring together the explicated methodologies and evidential data alongside my own experiences as a female consumer of visual media to reveal alternative practices of looking that do not revolve around patriarchal norms, looking for a female gaze. In doing so, I hope to present recourse in the face of persistent use of sexist imagery across all levels of our culture and every medium of visual self-expression by providing tools that can be used to interrogate gendered perceptions and inform self-examination in pursuit of a feminist practice of looking.
ContributorsPreston, Phoebe Jane (Author) / Gaffney, Cynthia (Thesis director) / Kirsch, Sharon (Committee member) / School of Humanities, Arts, and Cultural Studies (Contributor) / School of Social and Behavioral Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
The topic of video games and their potential benefits had been researched and catalogued by a number of experts in the past when it came to aspects such as improving cognitive function and increasing learning capabilities. However, there was little research on how video games provide benefits to players in terms of mental and emotional growth and development. Yet, a game by the name of Octopath Traveler had been given little to no academic attention despite its interesting premise of eight separate characters following their own narratives and improving themselves over their journeys. This essay examined how Octopath Traveler provided deep messages and lessons on faith, perseverance, communication, and independence onto its player, ultimately assisting in their mental and emotional development and maturity. Each of the four messages is supported by two of the eight characters, and each character presented a differing perspective on the theme discussed; the characters Therion and Ophilia examined faith in both the self and others, the characters Alfyn and Primrose dissected perseverance regarding beliefs and goals, the characters Cyrus and Tressa discussed communication as a means of learning and as a means of interaction, and the characters Olberic and H’aanit examined independence regarding seeking a purpose and assisting the community as a whole. Octopath Traveler shows that video games can impart strong moral values onto individuals and help them develop both mentally and emotionally.
ContributorsSveinsson, Jordan Daniel (Co-author) / Sveinsson, Jordan (Co-author) / Garcia, Julie Amparano (Thesis director) / Devine, Theresa (Committee member) / School of Humanities, Arts, and Cultural Studies (Contributor, Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
Although Charles Perrault’s “Little Red Riding Hood” was written three centuries after Geoffrey Chaucer’s “The Friar’s Tale,” the stories share both similar villains and explicit morals that condemn the tales’ victims rather than the antagonists. In an essay analyzing these works, I find that Chaucer and Perrault moralize their villains' predation as retribution for the protagonist’s supposed wrongdoings. In order to challenge and expand on these themes, I wrote a novella about Noelle Wei, a thirteen-year-old girl, who is attacked but left alive by a beast known for killing only dangerous criminals. After the beast promises to return, Noelle and her community must reckon with his unspoken accusation.
ContributorsSteuber, Sophia Marie (Author) / McGregor, Francine (Thesis director) / Kirsch, Sharon (Committee member) / School of Humanities, Arts, and Cultural Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
Building on past research, this study addresses ways in which gay, Filipino men negotiate their dual minority identities and consider potential conflicts and/or methods in which being a sexual and ethnic minority work together in the development of one’s identity. Through qualitative interviews, this research examines the experience of eleven gay, Filipino men in the Phoenix, AZ and Los Angeles, CA metropolitan areas and explores way in which their identities create stress and conflict, but always ways in which these identities create positivity in relation to their dual minority status.
ContributorsPayton, John Sterling (Author) / Swank, Eric (Thesis director) / Fahs, Breanne (Committee member) / School of Humanities, Arts, and Cultural Studies (Contributor, Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
This thesis analyzes the relationship between the themes of madness and immorality in two plays from William Shakespeare (Hamlet and Othello) and three stories from Edgar Allan Poe (“The Tell-Tale Heart,” “The Cask of Amontillado,” and “The Black Cat”). In the beginning, this thesis provides a brief overview of the history of madness, focusing on humanity’s longstanding association of mental illnesses with immorality. Afterward, an analysis of the aforementioned works reveals connections and differences in how the works portray the relationship between the two themes. Throughout the analysis, the thesis includes information regarding each author’s historical context (specifically in regard to social, cultural, and historical associations between madness and immorality) to explore the authors’ depictions of their mad characters. The plays Hamlet and Othello indicate that madness, on one hand, results from God’s bestowment of rightful punishment on those that pursue revenge against His prohibition of seeking revenge. The plays, although primarily Othello on this second point, also suggest that madness originates from the influence of diabolical sources that gain control over those that pursue immoral actions. On the other hand, Poe depicts the relationship between madness and immorality slightly differently. In the works of Poe, immorality and madness connect in that madness triggers immorality. In the end, this analysis reveals how these works, differing slightly in the details, nevertheless show humanity’s old, prevailing association between madness and immorality.
