Barrett, The Honors College Thesis/Creative Project Collection
Barrett, The Honors College at Arizona State University proudly showcases the work of undergraduate honors students by sharing this collection exclusively with the ASU community.
Barrett accepts high performing, academically engaged undergraduate students and works with them in collaboration with all of the other academic units at Arizona State University. All Barrett students complete a thesis or creative project which is an opportunity to explore an intellectual interest and produce an original piece of scholarly research. The thesis or creative project is supervised and defended in front of a faculty committee. Students are able to engage with professors who are nationally recognized in their fields and committed to working with honors students. Completing a Barrett thesis or creative project is an opportunity for undergraduate honors students to contribute to the ASU academic community in a meaningful way.
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Through this thesis, I intend to explore what sociologist Arthur Frank means when he describes illness as "a dangerous opportunity" (Frank, 1991, p. 1). It is my objective to more fully understand the lived experience of illness and how narrative can aid in transforming illness from tragic to transcendent. In doing so, it is first necessary to understand how illness differs from disease and how the medicalization of human health has displaced narrative from medical practice. Since illness is best understood as a lived experience, I will discuss how narrative is an exemplary means of communicating these experiences and restoring identity that is threatened by illness. Lastly, I will address how narrative might be more effectively utilized in the context of medicine, in respect to both patients and physicians. In this work, I propose that the opportunities posed by illness might be seized by actively exploring it by means of narrative expression. It is my hope that this thesis might contribute to extending the notion that narrative is a means of attributing greater meaning to illness and constructing a more complete, compassionate approach to medicine.
ContributorsFarley, Savannah Raelynn (Author) / Manninen, Bertha (Thesis director) / Piemonte, Nicole (Committee member) / School of Mathematical and Natural Sciences (Contributor) / School of Humanities, Arts, and Cultural Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2017-05
Description
Millennials turn out to vote at significantly lower rates than the rest of the population, sparking commentary on their apathy and lack of contributions to American society. This thesis attempts to paint an accurate description of why these trends have persisted in the past, and finds that there are many complex reasons that serve as explanations. Many of these reasons can be explained by an analysis of Millennials' characteristics and political attitudes, which research has found includes a prioritization of achievement and Independent political ideologies. Additionally, by differentiating between civic engagement and political engagement, data and research find that Millennials choose forms of civic participation over political participation as an active choice and alternative avenue for electoral participation. Ultimately, Millennials are disillusioned with the politically polarized landscape and are unable to navigate the saturated information environment to make confident voting decisions. The rest of the thesis explores organizations, campaigns, and potential reforms that attempt to turn out Millennials. A thorough evaluation of campaigns' and nonpartisan organizations' efforts reveal the best practices for reaching Millennials, which include prioritizing substantive policy discussions, implementing grassroots and bottom-up organizational strategies, and avoiding flashiness and pandering. Another clear area for potential reform is civic education, which is currently not prioritized in the public education system. Some education reforms that would be particularly effective at reversing these negative trends include allowing for political debate within the classroom, teaching civics through more vibrant and hands-on curriculum and directly highlighting and perpetuating the importance of voting in the classroom. This thesis evaluates these and many other potential policy reforms that will encourage Millennials' political engagement as they further enter into adulthood.
ContributorsBockrath, Stephanie Michelle (Author) / Gruber, Diane (Thesis director) / Kirkpatrick, Jennet (Committee member) / School of Humanities, Arts, and Cultural Studies (Contributor) / School of Social and Behavioral Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2017-05
Description
For this creative project and critical essay, I attempt to create a feminist screenplay within the horror sub-genre, the slasher film, based upon the works of acclaimed feminist film theorists, Laura Mulvey, Linda Williams, and Carol J. Clover. In each theorist's work, they discuss the ever present male dominant climate of narrative cinema, highlighting the misogynistic undertones of the horror genre along the way. Primarily focusing on the conventions of the slasher genre, as outlined in Clover's psychoanalytic examination of the slasher, I attempt to push the genre as far as possible to be something that fulfills the status of slasher film, as well as something that can be considered feminist.
