Barrett, The Honors College Thesis/Creative Project Collection
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Barrett accepts high performing, academically engaged undergraduate students and works with them in collaboration with all of the other academic units at Arizona State University. All Barrett students complete a thesis or creative project which is an opportunity to explore an intellectual interest and produce an original piece of scholarly research. The thesis or creative project is supervised and defended in front of a faculty committee. Students are able to engage with professors who are nationally recognized in their fields and committed to working with honors students. Completing a Barrett thesis or creative project is an opportunity for undergraduate honors students to contribute to the ASU academic community in a meaningful way.
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- Creators: School of Politics and Global Studies
Description
This thesis explores the dialogue between William Shakespeare, Central and Eastern Europe during the Soviet experiment, and the power of performance as protest. Politically inflected plays that are transnational appropriations of Shakespeare were aimed to subvert state-sanctioned censorship in order to enforce public socio-political interrogations of the Communist Party. My research first established a foundation for the site-specific historical and political context from which the interpretations stem, before examining the texts themselves as pieces of cultural resistance. I focused on four appropriations of Shakespeare’s plays, one being a rewrite of Richard III and three being rewrites of Hamlet: Nedyalko Yordanov’s The Murder of Gonzago from Bulgaria, Matei Visniec’s Richard III Will Not Take Place or Scenes from the Life of Vsevolod Meyerhold from Romania, Géza Bereményi’s Halmi, or the Prodigal Son from Hungary, and finally Boris Akunin’s Hamlet, A Version, a contemporary example of the lasting strength of Shakespearean appropriations. My research essentially followed the question of how countries from the Soviet bloc viewed its own contexts through the Shakespearean prism, as well as the phenomenon of political indictments being historically communicated through theater. I also examined how cultural representatives, for the purpose of this project being playwrights and dramatic performers, employ historically separate material to address the present issues. Ultimately, by researching pre- and post-communist dramas written within the architecture of Shakespeare, an understanding of the role and power of the artist in the political landscape can be attained.
ContributorsEllison, Amber Nicole (Author) / Orlich, Ileana (Thesis director) / Goggin, Maureen (Committee member) / Department of English (Contributor) / School of Politics and Global Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
Description
Mikhail Bulgakov's The Master and Margarita has been misunderstood by some scholars in terms of interpreting the character of Ivan, otherwise known as Homeless. Past researchers have looked at Ivan and found him to be a spiritual failure in not carrying on the tale of the Master's novel. In this paper, it is argued Ivan the poet actually achieves a spiritual state superior to the other character's in the novel. By the novel's end readers witness a rebirth of Ivan into one who yearly has a intimate spiritual vision involving Yeshua. Meanwhile other characters like the Master or his love Margarita end the novel in only a purgatory-like space which leaves them neither in the arms of a spiritual experience nor on earth. But Ivan is able to experience both the spiritual and the physical at the same time. Conclusions of this nature are drawn from the writings of Orthodox Father Pavel Florensky whose writings on aesthetics are heavily reflected in the novel. Ivan comes to embody the standard of Fr. Florensky's writings which glorify a person who has turned towards God. This then is the ultimate in beauty, the reflection of God who is the standard of goodness and beauty. Ivan then at the novel's end is able to experience a sense of closeness with God through a vision where he sees a Christlike figure. The dream causes him to become calm and at peace. He has in effect turned towards God and then embodies the goodness of God. Therefore, the spiritual state of Ivan is one who has garnered a closer connection with God than any other character in the novel.
ContributorsPierce, Phillip David (Author) / Orlich, Ileana (Thesis director) / Sipka, Danko (Committee member) / College of Integrative Sciences and Arts (Contributor) / School of Politics and Global Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2017-05
Description
Following the fall of communism in Romania which took place on December 25, 1989, those living within the country as well as others around the world believed the ushering of a nation towards a brighter future was underway. The limitations imposed by the dictator Nicolae Ceausescu were removed and a brighter future was on the horizon. Twenty-seven years have passed since this historical event in Romanian history, yet the country is far removed from that brighter future, as it is now plagued by other symptoms. The transition from communism to a fully functioning democracy has not been as smooth or as quick as many initially expected, and although some problems are no longer prevalent, others are becoming a staple of the nation. The Colectiv nightclub fire exemplifies the current obstacles and drawbacks of present day Romania, which impede the country's further progress to becoming a truly democratic nation, free from corruption and other widespread negative forces. Although the results of the incident which happened on the night of October 30th, 2015 are devastating and painful for those involved, their families, and to the entire country as a whole, the factors which led to this tragedy must be examined and rectified in order to help prevent any such event from reoccurring in the future. Throughout this analysis, I will proceed by first outlining the damaged system within both the Romanian government and society, and then examine how these shortcomings had a direct impact on the disaster which took place on the night of October 30th, 2015.
ContributorsToader, Alin Christian (Author) / Orlich, Ileana (Thesis director) / Paulesc, Julieta (Committee member) / School of Politics and Global Studies (Contributor) / Sandra Day O'Connor College of Law (Contributor) / School of International Letters and Cultures (Contributor) / Barrett, The Honors College (Contributor)
Created2016-12