ContributorsAragon, Maya (Author) / Fazio, Marsha (Thesis director) / Hattenhauer, Darryl (Committee member) / School of Humanities, Arts, and Cultural Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
Among the information learned and knowledge gained in a young adults first year of college, white privilege is arguably not the topic they are running home to share with their family during the semester break. Peggy McIntosh’s Unpacking the Invisible Knapsack essay, which first entered academia in 1988, attempted to better quantify students understanding of white privilege based largely on a set of 50 statements asking participants to evaluate their everyday experiences; centered largely on the influence that race has on those everyday experiences. The quantitative study I intend to distribute evaluates the effectiveness of Peggy McIntosh’s theories to identify white privilege in college students. The researchers will revise the 50 statements originally provided by McIntosh to 45 statements, making modifications to the existing language to ensure modern day relevancy. I intend to survey a sampling of young adults attending college with the revised survey created. The results will provide insight into the effectiveness of the Unpacking the Invisible Knapsack piece, which is widely distributed in 100-level Psychology, Women and Gender Studies, and Sociology classes, among others.
ContributorsMayon, Marli Jean (Author) / Swank, Eric (Thesis director) / Costello, John (Committee member) / College of Integrative Sciences and Arts (Contributor) / School of Humanities, Arts, and Cultural Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
Like many other works of climate fiction, such as The Sea and Summer and Here, Kim Stanley Robinson’s New York 2140 pictures a city of the future that has transformed as a result of the rising sea levels caused by a number of dramatic events due to human activity. As a larger genre, climate fiction can offer us a way to picture ourselves in a state of crisis still forthcoming and to help us better prepare for a future where drastic climate events are the new norm if not avert that future all together. Unlike other novels that focus on the anxieties felt over these changes, Robinson focuses on the logic that allows contemporary societies to refuse to confront climate change. The novel challenges the economic ideology that has brought us to our current state of climate denial—the novel is a critique of capital as much as it is a call to action to implement change in our struggle to save our planet.
ContributorsMiller, Jennie Jean (Author) / Hanlon, Chris (Thesis director) / Ramsey, Ramsey (Committee member) / School of Social and Behavioral Sciences (Contributor, Contributor) / School of Humanities, Arts, and Cultural Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
Through a combination of understanding dehumanization and the killing that results from it, one should be able to understand the reason why dehumanization comes about. Mental, cultural, and linguistic backgrounds must be understood to see how dehumanization is a complex process that requires all three factors to be effective. This requires understanding how the human mind works and the social systems that form once communities are formed. Ideas such as pseudospecies and essences are created to add legitimacy to this social distancing as language is also implemented to further separate one’s group from others. With this understood, one can find examples throughout history as one group battles another. The best examples come from soldier’s as they talk about their experiences in war. This involves understanding that war is not how it is portrayed in media. Killing is something that goes against human nature and it requires great strength to accept taking another’s life. Along with this, it is a much more complex process where killing is not always the ultimate goal. It is a more communal effort of acting as a group so that the opposing army flees or surrenders. This does not always work and sometimes killing is an inevitability. Now, not all killing is the same as there are “distances” that make some forms of killing more acceptable than others. This is combined with a soldier’s conditioning and drills so that they can overcome this initial fear of killing. It is a slippery slope however, as dehumanization and killing can lead to greater atrocities as people abuse the power they are trusted with.
ContributorsJohns, Noah Peter (Author) / Manninen, Bertha (Thesis director) / Toth, Stephen (Committee member) / School of Humanities, Arts, and Cultural Studies (Contributor, Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
This thesis project had three key components. First, we performed an extensive literature review of different types of feminist theories to better understand the scope of their definitions. We also reviewed several articles that examined how women, especially Latinas, seek to understand and negotiate their identity as feminists. Second, we conducted qualitative interviews with Latina college women in which they shared their college experiences, their thoughts on feminism, and how they believe the cultural values they were brought up with play a role in both. Finally, we developed a 12-minute documentary film containing excerpts from participants’ interviews that reflected a number of core themes. We invited participants to view the documentary and contribute to a post-film conversation with interested faculty members and students. The interactive post-film conversation served as a reflection and expansion of the themes in the film and challenged those that participated to explore avenues of resolution through family and communication.
The motivation for this project came from a place of reflection for what it means to be a feminist and Latina and how to navigate the values of both without compromising one over the other. After personally contemplating the meanings and process without coming to a concrete understanding, we were prompted to branch out and engage other Latina college students in a conversation about what it means for them, what unique challenges they may be facing, and how they may be seeking to answer questions surrounding their identity.
The motivation for this project came from a place of reflection for what it means to be a feminist and Latina and how to navigate the values of both without compromising one over the other. After personally contemplating the meanings and process without coming to a concrete understanding, we were prompted to branch out and engage other Latina college students in a conversation about what it means for them, what unique challenges they may be facing, and how they may be seeking to answer questions surrounding their identity.
ContributorsAlvarado, Ismail G. (Co-author) / Alejandro, Nathalie (Co-author) / Hall, Deborah (Thesis director) / Villegas-Silva, Claudia (Committee member) / School of Humanities, Arts, and Cultural Studies (Contributor) / School of Social and Behavioral Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05