ContributorsFaiss, Brandon Michael Dragon (Author) / Gruber, Diane (Thesis director) / Amparano, Julie (Committee member) / School of Humanities, Arts, and Cultural Studies (Contributor, Contributor) / Barrett, The Honors College (Contributor)
Created2017-05
Description
Abolitionist activism in 1850's America was divided among two groups of thought: disunionists, who understood the American Constitution to be a pro-slavery document, and political abolitionists, who believed the Constitution was antislavery. This paper traces the origins and structures of each argument, specifically focusing on the philosophies of Frederick Douglass and William Lloyd Garrison. It supplements their views with the works of other prominent abolitionists such as Lysander Spooner, Wendell Phillips and Gerrit Smith. In analyzing their rhetoric and beliefs, this paper examines the core of the contention between disunionists and political abolitionists and asserts that the chief divide between the two groups involved questions of whether the wording of the Constitution supported slavery, whether the drafters of the Constitution intended the document to condone slavery, and whether the intentions of the Constitution could be divorced from its interpretation at the hands of the American government and public. Furthermore, this paper argues that the conflict between disunionists and political abolitionists is not confined to the pages of history. It makes parallels between modern activism and the abolitionist writings of the 1850's, attempting to show that the same anti-Constitution reasoning of the disunionists permeates many present-day activists and scholars. It presents Frederick Douglass, Wendell Phillips and Gerrit Smith as proponents of a philosophy of radical constitutionalism which supports legal and cultural reform grounded in a respect for the ideals they believed were embedded within the Constitution and the Declaration of Independence. This paper advocates constitutional radicalism as the most just and effective method of American reform, echoing Douglass in his faith in American idealism and the power of law and civic duty to promote national justice.
ContributorsFendler, Austin Michael (Author) / Hanlon, Christopher (Thesis director) / Simonton, Matt (Committee member) / School of Humanities, Arts, and Cultural Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2017-05
Description
The death of Pericles and the Peloponnesian War saw the clash of two very different political cultures as the conservative aristocracy came into contact with the demagogues. The conflict between them would have profound effects on Athenian politics as well as the outcome of the war itself as both tried to assert dominance in a chaotic period of change. War gave the demagogues the opportunity to achieve power at the expense of the aristocracy, as had happened during the Affair at Pylos, the Mysteries and the Herms, and the Trial of the Generals. However, war also gave aristocrats with oligarchic sympathies the opportunity to lash out against the demagogues and their assault on traditional modes of politics through events such as the Mutilation of the Herms and the Coup of the Four Hundred. The more the demagogues pushed, the more the aristocracy resisted with opportunists such as Alcibiades and Callixeinus manipulating the resulting chaos for personal gain. This vicious battle for control of Athens served to destabilize its society and pave the way for their eventual defeat at the hands of the Spartans. This thesis explores the role the Athenian demagogue played in the Peloponnesian war as well as their relationship to the traditional ruling class within democratic Athens.
ContributorsLanders, Andrew Dale (Author) / Simonton, Matt (Thesis director) / Stantchev, Stefan (Committee member) / School of Humanities, Arts, and Cultural Studies (Contributor) / School of Social and Behavioral Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2017-05
Description
In this paper, I will look at recent game studies in three (3) large categories: (1) how games can be used for educational instruction, (2) how games impact players' social skills and behavioral choices, and (3) how games function as a method for satisfying human needs of play and entertainment. Within each category, several studies will be summarized. I have chosen these three (3) categories in particular because they are the ones I am most interested in and will afford to me the background research with which to define my own path of research and game design.
ContributorsSomers, Michael John (Author) / Devine, Theresa (Thesis director) / McNamara, Danielle (Committee member) / School of Humanities, Arts, and Cultural Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2016-12
Description
The objective of this study is to determine if female attorneys are penalized for expressing anger, while male attorneys gain influence when they express anger. I hypothesized that angry male attorneys would be perceived as having more positive traits and less negative traits than calm male attorney. In contrast, I hypothesized that angry female attorneys would be perceived as having more negative traits and less positive traits than calm female attorneys. I hypothesized that, as a result, participants would be more likely to hire the angry male attorney than the calm male attorney, while they would be less likely to hire the angry female attorney than the calm female attorney. After having participants view a video of attorneys giving closing arguments, whether it be angry or calm, male or female and having them answer questions, I found that both attorneys were characterized as having both more positive and negative traits than calm attorneys—regardless of their gender. In regards to the likelihood of being hired, I found that angry male attorneys were more likely to be hired than calm male attorneys. In contrast, angry female attorneys were less likely to be hired than calm female attorneys. Thus, although participants found both male and female angry (versus calm) attorneys high on negative and positive characteristics, they were more likely to hire the angry (versus calm) male attorney, which is consistent with previous research showing men are seen as more competent when expressing anger. These data suggest that there might be a systematic bias against women who try to exert influence in the courtroom by expressing anger.
ContributorsReyes, Rosa Natalie (Author) / Salerno, Jessica (Thesis director) / Neal, Tess (Committee member) / School of Social and Behavioral Sciences (Contributor) / School of Humanities, Arts, and Cultural Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2016-12
Description
For my Barrett Honors Thesis Creative Project, I will serve as a Sound Designer, Visual Media Designer (including elements of pixel mapping for projection and animation), Assistant Stage Manager and Dramaturg for iTheatre Collaborative's (a local professional theatre company) production of Permanent Collection written by Thomas Gibbons. The purpose is to use dramaturg research to inform aesthetic properties of this theatrical productions. The Sound Design will be a collection of manipulated published music, my own scores, cultural research music and interview voice recordings. The Visual Media Design will be a play between two projection installations I will create. The primary rear static projection will represent the mentioned art pieces in the script. For instance, a character may mention a Bamana mask. My job is to secure, edit and project the mask in a way that makes the mask seem physically present in the art gallery. The second element of Visual Media Design is a dreamscape of transitioning animated projection that floods the stage in an immersive encounter with art. As the Assistant Stage Manager of the production I had the opportunity to engage with the actors directly to learn what they needed in regards to the research I conducted as the Dramaturg. Dramaturgy is the act of dissecting, analyzing and researching theatrical scripts in an effort to ensure the clearest executions of the playwright's intent, the director's artistic vision and audience comprehension. Dramaturgs have a responsibility to the director, audience and play wrights to provide theatrical productions with all available history, context and options. The work of a Dramaturg consists of researching a production including social context and the general information about the circumstances of the production. They also compile program notes for the audience. Dramaturgs must have an understanding of the audience a play is presented to. A dramaturg is an important fixture in the production of a play. Dramaturgy, while it is rooted in theatre, it spans through areas of music and Visual Art making it and relevant to my major, Interdisciplinary Arts and Performance. History, Geography, Sociology and many other subjects will play into this project making it less field specific and more a marathon in exploring and trying to gain perspective on different fields of study. This creative project is about context and gaining perspective. That is the purpose of dramaturgy. Theatre is a discipline rooted in curiosity and empathetic rationality. I was once told by a theatre professor that as an actor one must "assume that every character is you if you were born in their circumstances." I don't think philosophers would agree with this statement and rightfully so. But I believe it does reflect an important world view that theatre requires, "empathy and gaining perspective." Dramaturgy is the practice of these values.
ContributorsBroeder, Elizabeth Ann Marie (Author) / St.Clair, Pr. Charles (Thesis director) / Rice, John (Committee member) / School of Humanities, Arts, and Cultural Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2016-12
Description
The following research seeks to understand the increase in political disengagement, or political apathy, in younger generations of American citizens, with political apathy defined as disinterest and/or lack of caring to vote, advocate, or engage in topics or actions affiliated with politics. Given the historical roots of the U.S. and the struggle of many individuals to gain and hold on to the rights to vote and advocate in the political sphere, it is somewhat puzzling that political apathy is on the rise. Hence, I pose the question of why younger voters, in particular, are disinterested in politics. In doing so, I explore past historical events that correlate with decreases in voter turnout that may have also influenced the start of political apathy. Additionally, I adopt an interdisciplinary lens that draws on the political philosophy of Thomas Hobbes and Karl Marx, the writings of Sigmund Freud, and more current research from the psychological literature on attitudes and associations and from political science. A broader aim of this paper is to increase awareness of political apathy and the potential consequences that younger and future generations may face, as a result.
ContributorsJicha, Amy A. (Author) / Hall, Deborah (Thesis director) / Neal, Tess (Committee member) / School of Humanities, Arts, and Cultural Studies (Contributor) / School of Social and Behavioral Sciences (Contributor) / School of Social Transformation (Contributor) / Barrett, The Honors College (Contributor)
Created2016-12